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Full-Text Articles in Spanish and Portuguese Language and Literature
Para Donde Miran Los Ojos: Confluencias Entre Locura, (Des)Identidad Y Violencia En La Obra De João Guimarães Rosa, Silvina Ocampo Y Luis Martín-Santos, Giseli C. Tordin
Para Donde Miran Los Ojos: Confluencias Entre Locura, (Des)Identidad Y Violencia En La Obra De João Guimarães Rosa, Silvina Ocampo Y Luis Martín-Santos, Giseli C. Tordin
Doctoral Dissertations
This dissertation studies the representation of madness in the literary works of three twentieth-century authors, namely, João Guimarães Rosa (from Brazil), Silvina Ocampo (from Argentina), and Luis Martín-Santos (from Spain). The first chapter argues that madness in Ocampo’s “El castigo”, Rosa’s “Buriti”, and Martín-Santos, Tiempo de silencio, reveals a series of conflicts between tradition and modernity, rather than the alleged symptoms of an individual suffering from a mental illness. After comparing the three works, it is evident that the decisions of their characters reproduce certain values idealized by authoritarian cultures. The second chapter discusses Rosa’s “Substância”, Ocampo’s “La casa …
Critical Ethics: Witnessing Otherness In La Última Niebla, Christine Garst-Santos
Critical Ethics: Witnessing Otherness In La Última Niebla, Christine Garst-Santos
Dissidences
La última niebla [The Final Mist] (1935) by María Luisa Bombal presents a female protagonist traumatized by the restrictive gender norms of 1930s Argentina. One would expect that the protagonist’s increasing alienation throughout the novel and her ultimate surrender to an identity that she loathes would generate a compassionate response from readers. However, the text has generated a significant body of notably unsympathetic—and even censorious—criticism from scholars. In an effort to analyze why Bombal’s novel and the protagonist’s performance have been problematic for critics, I turn from literary theory to philosophy. By combining Richard Rorty’s vision of a …