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Japanese-English Translation: Nishida Kitarō––“Self-Determination Of The Eternal Now” 「永遠の今の自己限定」、西田幾多郎著（昭和六年七月） (July 1931) §1 Of 4; Complete Draft (Supersedes Draft Of 2 Jan 19); Translated By Christopher Southward; Revision And Expansion Underway, Christopher Southward

Comparative Literature Faculty Scholarship

Japanese-English Translation: Nishida Kitarō––“Self-Determination of the Eternal Now” (July 1931) 「永遠の今の自己限定」、西田幾多郎著（昭和六年七月）

§1 of 4; Complete Draft (Supersedes Draft of 2 Jan 2019)

Translated from the Japanese by Christopher Southward; Revision and Expansion Underway, October 2023

Japanese-English Translation: Miki Kiyoshi —Thinking With Master Nishida (First Published In Fujin Kōron, August 1941) Complete Draft; Translated, Edited, And Revised By Christopher Southward, October 2022-September 2023 「西田先生のことども」、三木清著（初発 婦人公論、昭和十六年八月）, Christopher Southward

Comparative Literature Faculty Scholarship

Japanese-English Translation: Miki Kiyoshi —Thinking with Master Nishida (First Published in Fujin Kōron, August 1941) Complete Draft; Translated, Edited, and Revised by Christopher Southward, October 2022-September 2023「西田先生のことども」、三木清著（初発 婦人公論、昭和十六年八月）

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The Flaneur In The Borsig Locomotive Works: Walter Benjamin, The Berlin Radio Youth Hour, And Sound As Pedagogy, Kevin S. Amidon

Modern Languages Faculty Publications

Walter Benjamin’s radio addresses for young people remain a comparatively neglected part of his work. New scholarship and translations have begun to address this, however. This arti- cle argues that the radio addresses, and particularly the address on the Borsig locomotive and machine works, deserve a prominent place within the critical and intellectual trajectory of Ben- jamin’s career. A close reading of “Borsig” demonstrates how the addresses model the modes of experience mediated by and through Benjamin’s master figure of the flaneur and generate the possibility for a historical pedagogy adequate to modernity. In the radio addresses, in general, and …

Shibboleth: Judges, Derrida, Celan [Toc], Marc Redfield

Philosophy & Theory

In the Book of Judges, the Gileadites use the word shibboleth to target and kill members of a closely related tribe, the Ephraimites, who cannot pronunce the initial shin phoneme. In modern European languages, shibboleth has come to mean a hard-to-falsify sign that winnows identities, and establishes and confirms borders; it has also acquired the ancillary meanings of slogan or cliché. The semantic field of shibboleth thus seems keyed to the waning of the logos in an era of technical reproducibility—to the proliferation of technologies and practices of encryption, decryption, exclusion and inclusion that saturate modern life. In the context …

Heidegger And Hölderlin On Aether And Life, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Aftermath, Babette Babich

Articles and Chapters in Academic Book Collections

Aftermath

The question after any disaster is the question of what remains and that, to the extent that there is still something that remains, is the question of life. It is life that is the question after Auschwitz—how go on, how write poetry, how philosophize? What is called thinking after Heidegger? Are we still inclined to thinking, after Heidegger? And what of logic? What of history? And what of science? In addition, we may ask after ethical implications, including questions bearing on anti-Semitism, but also issues of misogyny, as well as Heidegger’s critical questions concerning technology and concerning animal life …

Nietzsches Lyrik. Archilochus, Musik, Metrik, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

The ‘New’ Heidegger, Babette Babich

Articles and Chapters in Academic Book Collections

If discussion of “new” approaches to Martin Heidegger contradicts Heidegger’s own indictment of the passion for “novelty” in philosophy, today’s Black Notebooks scandal reminds us of the ontic problem of new news. Indeed the backwards working evidence of the notebooks kept before, during, and after WWII both vindicates and problematizes his notion of temporality temporalizing from the future -- lapsing into the past -- setting up what is now regarded as patent in the present. Simultaneously, we see that if heretofore many philosophers of technology sought to dismiss engagement with Heidegger’s critique of technology, these critical contributions turn out to …

