Slavic Languages and Societies Commons^™

The Centrality Of Human Freedom In Dostoevsky And Huxley, Evelyn J. Hylton

Masters Theses

Fyodor Dostoevsky learned the hard way that human beings need to be free. In a Siberian prison camp, a four-year period which would later inspire his semi-autobiographical prison memoir Notes from a Dead House, he was forced to come to terms with the realities of life under severe constraint and without the freedom for self-actualization, which convicted him of the dangers of the Westernized liberalism he once embraced. Dostoevsky’s transformed understanding of humanity and its need for individual freedom eventually matured to form the moral and philosophical foundations of his final novel, The Brothers Karamazov, whose support of the centrality …

The Other And Narrative Framing In Nabokov's The Real Life Of Sebastian Knight, Lolita, And Pnin, Stacey Vivian Overend

Masters Theses

Vladimir Nabokov is often noted for his portrayal of controversial characters, isolated from the real world. These characters, known as Others, are shunned by society because of their socially unacceptable or inappropriate behavior. However, in order to understand fully the Other and his motives, readers must evaluate the Other's behavior within the context of his alternate existence, an isolated existence created in response to the threat common society imposes on his Self. Focusing on three of Nabokov's novels, The Real Life of Sebastian Knight, Lolita, and Pnin, this thesis examines the character of the Other through two …

Chekhov, The Doctor As Dramatist: A Study Of The Four Major Plays, Gloria Rhoads

Masters Theses

Studying the relationship of Chekhov's being a doctor to his being a dramatist reveals one reason for the scientific objectivity in his writing. Moreover, extensive reading of his letters and notes as well as careful readings of his plays leaves little doubt that he himself considered that his career as a doctor had a great impact on the plays he created.

Chekhov felt that a writer must not beautify reality or gloss over it but carefully present it as it is. He wrote that the writer must renounce subjectivity and report the grime of life along with the good; he …