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Articles 1 - 8 of 8
Full-Text Articles in Spanish and Portuguese Language and Literature
Decolonizing French: Afrophonics In Ken Bugul’S Aller Et Retour (2013), Hapsatou Wane
Decolonizing French: Afrophonics In Ken Bugul’S Aller Et Retour (2013), Hapsatou Wane
The Coastal Review: An Online Peer-reviewed Journal
This article explores the innovative language strategies employed by Senegalese writer Ken Bugul in her novel Aller et retour to construct a dynamic and interconnected linguistic landscape that challenges fixed language boundaries. Ken Bugul's "langue fabriquée" combines elements of French, Wolof, and English, reflecting a transglocal dimension that embodies the essence of afrophonics—a poetics of resistance that empowers local cultures in a globalized context. Through a detailed analysis of Ken Bugul's linguistic choices, including the use of quotation marks, footnotes, and arbitrary transcription, the study reveals how she creates a language that defies categorization and decolonizes French without resorting to …
Chilean Cinema In The 21st Century World (Review), James L. Richie Iv
Chilean Cinema In The 21st Century World (Review), James L. Richie Iv
Vernacular: New Connections in Language, Literature, & Culture
No abstract provided.
Narrar El Final De Los Tiempos: Misantropía Y Liberación En Dos “Cuentos Atómicos” Del Salvadoreño Álvaro Menen Desleal (1960s), David Díaz Arias
Narrar El Final De Los Tiempos: Misantropía Y Liberación En Dos “Cuentos Atómicos” Del Salvadoreño Álvaro Menen Desleal (1960s), David Díaz Arias
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
El presente artículo analiza una parte de la obra de ciencia ficción del salvadoreño Álvaro Menen Desleal. Para eso, se concentra en uno de los temas que, aunque no dominante, sí es abordado de forma crítica y sagaz por parte de ese autor: el exterminio de la humanidad a partir de una hecatombe nuclear. Así, se estudian dos cuentos publicados por Menen Desleal en 1969 y que forman parte de su premiado texto Una cuerda de nylon y oro y otros cuentos maravillosos. Los cuentos son el que le da nombre a esa antología de relatos y “Hacer el …
The Future In Fragments: Three Critical Dystopian Works By Fernando Contreras Castro, Matthew Richey
The Future In Fragments: Three Critical Dystopian Works By Fernando Contreras Castro, Matthew Richey
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
In the prologue to the 2014 edition of Cantos de las Guerras Preventivas, Costa Rican author Fernando Contreras Castro states that the novel, originally published in 2006, originated as a response to the ambiguously-defined military campaigns that dominated the global geopolitical landscape during the first decade of the 21st century. Contreras Castro further explains that the novel is an attempt at imagining near-future worlds from a distinctly Latin American perspective, while avoiding the currents of cyberpunk and paranoid fiction that dominated late 20th century science fiction writing in the United States. The novel also marks a significant departure from …
Fostering Engagement With Voicethread In Online Intermediate Spanish Language Classes, Karen Acosta, Ericka H. Parra Dr
Fostering Engagement With Voicethread In Online Intermediate Spanish Language Classes, Karen Acosta, Ericka H. Parra Dr
The Coastal Review: An Online Peer-reviewed Journal
It is estimated that more than 1.5 billion students have been affected during the course of the global coronavirus pandemic by school and university closures. As a way to navigate this new instructional landscape, the researchers aimed to find a tool that would allow students to develop and practice communicative language skills in their online Spanish classes. In this research study, participants used VoiceThread over the course of a semester and then reflected on their comfort level using communicative skills in Spanish before and after using the tool, as well as whether they perceived that using the platform in their …
La Radical Imperfección Del Mundo: El Crimen Perfecto De Jean Baudrillard Y El Crimen Ferpecto De Alex De La Iglesia, Maria A. Gomez
La Radical Imperfección Del Mundo: El Crimen Perfecto De Jean Baudrillard Y El Crimen Ferpecto De Alex De La Iglesia, Maria A. Gomez
The Coastal Review: An Online Peer-reviewed Journal
Le parfait crime (1995) by Jean Baudrillard and Crimen ferpecto (2004) by the Basque director Alex de la Iglesia are two works that not only have in common almost identical titles. They both reflect on how in consumer societies, an imperfect real world is substituted for an illusory hyperreality in which the distinction between subject and object has disappeared. While Baudrillard explains how the denial of a transcendent reality in contemporary society is “a perfect crime” that destroys the real, Alex de la Iglesia uses black humor and a mix of genres (mainly grotesque comedy and thriller) to show the …
De Médée À La Sorcière : Reconstruction D’Un Mythe Par Michelet, Caroline Strobbe
De Médée À La Sorcière : Reconstruction D’Un Mythe Par Michelet, Caroline Strobbe
The Coastal Review: An Online Peer-reviewed Journal
In La Sorcière, Jules Michelet uses the strength and the myth of the Medea character, which had already fascinated Corneille. In the second part of his work, Michelet creates nominative witches after authentic texts. In the first part, he creates an allegoric witch on the Medea model: the Woman, a victim of arbitrariness, injustice and repression, rises up against her oppressors, figuring the march of Humanity towards Enlightenment and Liberty. The analogies between the Witch and Medea are therefore numerous and necessary, since they help to render the defense of the oppressed against the oppressor. Would the somber Medea, …
Communicating With The Past Via Javier Cercas’ Las Leyes De La Frontera, Bobby D. Nixon
Communicating With The Past Via Javier Cercas’ Las Leyes De La Frontera, Bobby D. Nixon
The Coastal Review: An Online Peer-reviewed Journal
Cercas’ protagonist, Gafitas, narrates his memories of being a member of "el Zarco's" youth gang in the barrio chino of Girona during the summer of 1978, from the vantage point of the early 2000s. The novel is simultaneously viewed through the intertextual lens of José Antonio de la Loma’s cycle of quinqui films based on the life of the famous Catalan delinquent, El Vaquilla, Juan José Moreno Cuenca. There is renewed interest in these films from the Transition period of the late 1970s and early 1980s, with the success of this novel and director Daniel Monzón's film based on Cercas’ …