Philosophy Commons^™

Stimming As A Form Of Autistic Aesthetic Experience, Neuroqueering Landscape, Sam Metz

Ought: The Journal of Autistic Culture

Sam Metz is an artist based in Hull who creates work that engages with the concept of ‘neuroqueering’. They create sculptural installations that incorporate both film and animation while exploring body-based responses to ecology. As a neurodivergent artist and curator with sensory processing differences, Sam creates work in non-verbal ways that begin and end in movement and embodied interactions without recourse to traditionally privileged verbal and written forms of communication. Recently they created a series of work called ‘Porosity’ which looked at embodied sensory relationships to the Humber Estuary, with a focus on stimming and ecological perception.

Sam, through their …

Borders And Bridges In Virtual Work: Between Real And Imaginary, Valeria Rocío Gonzales González Cueva, Carmiella Salzberg Zorzi

Artizein: Arts and Teaching Journal

This article discusses our reflections on how to holistically integrate reality embodied in virtual workspaces--what we perceive within our work and interaction with technology-and highlights the importance of documenting our exploration in times while Artificial Intelligence is developing. Our approach is divided into three parts: the boundaries and bridges between the real and the imaginary, the possibilities of existence and non-existence offered by technology, and the experiences of expressive arts practitioners within virtuality.

Resumen

Este artículo habla de nuestras reflexiones sobre cómo integrar de forma holística la realidad encarnada en los espacios de trabajo virtuales, lo que percibimos dentro de …

Unveiling The Tapestry Of Human Experience And Diversity: A Journey Through The Eight Domains Of Phenomenology And Research Methods, Tito Dimas Atmawijaya

The Qualitative Report

In this comprehensive book review, the author explores Eight Domains of Phenomenology and Research Methods by Henrik Gert Larsen, delving into the intricate world of phenomenology and its applications in research. The review critically examines Larsen's insightful exploration of the eight domains, providing an analysis of each domain's significance and the research methodologies associated with them. The review also highlights Larsen's expertise in phenomenology, as he skillfully guides readers through the complexities of understanding lived experiences and the intricate interplay between researcher and participant. By exploring the strengths and limitations of Larsen's work, the review offers valuable insights into the …

Peeling Away The Taken-For-Grantedness Of Research Subjectivities: Orienting To The Phenomenological, Melissa Freeman, E. Anthony Muhammad

The Qualitative Report

Qualitative research is a multidisciplinary field of practice that acknowledges and values the situatedness and subjectivities of the researcher. Therefore, reflexively accounting for one’s subjectivities is a crucial part of a research report. Less discussed is how subjective understandings are historically, culturally, and socially mediated, often challenging researchers’ abilities to orient themselves critically to this self-reflective undertaking. Phenomenology is a philosophical approach investigating how phenomena such as subjectivity are constituted in experience. This makes phenomenology an essential resource for understanding how complex subjective responses manifest differently depending on one’s orientation to the situation. This paper aims to familiarize qualitative research …

The Introduction To Being And Time, David Good

Aristos

The clearest summary of Heidegger’s thought in the Introduction to Being and Time is provided by Thomas Sheehan, who says:

Heidegger made the point by pressing his students on what it is they first encounter in their lived experience. Is it things? Objects? Values? No, he insisted, it is:

the meaningful [das Bedeutsame] – that’s what is primary, that’s what is immediately in your face without any detour through a mental grasp of the thing. When you live in the world of first-hand experience, everything comes at you loaded with meaning, all over the place and all the time. Everything …

Ethics Of Interaction: Levinas And Enactivism On Affectivity, Responsibility, And Signification, Edward A. Lenzo

Middle Voices

In recent years, there have been a number of attempts to connect enactivism with the work of Emmanuel Levinas. This essay is such an attempt. Its major theme is the relationship between affectivity and ethics. My touchstones in enactivist thought are Giovanna Colombetti and Steve Torrances’ “Emotion and Ethics: an (inter-)enactive account” (2009) and the influential concept of participatory sense-making developed by Hanne De Jaegher and Ezequiel Di Paolo (2007). With respect to Levinas, I deploy major insights from Totality and Infinity and Otherwise than Being. I first show that enactivist thought (thus represented) and Levinas roughly agree on …

