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Spanish and Portuguese Language and Literature Commons™
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Articles 1 - 6 of 6
Full-Text Articles in Spanish and Portuguese Language and Literature
Paulina Palmer. Queering Contemporary Gothic Narrative 1970-2012. London: Palgrave Macmillan, 2016., Tanya Gonzalez
Paulina Palmer. Queering Contemporary Gothic Narrative 1970-2012. London: Palgrave Macmillan, 2016., Tanya Gonzalez
Studies in 20th & 21st Century Literature
Review of Paulina Palmer's Queering Contemporary Gothic Narrative 1970-2012. London: Palgrave Macmillan, 2016. viii + 204 pp.
Corpses And Capital: Narratives Of Gendered Violence In Two Costa Rican Novels , Laura Barbas Rhoden
Corpses And Capital: Narratives Of Gendered Violence In Two Costa Rican Novels , Laura Barbas Rhoden
Studies in 20th & 21st Century Literature
In a region prone to violence and political corruption, Costa Rica has been touted as an ecological paradise, a stable democracy, and an egalitarian society. However, Costa Rican fiction from the late twentieth century contests this idyllic image and presents instead a world of intrigue, violence, and criminality. El año del laberinto (2000) by Tatiana Lobo and Cruz de olvido (1999) by Carlos Cortés are two novels that serve as an excellent introduction to developments in postwar fiction and scholarship from Central America. In my analysis, I first situate the novels in the context of Central American cultural and political …
Filling The Empty Space: Women And Latin American Theatre, Kirsten F. Nigro
Filling The Empty Space: Women And Latin American Theatre, Kirsten F. Nigro
Studies in 20th & 21st Century Literature
In recent years, Latin American women have begun to appropriate and fill a space once empty of their presence. This essay looks at the work of four such women, (Diana Raznovich and Cristina Escofet of Argentina, Raquel Araujo of Mexico and the Peruvian Sara Joffre), to see how they give substance and voice to their particular concerns. In the process, this essay focusses on: 1) the notion of gender as performance; 2) the feminist deconstruction of narrative; 3) the female body in theatrical space; and 4) new, postmodern ways of doing feminist political theatre.
The New Novel / A New Novel: Spider's Webs And Detectives In Luisa Valenzuela's Black Novel (With Argentines), Sharon Magnarelli
The New Novel / A New Novel: Spider's Webs And Detectives In Luisa Valenzuela's Black Novel (With Argentines), Sharon Magnarelli
Studies in 20th & 21st Century Literature
The article analyzes Valenzuela's novel in relation to Shaw's summary of projections about the directions the new novel will or should take. Specifically, it examines the novel in terms of the detective novel to which the title alludes and demonstrates that Valenzuela departs from the traditional detective novel with its quest for knowledge. In Valenzuela's novel there are no definitive answers, only obscurely intuited connections, which we would perhaps prefer not to make, for Valenzuela eschews both a master narrative and a narrative of mastery. Nonetheless, as the article demonstrates, the protagonists' search for motives, their quest to understand the …
The Dangers Of Gullible Reading: Narrative As Seduction In García Márquez' Love In The Time Of Cholera, M. Keith Booker
The Dangers Of Gullible Reading: Narrative As Seduction In García Márquez' Love In The Time Of Cholera, M. Keith Booker
Studies in 20th & 21st Century Literature
Gabriel García Márquez's Love in the Time of Cholera has frequently been read largely as a beautiful love story involving the lifelong fascination of Florentino Ariza with Fermina Daza and the eventual consummation of that fascination. Meanwhile, the text gains much of its energy from an opposition between the poetic romanticism of Ariza and the practical (though somewhat sinister) scientific thinking of Dr. Juvenal Urbino, Fermina's longtime husband. However, this opposition is not nearly as simple as it might appear, Ariza and Urbino being just as susceptible to the narrative of scientific progress as Ariza is to bad poetry, and …
Pastiche In Contemporary Latin American Literature, Jean Franco
Pastiche In Contemporary Latin American Literature, Jean Franco
Studies in 20th & 21st Century Literature
Pastiche, defined as non-satiric imitation, is a characteristic feature of contemporary Latin American narrative. Although unlike parody it does not stand in antagonist relationship with a prior text, nevertheless pastiche marks a distance and a displacement of other texts. The article illustrates this with reference to Mario Vargas Llosa's pastiche of Machiguenga indigenous legends in his novel El hablador and Silviano Santiago's pastiche of Graciliano Ramos's prison memories in his novel, Em Liberdade.