Spanish and Portuguese Language and Literature Commons^™

Lo Visible, Lo Invisible Y Lo Imaginable: Neoliberalismo Y Ciudad En Las Producciones Culturales De Posguerra En Centroamérica, Maria A. Leon Umana

Dissertations, Theses, and Capstone Projects

This project researches the radical change that the peace treaty of the 1990s brought to Central American societies in connection with economic models. Specifically, it examines the way in which the implementation of neoliberal policies has transformed the cities concerning the spatial and the social; consequently, resulting in an important urban shift in regard to postwar cultural productions. I build a theoretical model organizes the investigation in three representative examples of Central American urban imaginaries (The Visible, The Invisible, and the Imaginable) so as to enlighten and/or enrich the analysis of the region’s urban social realities—examined in detail in a …

La Nación Está En Otra Parte: Cultura Y Neoliberalismo En México (1977-1996), Rafael Lemus

Dissertations, Theses, and Capstone Projects

This dissertation studies a series of cultural products and practices that, between 1977 and 1996, either contributed to the formation and propagation of a neoliberal rationality in Mexico or opposed it. By analyzing objects as diverse as cultural magazines, art exhibitions, literary polemics and social movements, it addresses the reconfiguration of the Mexican cultural field triggered by the neoliberal turn in the 1980s as well as the construction of a new national narrative intended to displace the old revolutionary tale and to rationalize and facilitate the insertion of the country into the global economy.

The first chapter focuses on the …

Neoliberal Dystopias: Postmodern Aesthetics And A Modern Ethic In Four Pairs Of Plays By Argentine And Irish Playwrights (1990-2003), Noelia Diaz

Dissertations, Theses, and Capstone Projects

This project is an exploration of eight plays, four from Argentina, four from Ireland, comprehending the period between 1990 and 2003. Both countries share a strong tradition of national theatre that, from its beginnings, was closely intertwined with the development of the nation state. Theatre functions in Argentina and Ireland as a medium through which representations of what it means to be Irish or Argentine have been explored, questioned, and contested. It is the aim of this project to examine how the apparently non-political and ahistorical theater of the playwrights I will examine is indeed a response to a contextualized …