Philosophy Commons^™

Temembe And Sven: The Ethics Of Racist Mirth, Stephen Wilke

Masters Theses

You walk past a crowd of people at a bar, grouped around one person. He’s in the middle of telling a joke, the kind you wouldn’t tell your parents but is often told in the amenable company of close friends. You realize that the butt of the joke, the punchline, assumes that people of color are lazy and entitled. This is not an assumption you agree wit, but you find yourself with a feeling of mirth while scoffing at the comedian. His timing is well executed, and the turn of phrase is witty. The joke was racist, and yet emotionally …

Epistemology Of The Neurodynamics Of Mind, Frederick D. Abraham

International Journal of Transpersonal Studies

N/A

Topics Of The Sky: Ashbery's Involving Search For The Poem, Tom M. Carlson

Dissertations, Theses, and Capstone Projects

An essay lived by John Ashbery's Three Poems with special attention to the possibility of cosmic relevance. This paper attempts to imagine priorities and needs proper to celestial bodies. Three Poems is the consciousness that gives possibility to the text, while Blanchot, Nietzsche, and other thinkers ground its exploration in philosophical analysis.

Ethicizing Art: A Rancièrean Analysis Of 'Feminist' Art And The Notion Of Victimhood, Bora Zaloshnja

Senior Theses and Projects

No abstract provided.

Peculiar Attunements: How Affect Theory Turned Musical [Table Of Contents], Roger Mathew Grant

Philosophy & Theory

Peculiar Attunements places the recent turn to affect into conversation with a parallel movement that took place in European music theory of the eighteenth century. During that time the affects—or the passions, as they were also called—formed a vital component of a mimetic model of the arts. Eighteenth-century critics held that artworks imitated or copied the natural world in order to produce copies of the affects in their beholders. But music caused a problem for these thinkers, since it wasn’t apparent that musical tones could imitate anything with any dependability (except, perhaps, for the rare thunderclap or birdcall). Struggling to …

A New Materialism: A Reading Of The New Art From China, Mary Wiseman

Comparative Philosophy

This essay has three parts. The first moves from what artists confronted when China was first opened to the west in 1978 to what two classical Chinese critics and artists said art was and how it was to be made. The second looks at artists’ works made between two exhibitions in the United States, one in 1998, the other in 2017, to find an uncanny reprise of the classical principles. The third looks at the ideas of the global, contemporary, and art through the works of Peter Osborne and Arthur Danto that apply to the new art from China.

Remembering Eden: A Study Of Garden Imagery In Judeo-Christian Worship Spaces, Luc Berard

Honors Student Works

Vases of flowers, a mural of wildlife, and poetic references to a garden, these artistic elements are all commonplace in Judeo-Christian worship spaces; but why? While all of these are certainly aesthetically pleasing, there is likely much more going on than mere interior decoration. This paper will begin by examining the source of garden imagery in the poetry of the Judeo-Christian tradition, demonstrating the significance and prevalence of Eden in the memory of the Judeo-Christian memory. Following this, the paper will then furnish and analyze several examples of Edenic imagery in the worship spaces, highlighting several important artistic elements shared …

St. Thomas Aquinas And The Third Hellenization Period, Demetri Kantarelis

Economics, Finance and International Business Department Faculty Works

In this paper, I assert that currently the world has been experiencing the Third Hellenization Period that started with the Italian Renaissance, instigated by the teachings of the theologian and philosopher St. Thomas Aquinas (1225-1274 CE). Unlike philosophers in previous periods (First and Second Hellenization as well as Medieval), St. Thomas preached that Truth is a function of both Natural Revelation and Supernatural Revelation. This resulted in, simultaneously, Christianizing Aristotle (St. Thomas’ most referenced philosopher) and Aristotleizing Christianity, thus opening up the doors to human reason that had been muted during the Medieval centuries.

I also assert that the basic …

Installation: Untitled#0420, Thesis: Is The Artist’S Position Valid And Necessary To Her Completed Artworks ? —— An Investigation Of The Artist’S Position Through Martin Heidegger’S Poetry, Language, Thought And The Fisherman Analogy, Coco Ma

Senior Projects Spring 2020

Artist statement:

In my practice of mixed-media sculptures and installations, I use different kinds of materials in unexpected ways to provoke uncertainties, inquiries, and reflections. My works entice people to stop and pay close attention. In this process, they may be confused and amused. By being labor- intensive and repetitive with ordinary materials, my works inspire people to see familiar forms and materials in new and fresh ways. Underneath the familiarity of the materials is the “white noise,” a hum of dissonance between the familiar and the strange.

The installation Untitled#0420 uses fishing lines as its major component, which is …

Aesthetic Education In The Anthropocene, Nathaniel Williams

Legacy Theses & Dissertations (2009 - 2024)

This big picture study wrestles with the environmental crisis and the digital revolution, two grand themes of our century. Their grand scale is evident in their global significance, which we can anticipate will only grow in coming decades. Will these collective developments be met in such a way that democracy and individuality can be expanded and preserved? This study contributes to this query, offering a new articulation of aesthetic education that draws on a discourse reaching back to Friedrich Schiller, while incorporating many contemporary theorists. The study suggests that the environmental crisis and the digital revolution are creating a perfect …