Experience Beyond The Imaginary: Reading Freud’S “Elisabeth Von R.” With Lacan’S “The Mirror Stage”, Jeffrey Mccurry

Middle Voices

While many read Lacan as a structuralist who sought to overthrow the authority of first-person conscious experience, his work also has resonances and affinities with a broadly phenomenological approach to psychoanalysis. This connection comes into focus when we bring Lacan’s concept of the imaginary stage into dialogue with Freud’s early work on hysteria. Lacan implied that the imaginary stage, while necessary for human development, nevertheless frustrates a significant dimension of being human, viz. the human being’s internally conflictual and contradictory experience that calls into question the very idea of a unified self or subject. When we read the early Freud’s …

The Meaning Of “Phenomenology”: Qualitative And Philosophical Phenomenological Research Methods, Heath Williams

The Qualitative Report

I show some problems with recent discussions within qualitative research that centre around the “authenticity” of phenomenological research methods. I argue that attempts to restrict the scope of the term “phenomenology” via reference to the phenomenological philosophy of Husserl are misguided, because the meaning of the term “phenomenology” is only broadly restricted by etymology. My argument has two prongs: first, via a discussion of Husserl, I show that the canonical phenomenological tradition gives rise to many traits of contemporary qualitative phenomenological theory that are purportedly insufficiently genuine (such as characterisations of phenomenology as “what-its-likeness” and presuppositionless description). Second, I argue …

Backing Up Into Advocacy: The Case Of Smartphone Driver Distraction, Robert Rosenberger

The Journal of Sociotechnical Critique

For the last decade, I’ve been studying the topic of the driving impairment of smartphones. While this began as an exclusively academic project, it has increasingly compelled public engagement. One example of this came in an opinion piece I wrote in 2018 in response to a new traffic law. I take the opportunity here to fill out the academic backstory of this particular op-ed, reflect on how this larger project has evolved to include an unanticipated public-facing edge, and abstract some lessons about public writing.

Difference Between Algorithmic Processing And The Process Of Lifeworld (Lebenswelt), Domenico Schneider

Computer Ethics - Philosophical Enquiry (CEPE) Proceedings

The following article compares the temporality of the life-world with the digital processing. The temporality of the life-world is determined to be stretched and spontaneous. The temporality of the digital is given by discrete step-by-step points of time. Most ethical issues can be traced back to a mismatch of these two ways of processing. This creates a foundation for the ethics of the digital processing. Methodologically, phenomenological considerations are merged with media-philosophical considerations in the article.

Correcting Things As Correcting Feelings: A Phenomenological Study Of Wang Yang-Ming’S Doctrine Of Ge-Wu, Minglai Dong

Comparative Philosophy

This article is designed to offer a phenomenological reading of Wang Yang-ming’s (王陽明) doctrine of ge-wu (格物), which, as a part of Wang radical reading of The Great Learning (Da-Xue 大學), distinguishes his doctrine from that of Zhu Xi (朱熹). Wang argues that ge-wu, as rectifying things, is the same process with the act of cheng-yi (誠意), in which yi (意) and wu (物) form a relation of intentionality in Edmund Husserl’s sense. Since for Wang, what can be made sincere are emotional yi such as liking and disliking, Husserl's phenomenology on emotional intentionality …

Returning The Radiant Gaze: Visual Art And Embodiment In A World Of Subjects, Beth Carruthers

The Goose

Drawing on the latter thinking of Maurice Merleau-Ponty, as well as on the ideas of other contemporary philosophers and theorists, this essay considers the denigration of vision from Plato to twentieth-century anti-ocularism, and argues for the reclamation of vision and visual perception as sensuous, embodied interplay between humans and world, self and other—an opening to wonder and more sensitive human-world relations. It does so through a phenomenological exploration of the process of art-making, and consideration of the role and value of artworks and images in the world. This essay is first and foremost an enquiry. As such it promises no …

