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Articles 1 - 4 of 4
Full-Text Articles in Radio
Escuchando Y Enseñando: Un Proyecto De Investigación-Acción Participativa Sobre El Tema De Radio Con Los Estudiantes Del Centro Calpulli, Delaney Zuver
Independent Study Project (ISP) Collection
Este proyecto de investigación-acción participativa examina mis experiencias produciendo radio con los estudiantes de Centro Calpulli en Oaxaca de Juárez, Oaxaca. Durante un período de cinco semanas, participé en diez sesiones donde mis suposiciones sobre mi papel como una participante en la organización fue desafiado. A través de reflexiones y un análisis de mis notas de campo, pude entender que al utilizar pedagogías liberadoras y una alfabetización mediática como la define Hoeschsmann y Poyntz (2012), podría equilibrar muchas de las suposiciones de la organización y los principios de investigación-acción. Basado en mi experiencia y análisis, ofrezco sugerencias a la organización …
Perceived Credibility Of Radio News Broadcasters: An Analysis In Profit And Nonprofit Settings, Allison M. Gutwein
Perceived Credibility Of Radio News Broadcasters: An Analysis In Profit And Nonprofit Settings, Allison M. Gutwein
Journalism
Radio is everywhere. It follows us into our cars, our homes, and even sneaks its way into our pockets through the powers of online streaming and smart phones. Aside from music programs, news programs are, and have been for the last century, prominent fixtures on the airwaves. But why should we believe what we hear on news radio?
Vox Machinal: Voice In The Machine, Payton E. Smith
Vox Machinal: Voice In The Machine, Payton E. Smith
Senior Projects Spring 2019
Senior Project submitted to The Division of Arts of Bard College.
Gender, Politics, Market Segmentation, And Taste: Adult Contemporary Radio At The End Of The Twentieth Century, Saesha Senger
Gender, Politics, Market Segmentation, And Taste: Adult Contemporary Radio At The End Of The Twentieth Century, Saesha Senger
Theses and Dissertations--Music
This dissertation explores issues of gender politics, market segmentation, and taste through an examination of the contributions of several artists who have achieved Adult Contemporary (AC) chart success. The scope of the project is limited to a period when many artists who figured prominently in both the broader mainstream of American popular music and the more specific Adult Contemporary category were most commercially viable: from the mid-1980s through the 1990s. My contention is that, as gender politics and gendered social norms continued to change in the United States at this time, Adult Contemporary – the chart, the format, and the …