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Articles 1 - 9 of 9
Full-Text Articles in Spanish and Portuguese Language and Literature
Ephemeral Elsewheres: Locating Narratives Of Resignation, Resistance, And Refusal In The Poetry Of Black Cuban And Black Brazilian Women, Aidan Keys
Comparative Literature M.A. Essays
This essay dissects the language of Latin American revolution and nationalism to locate the body of the black woman and the appropriation of her image. In two seemingly incommensurable radical movements—the Cuban Revolution (1952-1959) and the Brazilian Unified Black Movement (1978-)—the contributions of Black women are unevenly recognized. Reading the poetry of cubanas Nancy Morejón and Georgina Herrera and brasileiras Sônia Fátima and Esmeralda Ribeiro, this essay claims that in both contexts, the Black woman is marginalized to a geographic “elsewhere.” Expanding on this term, coined by scholar Carol Boyce Davies, this essay further identifies temporal and ephemeral “elsewheres.” The …
From Borderlands To Border Islands: Intersections Between Anzaldúa's Chicana Feminist Theory And U.S. Latina Literature From The Hispanic Caribbean, Cristina Gonzalez Martin
From Borderlands To Border Islands: Intersections Between Anzaldúa's Chicana Feminist Theory And U.S. Latina Literature From The Hispanic Caribbean, Cristina Gonzalez Martin
Theses and Dissertations
This thesis studies three texts by three U.S. Latina authors from the Hispanic Caribbean through the lens of Chicana feminist border theory. The works analyzed are How the García Girls Lost Their Accents (1991) by Dominican author Julia Alvarez, Dreaming in Cuban (1992) by Cuban-American novelist Cristina García, and the memoir Almost a Woman (1998) by Puerto Rican author Esmeralda Santiago. The theoretical framework used is Gloria Anzaldúa’s Borderlands/La Frontera: The New Mestiza. The objective is to show how these texts manifest the formation of a hybrid, diasporic, in-between identity that corresponds with Anzaldúa’s definition of mestiza consciousness or la …
Choteo Cubano: Humor As A Critical Tool In Twentieth-Century Cuban Theater, Rebecca L. Salois
Choteo Cubano: Humor As A Critical Tool In Twentieth-Century Cuban Theater, Rebecca L. Salois
Dissertations, Theses, and Capstone Projects
This project analyzes the incorporation of choteo in specific Cuban theater texts written during three distinct periods in twentieth-century Cuban history, all of which coincide with specific moments of social, political, and/or economic unrest or transition. Choteo in the theater has served as a tool to demonstrate discontent and frustration with authority figures in various contexts. As that need has altered over time, so too has the approach that playwrights have taken to speak out about these issues. I suggest that by responding to changing circumstances with choteo, confronting a difficult situation is more palatable to audiences or readers than …
Fragmentation And Multiplicity In Cuban-American Identity: In Cuba I Was A German Shepherd By Ana Menéndez And Memory Mambo By Achy Obejas, Daimys E. Garcia
Fragmentation And Multiplicity In Cuban-American Identity: In Cuba I Was A German Shepherd By Ana Menéndez And Memory Mambo By Achy Obejas, Daimys E. Garcia
Dissertations, Theses, and Capstone Projects
Maria Lugones offers a new way of perceiving the world, which makes visible that fragmentation is not a valuable and transgressive understanding of identity, as Western philosophy and some political theory suggests. What Lugones believes in, as a strategy of resistance to the dominant gaze, is multiplicity – mestizaje. Using Lugones’s framework, this thesis will look at the different aspects of Cuban-American characters in In Cuba I was a German Shepherd by Ana Menéndez and Memory Mambo by Achy Obejas. Each novel offers insight into how characters develop and understand themselves (and others) when they use language that shows that …
Brújula Quebrada, Julio Antonio Molinete
Brújula Quebrada, Julio Antonio Molinete
Open Access Theses & Dissertations
Brújula quebrada o la reinvención del dolor, es un cuaderno de poesía en el cual se aborda el fenómeno del exilio, de la diáspora. Verso a verso es la historia de un diasporante signado por la angustia, el rechazo y el desprecio. Pero más que un poemario personal, deviene en un pedazo de la historia contemporánea cubana. Esa en donde los hijos de la Isla se ven obligados a escapar en pos de la libertad, un derecho que se hace esquivo aun en la tierra de la libertad.
La Representación De La Familia En Épocas De Transformación: Un Análisis De La Carreta (1953) De René Marqués Y Noche Cubana (2009) De José Luis García Rodríguez, Alyssa Feldman
Honors Theses
This project investigates the dramatic works La carreta (1953) by René Marqués and Noche cubana (2009) by José Luis García Rodríguez to analyze the playwrights’ utilization of the family to represent the conditions of their respective nations. La carreta describes a Puerto Rican family during the island’s transition to a Commonwealth of the United States. Marqués uses the disintegration of the family to show his opposition to Puerto Rico’s colonial status and dependency on the United States. The struggles of the family in La carreta also express Marqués’ condemnation of Puerto Rico’s industrialization and abandonment of agrarian society. Noche cubana …
El Choteo En Cien Botellas En Una Pared Y Raining Backwards: El Gracioso Disfraz De Las Circunstancias Trágicas Durante La Revolución Cubana Y El Período Especial, Kristin Nicole Lisenby
El Choteo En Cien Botellas En Una Pared Y Raining Backwards: El Gracioso Disfraz De Las Circunstancias Trágicas Durante La Revolución Cubana Y El Período Especial, Kristin Nicole Lisenby
World Languages and Cultures
This project attempts to explore the idea that the combination of tragedy and humor in Cuban and Cuban-American literature is a form of “choteo” or “no tomar nada en serio,” which demonstrates a coping strategy used by Cubans during hard times. In the case of Ena Lucía Portela's Cien botellas en una pared, and Roberto Fernandez's Raining Backwards, I believe that the two authors use his and her own personal insight into a Cuban's life during the Cuban Revolution of the 60's and the Special Period of the 90's, and that those personal experiences are reflected throughout the novels …
Deconstructing An Icon: Fidel Castro And Revolutionary Masculinity, Krissie Butler
Deconstructing An Icon: Fidel Castro And Revolutionary Masculinity, Krissie Butler
Theses and Dissertations--Hispanic Studies
The goal of this project is to investigate the way in which various representations of Fidel Castro, between the years 1957-1965, have left an indelible mark on Cuba, transforming its landscape, I argue, through gendered means and conscious strategies. Thus it is less concerned with Fidel as an historical person than with examining with a gendered lens the ways in which he has been represented in foundational photographs, interviews, songs, and texts (both narrative and poetry as well as blogs). Drawing from theories of masculinity, which conceive masculinity as both a social construction and material body, my dissertation explores the …
Lo Barroco Lezamesco En Paradiso, Leonardo Venta
Lo Barroco Lezamesco En Paradiso, Leonardo Venta
USF Tampa Graduate Theses and Dissertations
In this thesis I argue that José Lezama Lima's Paradiso is unique among Latin-American novels of the 1960s because it is a hybrid of literary genres - narrative and essay, as well as a "poetic system." Through an open literary framework, the author explores the essence of "cubanía" though language that is both colloquial and elaborate, both devoted to traditions and aiming for transgressions: a novel that reaches for the pinnacle of neobaroque prose. To sustain my argument, I have performed an exhaustive exegesis of my primary text, as well as extensive external research in secondary texts of the highest …