Subjectivity Is No Object: Can Subject-Object Dualism Be Reconciled Through Phenomenology?, Brent Dean Robbins, Harris L. Friedman, Chad V. Johnson, Zeno Franco

International Journal of Transpersonal Studies

Transpersonal psychology has at times critiqued the broader psychology field for perpetrating a somewhat arbitrary Cartesian subject-object divide. Some phenomenologists claim that reframing this purported divide as an experienced phenomenon can defuse its philosophical impact. If subjective experiences are viewed as continuous with the lifeworld out of which objective phenomena are abstracted, the divide between these is revealed as a somewhat arbitrary, if useful, construction. This, in turn, challenges psychology to engage with subjective phenomena in a more substantive way. In this paper based on excerpts from a protracted email conversation held on the American Psychological Association’s Humanistic Psychology (Division …

Sourcing Enchantment: From Elemental Appropriation To Imaginal Symbolics, Schwartz, Michael

CONSCIOUSNESS: Ideas and Research for the Twenty-First Century

Critical theorists and social commentators agree that modernity and postmodernity suffer from historical pathologies of world disenchantment. What might be done? Drawing on John Sallis’ phenomenology of the elemental and Tibetan Buddhist teachings on elemental practices, this paper investigates the imagination in its doubling as imaginal in generating a symbolics of the self, world, and other that is always already enchanted; an aesthetics of existence where the world itself shows forth like a work of art replete with exorbitant logics.

Aquinas’ De Malo And The Ostensibly Problematic Status Of Natural Evil As Privation, Iñaki Xavier Larrauri Pertierra

Aristos

Arguments concerning the nature of natural evil vary in their conclusions depending on the particular approach with which they commence inquiry; one of the most contested conclusions regards evil as privation, sourcing its justification primarily from Aquinas’ metaphysical conception of good as being and evil as non-being. It should be of no surprise, then, that the dismissal of natural evil’s privative nature comes about when the understanding of natural evil favours a phenomenological approach rather than a metaphysical one. Proponents of said dismissal generally centre their claims around the notion of pain and suffering as substantially contentful – as in, …

Espaces Topologique Et Phénoménologique Dans Le Mal De Peau Et Le Retour Au Village, Mahamadou Lamine Ouédraogo

Présence Francophone: Revue internationale de langue et de littérature

Le mal de peau by Monique Ilboudo and Le retour au village by Kollin Noaga are two Burkinabè novels featuring Sibila and Catherine (for the first) and Tinga (for the second). The study questions the part of spatiality in the semantics of indexed texts: how does space mean in these novels? This problem is attacked from two angles. First, it is a matter of identifying the modes of meaning of the topos. Secondly, it is about seeing how the body, as a phenomenological space, can articulate meaning.

Sensory Dots, No-Self, And Stream-Entry: The Significance Of Buddhist Contemplative Development For Transpersonal Studies, Charles D. Laughlin

International Journal of Transpersonal Studies

Based on the author’s nearly 50 years of meditation, it is observed that as a given alternative state is accessed and used over the span of years, experiences and capacities within that state are not merely static but may themselves shift as a practitioner develops neuropsychologically. An ethnographer using a substance within the context of a cultural practice may gain helpful direct insights into that cultural practice, but the researcher may fail to realize that the state attained by a novice may be substantively different from that gained by an elder or shaman with years of experience in the practice. …

Taylor's Soft Perennialism: A Primer Of Perennial Flaws In Transpersonal Scholarship, Glenn Hartelius, Glenn Hartelius

International Journal of Transpersonal Studies

This response to Taylor's essay in this issue concludes that his notion of soft perennialism is unworkable and shows no promise as a theory to explain spiritual diversity. Numerous specific shortcomings of the paper are described, then it is used as basis for identifying three broad categories of error that occur in some transpersonal scholarship. Examples from Taylor's paper are supplemented with similar errors in papers by other transpersonal scholars.

