Spanish and Portuguese Language and Literature Commons^™

Undying (And Undead) Modern National Myths: Cannibalism And Racial Mixture In Contemporary Brazilian Vampire Fiction, Jacob C. Brown

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Contemporary cultural media illustrates the vampire as an important symbolic figure in the Brazilian imaginary. For example, in twentieth and twenty-first century Brazilian fiction, television, and political discourse, vampires have risen from their supposedly European origins as expressions of urban decay, comic excess, and government corruption in Brazil. Beyond these representations, I focus on three contemporary novels in which the vampire also plays a starring role. O vampiro que descobriu o Brasil (1999) by Ivan Jaf, Aventuras do vampiro de Palmares (2014) by Gerson Lodi-Ribeiro, and Dom Pedro I Vampiro (2015) by Nazarethe Fonseca stand out from other creative reimaginings …

"Typescript Of The Second Origin". Counterculture And Politics In The 1970s'., Antoni Maestre-Brotons

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

This article explores how, like other science fiction and fantasy novels, Typescript of the Second Origin relates to 1970s counterculture, radical politics and anti-establishment movements. Pedrolo, a leftist and pro-independence strongly committed author, echoes the radical left’s breakaway from the bourgeois reactionary way of life and consumer society in the novel. The beginning of a post-apocalyptic era in the novel stands for some of the values attached to hippie culture: the search for an ‘authentic’ —natural, primitive, non-technological— life; anti-establishment activity —as shown in self-organisation and the dissolution of the political system—, universal solidarity —the first member of the new …

Alba As Eternal Mother: Violent Spaces And The ‘Last Woman’ In Manuel De Pedrolo’S "Mecanoscrit Del Segon Origen", Pedro Nilsson-Fernàndez

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

The ambitious literary project of Catalan author Manuel de Pedrolo i Molina (1918-1990) has generally been perceived as belonging to the tradition of popular literature, a label often reinforced by the unprecedented success of his minor work Mecanoscrit del segon origen. This has clearly damaged Pedrolo’s status in the Catalan literary; as Kathryn Crameri highlights, “(w)hen authors such as Manuel de Pedrolo championed more popular genres such as crime fiction” –or science fiction as far as this study is concerned– “they had to endure criticisms of the quality of their writing” (Crameri, 2008, p. 23). This article will challenge …

Political Wishful Thinking Versus The Shape Of Things To Come: Manuel De Pedrolo’S "Mecanoscrit" And “Los Últimos Días” By Àlex And David Pastor, Pere Gallardo Torrano

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Despite almost forty years separating Manuel de Pedrolo’s novel Mecanoscrit del segon orígen (1974, trad. Typescript of the Second Origin) and the brothers Àlex and David Pastor’s film “Los últimos días” (2013, US tit. “The Last Days”), it is not difficult to find several socio-political areas of intersection which converge on a biological issue at the end of both works: the pregnancy of one of the characters at the end of each story.

Yet, such an interpretation would be rather limited as it ignores the socio-political landscape from which each work originated. Published in the aftermath of the first …

Educating Dídac: Mankind’S New Father And The End Of Patriarchy In Manuel De Pedrolo’S "Typescript Of The Second Origin", Sara Martín

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

The post-apocalyptic novel by Catalan writer Manuel de Pedrolo, Typescript of the Second Origin (1974, English 2017) celebrates Alba as humankind’s new mother. Alba’s mission, however, clearly depends on the help of a man willing to father her children, a role for which Pedrolo made an extremely singular choice: whereas Alba is already 14 when Typescript begins, Dídac is just a 9-year-old boy. Because of the exceptional situation (the catastrophic extraterrestrial devastation of Earth), Pedrolo forces Dídac to mature very fast, to the point that he is only 12 when Alba gives birth to their baby. Additionally, Dídac’s mixed-raced genetic …