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Articles 1 - 8 of 8
Full-Text Articles in Philosophy
Ai Art: Artists’ Best Friend Or Mortal Enemy?, Ethan Gabrys
Ai Art: Artists’ Best Friend Or Mortal Enemy?, Ethan Gabrys
Tredway Library Prize for First-Year Research
This paper analyzes the impacts and implications of generative AI software on art and examines the ethics of using such tools. Through the argument that careless use of these tools presents a danger to the art world as they risk devaluing human expression, Gabrys states that “as what it means to be human changes with each generation, new artists express sentiment through their art. Art has the ability to tell us about the human experience.” He concludes that the use of AI tools takes the skill and sentiment of human artists out of the equation, begging the question: if the …
Eco-Interoception: What Plants, Fungi And Protista Have Taught My Body, Sara Riley Dotterer
Eco-Interoception: What Plants, Fungi And Protista Have Taught My Body, Sara Riley Dotterer
Art Theses and Dissertations
To me, ecology is the relational, full-body awareness that I am made up of and deeply connected to everything around me; and for better or worse, this is reciprocal. I form ecotones, an ecological transitional zone between two ecosystems, with the world around me. I use this ecotonal lens to blur binaries and dissolve boundaries between me and the world “outside my body.” During my Masters of Fine Arts at Southern Methodist University, I have continuously explored and represented the lives of various more-than-human species outside of my body, including plants, fungi and protista through an ecotonal lens. Although these …
The Hospitality Of Doubt, Ian Grieve
The Hospitality Of Doubt, Ian Grieve
Art Theses and Dissertations
This paper discusses the last two years of research toward a Master of Fine Art in Studio Art. I mainly address my painting practice, but while in the program, I have worked in collage, ceramics, intaglio printmaking, and sculpture. My paintings are thick, multilayered, and often contain ambiguous narratives. The pictures develop through engagement, openness, and response within the work. I seek and embrace connection with viewers of the work. The spectator ‘completes’ the art and enhances or alters the artworks meaning by observing it and applying their individual perspectives. I seek to incorporate a sense of nostalgia and familiarity. …
Speak Now To Forever Hold Your Piece: On Aesthetic Ownership And Interpretation, Spencer Heitman
Speak Now To Forever Hold Your Piece: On Aesthetic Ownership And Interpretation, Spencer Heitman
Honors Theses
The primary objectives of this research are to describe ways in the interpretation of art-objects is shaped by their ownership and to endorse fan culture participation as a mechanism through which people might be led to aesthetic value. This analysis shall be grounded in an understanding of trust and shall point the reader toward care, noting that these phenomena positively correlate and help interpreters to receive meaning of more abundance and depth. It will be initially claimed that art interpretation is itself contribution to aesthetic dialogue with artists. This claim is grounded in an understanding of art’s communicative capacities and …
Bergson On Poetics: Philosophy, Literature And Science, Michel Dalissier
Bergson On Poetics: Philosophy, Literature And Science, Michel Dalissier
CLCWeb: Comparative Literature and Culture
In this paper, I analyze Henri Bergson’s insightful and contrasted vision of poetry. First, I show in what sense Bergson sympathizes with the idea that the poet must be credited to surpass the novelist in offering to us an unparalleled emotional apprehension of the world. Second, I nonetheless underline how Bergson grants the product of the poet, i.e., the poem itself, a problematic linguistic status, inasmuch as the focus of his analysis shifts from an intersubjective poetical apprehension of feelings to their individual poetic appreciation, or from the spiritual dimension of poetry to its material dimension. Third, I further suggest …
Artistic Engagement With Monadnock: A Hermeneutic Phenomenological Study, Jonathan W. Coffin
Artistic Engagement With Monadnock: A Hermeneutic Phenomenological Study, Jonathan W. Coffin
Antioch University Dissertations & Theses
This hermeneutic phenomenological study discloses the lived experience of creating art in association with New Hampshire’s Mount Monadnock. This study reveals the potential for artistic invention in association with place gradually to undermine an established sense of separation from environment and to prompt conscious awareness of continuity with environment. A series of interviews with four artists who create art of or in the presence of Monadnock revealed in the lived experience of creating Monadnock art a process that consists of five phases: first encounter, abstract appreciation, existential understanding, sustained attention, and continuity. A hermeneutic circular method of interpretation based upon …
Sites Of Cultural Production In Response To Mass Extinction, Stephanie S. Turner, Evamarie Lindahl, Tara Nicholson
Sites Of Cultural Production In Response To Mass Extinction, Stephanie S. Turner, Evamarie Lindahl, Tara Nicholson
Animal Studies Journal
This conversation, mediated by Tara Nicholson, considers Stephanie Turner and EvaMarie Lindahl’s research in cultural representations of extinction and investigations of more-than-human forms of storytelling through an art historical lens. In response to Lori Gruen’s classification, extinction is a distinctive loss of ‘animal cultures’. It is more than biodiversity destruction or a static inventory of a species’ death. Nonhuman ways of building bonds, reproducing, teaching offspring, constructing homes and mourning the dead, are all systems of knowledge lost in extinction (Gruen et al. 2017). This conversation offers compassionate ways of bearing witness to species destruction and a space for empathy …
The Controversies Of (Immersion) Piss Christ And The Perfect Moment: An Argument For State Funding Of The Arts As An Extension Of Free Speech Protections, Olivia Fish
CMC Senior Theses
In 1989, artists Robert Mapplethorpe and Andres Serrano received grants from the National Endowment for the Arts (NEA). A short few months after the two artists became grant recipients, the funding for each of them was pulled as a result of escalating controversy and anger over the art created by both artists being funded by a federal organization. Those angered by the art and their respective grants tied the messaging of the art to the beliefs and values of the state—Serrano’s photograph being tied to a commentary on the overcommercialization of religion and Mapplethorpe’s exhibition being unabashedly queer and, at …