Nature, Human Ecopsychological Consciousness And The Evolution Of Paradigm Change In The Face Of Current Ecological Crisis, Karen Palamos

International Journal of Transpersonal Studies

This paper explores factors that contribute to the ecological crisis of the contemporary time, including philosophical, psychological, and spiritual beliefs that have contributed to the current situation. Recognition is paid to the role of reductionist Cartesian thought and centuries of attempted separation from nature. Contributions of Jungian, post-Jungian, depth, and transpersonal scholars fortify an understanding of the subtle perceptual shifts for change to become possible. Recognition of humanity’s interconnectivity with all life is proposed as a key factor in building motivation toward becoming agents of change, concluding with a call for co-created praxis toward regeneration of connection to life in …

Epistemic Function And Ontology Of Analog And Digital Images, Aleksandra Lukaszewicz Alcarez

Contemporary Aesthetics (Journal Archive)

The important epistemic function of photographic images is their active role in construction and reconstruction of our beliefs concerning the world and human identity, since we often consider photographs as presenting reality or even the Real itself. Because photography can convince people of how different social and ethnic groups and even they themselves look, documentary projects and the dissemination of photographic practices supported the transition from disciplinary society to the present-day society of control. While both analog and digital images are formed from the same basic materia, the ways in which this matter appears are distinctive. In the case of …

Miffy And Me: Developing An Auto-Ethnographic Approach To The Study Of Companion Animals And Human Loneliness, Adrian Franklin

Animal Studies Journal

Despite the consistent claim that companion animals can and do alleviate human loneliness, a recent systematic review of quantitative studies of human loneliness and companion animals (Gilbey and Tani 2015) found no evidence to support this ‘belief’ (as they put it), except in animal-assisted therapy (and even there the authors were not entirely convinced that they do). Taking their article as a starting point this paper develops a critical examination of quantitative methodologies that have been used to date and suggests that they have not taken into account the extent and complexity of contemporary human loneliness or how companion animals …

Ketamine For Depression: A Mixed-Methods Study, Philip E. Wolfson

International Journal of Transpersonal Studies

Prior studies have reported variously on the presence or absence of dissociative effects at subanesthtetic doses of ketamine administered for treatment-resistant depression. This mixedmethods study emulated the protocol used for the studies in question, with IV administration of 0.5mg/kg over 40 minutes with eight experienced ketamine users. Quantitative measures were generally insignificant since this was not a population reporting depression; blood pressure increased as expected by 20-30mm systolic and 6-20mm diastolic, falling rapidly by 20 minutes after completion of the infusion. Individual qualitative reports reports of relaxation, pleasant sensation, decreased cognitive function, and some disabling of ordinary capacities. As experienced …

Experiencing Photographs Qua Photographs: What's So Special About Them?, Jiri Benovsky

Contemporary Aesthetics (Journal Archive)

No abstract provided.

In Praise Of Ambiguity: Musical Subtlety And Merleau-Ponty, Tiger C. Roholt

Contemporary Aesthetics (Journal Archive)

When a jazz, rock, or hip-hop drummer strikes certain notes in each measure slightly late, instead of hearing the degree to which those notes are late, we typically hear the effects of those variations; namely, a groove, the "feel" of a rhythm. Slight variations of pitch function similarly. In this essay, I argue that certain analytic theorists go astray due to their preoccupation with the variations themselves. By invoking Maurice Merleau-Ponty's insights into subtle visual perceptions, and his notion of perceptual indeterminacy, I avoid an account of musical subtlety suggested by Daniel Dennett that is too coarse-grained, as well as …

Affirming Difference: Everyday Aesthetic Experience After Phenomenology, Wood Roberdeau

Contemporary Aesthetics (Journal Archive)

