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Full-Text Articles in Spanish and Portuguese Language and Literature
Masculinidades Peligrosas: Monstruosidad, Vampirismo, Canibalismo Y Homosexualidad En La Literatura Mexicana De Los Siglos Xx Y Xxi, Jorge Estrada
Masculinidades Peligrosas: Monstruosidad, Vampirismo, Canibalismo Y Homosexualidad En La Literatura Mexicana De Los Siglos Xx Y Xxi, Jorge Estrada
Spanish and Portuguese ETDs
This dissertation examines public and institutional perceptions of homosexuality in Mexico from the time of Porfirio Díaz’s dictatorship (c. 1880-1910) through the early twentieth-first century. In my introduction, I study diverse representations of the male homosexual as a monstrous figure in Western culture, taking as models gothic images that emerged in the late nineteenth-century as a response to the rise of scientism, industrialization, and urbanization. The models that I utilize include the literal and metaphorical cannibal, the anxiety-causing vampire, and the dehumanized depiction of those who transgress social boundaries of gender and race.
Taking an interdisciplinary approach drawing on critical …
Diversas De Sí, Entre El Hoy Y El Ayer: Rememoria De Tres Íconos Femeninos Espirituales, La Condesa De Malibrán, Sor Juana Inés De La Cruz Y La Falsa Teresa De Jesús, Ana Gabriela Hernandez Gonzalez 5059749397
Diversas De Sí, Entre El Hoy Y El Ayer: Rememoria De Tres Íconos Femeninos Espirituales, La Condesa De Malibrán, Sor Juana Inés De La Cruz Y La Falsa Teresa De Jesús, Ana Gabriela Hernandez Gonzalez 5059749397
Spanish and Portuguese ETDs
This dissertation traces the cultural memory of three magical/religious women of the colonial period: Sor Juana Inés de la Cruz, La Condesa de Malibrán and La Falsa Teresa de Jesús. It studies these icons specifically in three different discourses that construct cultural identities in Mexico: colonial discourse (XVI-XVII Centuries), the discourse of national consolidation (XIX-XX centuries) and postcolonial discourse (XX-XIX Centuries). First I describe how the narratives of the colonial period and of national consolidation employ an official lens to place magical/religious women within traditional gender roles. Then I delineate how historical novels in the 21st century employ a postcolonial …