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Articles 1 - 3 of 3
Full-Text Articles in Spanish and Portuguese Language and Literature
Postcolonial Pandemics And Undead Revolutions: Contagion As Resistance In Con Z De Zombie And Juan De Los Muertos, Sara A. Potter
Postcolonial Pandemics And Undead Revolutions: Contagion As Resistance In Con Z De Zombie And Juan De Los Muertos, Sara A. Potter
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
Argentinian director Alejandro Brugués’s 2011 Cuban-Spanish film Juan de los muertos and Mexican playwright Pedro Valencia’s 2013 play Con Z de zombie spring from similar roots: both initially place the blame for each country’s zombie apocalypse at the feet of the United States. In Brugués’s film, the accusation is clear but never proven: news reports interspersed through the film state that the country is being invaded by “dissidents” paid by the U.S. government, though there is no political or military U.S. presence in the film beyond the symbolic presence of the country’s flag. In Valencia’s Mexico, the cause is entirely …
Cuba I+Real: Singularidades De Lo Fantástico Y La Ciencia Ficción En La Cuba Contemporánea, Licet Garcia
Cuba I+Real: Singularidades De Lo Fantástico Y La Ciencia Ficción En La Cuba Contemporánea, Licet Garcia
FIU Electronic Theses and Dissertations
Ever since the triumph of the Revolution in 1959, Cuba has witnessed an unprecedented productive boom in the genres of science fiction and the fantastic. A large number of the literary and cinematic works that have surfaced during the last half-century attempt to replace and ultimately reify motifs and scenarios appropriated from the various science fiction and fantastic narratives in world literature and have generated alternative or imagined settings that challenge extant sociopolitical realities and certainties of the island. My dissertation, “Cuba i+Real: singularidades de lo fantástico y la ciencia ficción en la Cuba contemporánea”, examines these literary texts in …
From Borderlands To Border Islands: Intersections Between Anzaldúa's Chicana Feminist Theory And U.S. Latina Literature From The Hispanic Caribbean, Cristina Gonzalez Martin
From Borderlands To Border Islands: Intersections Between Anzaldúa's Chicana Feminist Theory And U.S. Latina Literature From The Hispanic Caribbean, Cristina Gonzalez Martin
Theses and Dissertations
This thesis studies three texts by three U.S. Latina authors from the Hispanic Caribbean through the lens of Chicana feminist border theory. The works analyzed are How the García Girls Lost Their Accents (1991) by Dominican author Julia Alvarez, Dreaming in Cuban (1992) by Cuban-American novelist Cristina García, and the memoir Almost a Woman (1998) by Puerto Rican author Esmeralda Santiago. The theoretical framework used is Gloria Anzaldúa’s Borderlands/La Frontera: The New Mestiza. The objective is to show how these texts manifest the formation of a hybrid, diasporic, in-between identity that corresponds with Anzaldúa’s definition of mestiza consciousness or la …