This article explores the complex relationships among two different types of critique, the socio-temporal zone known as "everyday life" and the moment of the encounter by those who are encountering art works. It proceeds with a close study of the phenomenology of Maurice Merleau-Ponty and Mikel Dufrenne, and tests their key concepts against generalized contemporary art practices that question a model of the traditional aesthetic experience by suggesting the possibility that within the expanse of postmodernity such a paradigm has shifted, (although it is not completely irretrievable). The paper argues that this shift has been achieved by remobilizing readymade objects …

Yamato Kotoba: The Language Of The Flesh, Yukari Kunisue, Judy Schavrien

International Journal of Transpersonal Studies

This inquiry builds on the work of such thinkers as David Abram and Maurice Merleau-

Ponty; like their work, it addresses the fact that people in the Western developed world,

through their acculturations, sacrifice intimacy with the natural world. The article explores

one remedial measure: the Yamato Kotoba language of the Japanese. This is a language

before the Chinese injection of spoken and written words, one that preserves the earlier

words better suited, the authors propose, to expressing the interpenetrating experience of

the person with—in this case the Japanese—natural setting. Such an intimacy appears, for

instance, in Basho’s Haiku. In …

Artist's Labor, Derek Whitehead

Contemporary Aesthetics (Journal Archive)

This essay explores the relations between perception, phenomenology and art practice. The object of my inquiry is the kind of perceptual repertoire available to the artist in relation to his art, which extends beyond the technical means available to art making in its varying forms. I invoke an artist's innate perception as the source and locus of art's creation. This creation of art also has an outward or phenomenological dimension. In this respect, I investigate the ways in which phenomenological perception, via Maurice Merleau-Ponty's hermeneutic insights into artistic activity, might offer to contemporary arts practice a means of reappraising its …

A Phenomenological Aesthetic Of Cinematic 'Worlds', Christopher Yates

Contemporary Aesthetics (Journal Archive)

Contemporary film aesthetics is beset by difficulties arising from the medium itself and the bewildering itinerary of film theory. Inspired by Martin Heidegger's hermeneutical vision in "On the Origin of the Work of Art" (1935), my essay seeks to overcome this paralysis by grounding the aesthetic value of cinematic art in its ability to "disclose the world" through a convergence of artist and viewer intentionalities. Stanley Cavell has gone far by exploring a corresponding "natural relation" between philosophy and cinema, but his work assumes an ontological discourse without an appropriate phenomenological method. I contend that Mikel Dufrenne's phenomenology of aesthetic …

Commitment And Communication: The Aesthetics Of Receptivity And Historicity, Todd Mei

Contemporary Aesthetics (Journal Archive)

A general tension in contemporary aesthetics can be described as existing between objective truth claims and historical relativity. The former is generally represented by the Enlightenment approaches and its descendants that ground aesthetic judgment in rationality. The latter characterizes the postmodern appeal to historicity and the exposure of historical prejudice. Following mostly the hermeneutical philosophy of Heidegger, Gadamer, Ricoeur, and Dupré, this paper argues how aesthetic theory, defined by either pole, inadequately accounts for historicity. In response to this critique, this paper attempts to navigate between these two poles in returning to an analysis of the nature of history and …

Art And Embodiment: Biological And Phenomenological Contributions To Understanding Beauty And The Aesthetic, Adrienne Dengerink Chaplin

Contemporary Aesthetics (Journal Archive)

Increasing awareness of the crucial and complex role of the body in making and experiencing art has led to a diverse range of biological and phenomenological philosophies of art. The shared emphasis on the role of the body re-connects these contemporary theories of art to aesthetics' pre-Kantian origin as a science of sense-perception (aesthesis) and feeling. Tracing some of the current positions in such diverse thinkers as Dissanayake, Langer, and Merleau-Ponty, this paper will examine their shared interest in art as a pre-reflective, non-discursive mode of knowing, symbolizing, and being-in-the-world. This paper argues that while some biologically based theories have …