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Full-Text Articles in Philosophy
The Political Aesthetic Of Hannah Arendt: Modernity, Judgment, And Culture, Quixote R. Vassilakis
The Political Aesthetic Of Hannah Arendt: Modernity, Judgment, And Culture, Quixote R. Vassilakis
Dissertations, Theses, and Capstone Projects
The plan of this thesis is, first, to interpret Arendt’s critique of the modern age. Next, this paper outlines Arendt’s reconceptualization of Kant’s theory of judgment as the basis for a novel model of the public sphere in light of the conditions of modernity. Finally, this paper explores Arendt’s poetics as a means of activating the faculty of judgment in order to reconcile with the modern world. In order to address the political crises of modernity, Arendt develops a political aesthetic alive to the role of narrative and culture in reconstituting political communities. I argue that Hannah Arendt develops a …
At The Threshold: Edgard Varese, Modernism, And The Experience Of Modernity, Robert Jackson Wood
At The Threshold: Edgard Varese, Modernism, And The Experience Of Modernity, Robert Jackson Wood
Dissertations, Theses, and Capstone Projects
The writings of composer Edgard Varese have long been celebrated for their often ecstatic, optimistic proclamations about the future of music. With manifesto-like brio, they put forth a vision of radically new instruments and sounds, delineate the parameters for spatially oriented composition, and initiate the discourse of what would become electronic music. Yet just as important for understanding Varese is the other side of the coin: a thematics of failure concerning the music of the present--a failure of old instruments to transcend their limitations, a failure of technique to achieve certain compositional ideals, and a failure of music to connect …
Common Knowledge: The Epistemology Of American Realism, Mark Sussman
Common Knowledge: The Epistemology Of American Realism, Mark Sussman
Dissertations, Theses, and Capstone Projects
My dissertation, Common Knowledge: The Epistemology of American Realism, focuses on realist fiction (primarily the novel) at the end of the nineteenth century. Its motivating claim is that the central descriptive and thematic imperative of realism--to depict life "as it is" rather than in some idealized form--emerged in response to crises in the status of knowledge that resulted from an attempt by writers and readers to come to a common understanding of the relationship between private experience and an increasingly fragmented social world. While William Dean Howells's definition of realism as a form of writing that displays "fidelity to experience …