Spanish and Portuguese Language and Literature Commons^™

Tiempo Y Memoria Proustianos En Doña Inés De "Azorín", Herbert Craig

The Coastal Review: An Online Peer-reviewed Journal

The discovery of three articles by “Azorín” about Proust demonstrates that the Spanish author knew the Recherche before he wrote Doña Inés (1925). However Azorín follows Proust not only in the treatment of involuntary memory, as some scholars have suspected, but also in the treatment of time. These aspects include the changes in the physical appearance of Doña Inés and in the changes of light at the beginning or ending of the day.

Reviews Of Recent Publications

Studies in 20th & 21st Century Literature

Elisabeth Mermann-Jozwiak and Nancy Sullivan. Conversations with Mexican American Writers: Languages and Literatures in the Borderlands by Tanya González

Barbara Mennel. The Representation of Masochism and Queer Desire in Film and Literature by Amy Gates-Young

David Damrosch. How to Read World Literature by Lisabeth Hock

Maria DiFrancesco. Feminine Agency and Transgression in Post-Franco Spain: Generational Becoming in the Narratives of Carme Riera, Cristina Fernández Cubas and Mercedes Abad by Maryanne L. Leone

Jennifer Wawrzinek. Ambiguous Subjects: Dissolution and Metamorphosis in the Postmodern Sublime by Claudine Fisher

Maria Cristina Fumagalli. Caribbean Perspectives on Modernity: Returning Medusa’s Gaze by Laurence M. Porter …

“Knaller-Sex Für Alle”: Popfeminist Body Politics In Lady Bitch Ray, Charlotte Roche, And Sarah Kuttner, Carrie Smith-Prei

Studies in 20th & 21st Century Literature

Germany has seen a recent upsurge in publications proclaiming that feminism is again an urgent matter for a new generation of women. Faced with the reactionary demography debate and the hegemony of second-wave feminism, young writers, musicians, journalists, and critics call for new models of feminism relevant to women today. As one of these viable models, popfeminism draws on dominant trends in mass culture, on pop’s forty-year history as a cultural prefix in Germany, and on traditional feminism in order to create a new, ostensibly apolitical, feminist subculture based in self-stylization and individual autonomy. Shared by many popfeminist sources is …