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Spanish and Portuguese Language and Literature Commons

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Full-Text Articles in Spanish and Portuguese Language and Literature

Christina Gerhardt And Sara Saljoughi, Editors. 1968 And Global Cinema. Wayne State Up, 2018., Anne Cunningham Nov 2019

Christina Gerhardt And Sara Saljoughi, Editors. 1968 And Global Cinema. Wayne State Up, 2018., Anne Cunningham

Studies in 20th & 21st Century Literature

Review of Christina Gerhardt and Sara Saljoughi, editors. 1968 and Global Cinema. Wayne State UP, 2018. 422 pp.


Vindicating The Femme Fatale In Manuel Antín’S 'Circe', Daria Cohen Nov 2014

Vindicating The Femme Fatale In Manuel Antín’S 'Circe', Daria Cohen

Dissidences

Vindicating the Femme Fatale in Manuel Antín’s Circe

The present article analyzes a classic Argentine film noir, Circe, to explore its representation of a powerful, autonomous female protagonist ahead of the historical moment of 1964. The director Manuel Antín creates a film adaptation that departs from the source text by Julio Cortázar by focalizing the motivations and actions of a female character that flouts societal expectations and mores. The article is theoretically grounded in feminist, subjectivity and film adaptation theory. The article contributes to the fields of Latin American Studies, Global Film and Media Studies, Argentine Cultural and Literary Studies, …


“Knaller-Sex Für Alle”: Popfeminist Body Politics In Lady Bitch Ray, Charlotte Roche, And Sarah Kuttner, Carrie Smith-Prei Jan 2011

“Knaller-Sex Für Alle”: Popfeminist Body Politics In Lady Bitch Ray, Charlotte Roche, And Sarah Kuttner, Carrie Smith-Prei

Studies in 20th & 21st Century Literature

Germany has seen a recent upsurge in publications proclaiming that feminism is again an urgent matter for a new generation of women. Faced with the reactionary demography debate and the hegemony of second-wave feminism, young writers, musicians, journalists, and critics call for new models of feminism relevant to women today. As one of these viable models, popfeminism draws on dominant trends in mass culture, on pop’s forty-year history as a cultural prefix in Germany, and on traditional feminism in order to create a new, ostensibly apolitical, feminist subculture based in self-stylization and individual autonomy. Shared by many popfeminist sources is …