Open Access. Powered by Scholars. Published by Universities.®

Spanish and Portuguese Language and Literature Commons

Open Access. Powered by Scholars. Published by Universities.®

Latin American Literature

Kansas State University Libraries

Journal

Mexican literature

Articles 1 - 6 of 6

Full-Text Articles in Spanish and Portuguese Language and Literature

Joshua Lund. The Mestizo State: Reading Race In Modern Mexico. Minneapolis: U Of Minnesota P, 2012. Xx + 217 Pp., Miguel Ángel González-Abellás Jan 2014

Joshua Lund. The Mestizo State: Reading Race In Modern Mexico. Minneapolis: U Of Minnesota P, 2012. Xx + 217 Pp., Miguel Ángel González-Abellás

Studies in 20th & 21st Century Literature

Joshua Lund. The Mestizo State: Reading Race in Modern Mexico. Minneapolis: U of Minnesota P, 2012. xx + 217 pp.


The Integration Of A Fragmented Self In The Works Of Angelina Muñiz-Huberman, Malva E. Filer Jun 2003

The Integration Of A Fragmented Self In The Works Of Angelina Muñiz-Huberman, Malva E. Filer

Studies in 20th & 21st Century Literature

Literary creation is always a transposition of individual and collective experiences…


Border Crossings: Images Of The Pachuco In Mexican Literature, Javier Durán Jan 2001

Border Crossings: Images Of The Pachuco In Mexican Literature, Javier Durán

Studies in 20th & 21st Century Literature

This study suggests that an analysis of the image of the pachuco in Mexican literature can provide useful insights about the role and position of subaltern expressions as they become integrated into a larger mapping of cultural production. The paper argues that the pachuco's representation in Mexican culture undergoes a series of transformations that ultimately materialize in a symbolic entity which functions as a buffer mechanism of inclusion and/or exclusion. The pachuco is then a contra modern element that becomes de-territorialized from both Mexican and U.S. culture due to its aesthetic and linguistic hybridity which becomes a menace for essentialist …


Victoria Ocampo And Alfonso Reyes: Ulysses's Malady , Doris Meyer Jun 2000

Victoria Ocampo And Alfonso Reyes: Ulysses's Malady , Doris Meyer

Studies in 20th & 21st Century Literature

Ocampo (Argentina, 1890-1979) and Reyes (Mexico, 1889-1959) were arguably Latin America's most influential writers and cultural catalysts in the first half of the twentieth century. They met in Argentina in 1927 and their friendship and correspondence lasted until Reyes's death. Over three decades of private and public discourse, they articulated a similar vision of Latin American identity and its future potential. Because they were both internationally known—Ocampo as founder and director of the literary review SUR, and Reyes as a diplomat and intellectual leader—their ideas found resonance in the Americas and Europe. Two dramatic works they wrote before meeting, Ifigenia …


Only Joking? Gustavo Sainz And La Princesa Del Palacio De Hierro: Funniness, Identity And The Post-Boom, Philip Swanson Jan 1995

Only Joking? Gustavo Sainz And La Princesa Del Palacio De Hierro: Funniness, Identity And The Post-Boom, Philip Swanson

Studies in 20th & 21st Century Literature

The Mexican Gustavo Sainz has been seen as one of the initiators of the Latin American Post-Boom, largely because of the humor, accessibility and interest in popular culture that characterize some of his work and are often said to characterize the Post-Boom in general. His 1974 novel La princesa del Palacio de Hierro (The Princess of the Iron Palace) is a representative case. However, the Post-Boom's incorporation of "popular" elements within a relatively sophisticated "new novel" framework is a highly problematic process. This can be seen, in this novel, in the broad relationship of the "funny" and the "serious." The …


Patriarchy And Apocalypse In Cerca Del Fuego By José Agustín, Cynthia Steele Jan 1990

Patriarchy And Apocalypse In Cerca Del Fuego By José Agustín, Cynthia Steele

Studies in 20th & 21st Century Literature

José Agustín's novel is one of several Mexican texts that depict the nation in ruins, but although the novel is parricidal in its parody of its literary antecedents, it is underpinned by a Jungian quest for wholeness. The protagonist's spiritual adventures take him through the subterranean experience of limits (and through the lower depths of Mexico City), only to end with the reconstitution of the "fatherland" and the family.