Nietzsche’S Zarathustra And Parodic Style: On Lucian’S Hyperanthropos And Nietzsche’S Übermensch, Babette Babich

Articles and Chapters in Academic Book Collections

It is well-known that as a term, Nietzsche’s Übermensch derives from Lucian of Samosata’s hyperanthropos. I argue that Zarathustra’s teaching of the overman acquires new resonances by reflecting on the context of that origination from Lucian’s Kataplous – literally, “sailing into port” – referring to the soul’s journey (ferried by Charon, guided by Hermes) into the afterlife. The Kataplous he tyrannos, usually translated Downward Journey or The Tyrant, is a Menippean satire of the “overman” who is imagined to be superior to others of “lesser” station in this-worldly life and the same tyrant after his (comically unwilling) …

Hirsch, Sebald, And The Uses And Limits Of Postmemory, Kathy Behrendt

Philosophy Faculty Publications

Marianne Hirsch’s influential concept of postmemory articulates the ethical significance of representing trauma in art and literature. Postmemory, for Hirsch, “describes the relationship of children of survivors of cultural or collective trauma to the experiences of their parents, experiences that they ‘remember’ only as the narratives and images with which they grew up, but that are so powerful, so monumental, as to constitute memories in their own right”. Through appeal to philosophical work on memory, the ethics of remembering, and Peter Goldie’s discussion of empathy, I explore the virtues and limitations of Hirsch’s concept of postmemory, and the risks involved …

Future Past: The Gay Science, Thus Spoke Zarathustra And Eternity Or What Is The Weight Of The Greatest Heavy Weight?, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Philosophische Figuren, Frauen Und Liebe: Zu Nietzsche Und Lou, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich

Articles and Chapters in Academic Book Collections

This essay reviews Nietzsche’s discussion of scholarly judgments of style beginning with his own inaugural lecture at Basel together with David Hume’s stylistic reflections in Hume's “On the Standard of Taste.” This casts light both on the context and the substance of Nietzsche’s own scholarly concern with the question of style and taste in terms of what Nietzsche called the “science of aesthetics” and consequently of scholarly judgment in both classics (or classical philology, here including archaeology and historiography) and philosophy. I also include a brief discussion of Nietzsche’s phenomenological performance practice of dance or playing the “satyr.”

Geworfenheit Und Prometheische Scham Im Zeitalter Der Transhumanen Kybernetik Technik Und Machenschaft Bei Martin Heidegger, Fritz Lang Und Günther Anders, Babette Babich

Articles and Chapters in Academic Book Collections

Untersucht werden soll hier die Wirkung Heideggers auf Günther Anders. Dabei spiegelt Anders eine ganze Etappe Wirkungsgeschichte, denn er war Schüler von Husserl sowie von Paul Tillich – und zudem, vielleicht am wichtigsten, weil diese Beziehung die schwierigste ist, auch von Theodor W. Adorno.2 Günther Anders, der damals noch Günther Stern hieß, könnte eigentlich als eine Art Verkörperung der Phänomenologie gelten, war doch gerade er sowohl hermeneutisch geschult als auch ein früher Anhänger der Frankfurter Schule – als beide noch in anfänglichem Glanz und Fülle strahlten. Eigentlich aber reden wir gar nicht über Heidegger und seine Schüler, außer in der …

The Birth Of Kd Lang’S Hallelujah Out Of The ‘Spirit Of Music’: Performing Desire And ‘Recording Consciousness’ On Facebook And Youtube, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

The Philosopher And The Volcano, Babette Babich

Articles and Chapters in Academic Book Collections

Nietzsche's Zarathustra echoes Empedocles' as orator or speaker especially if reviewed in terms of Empedocles' esoteric Katharmoi or Purifications. This essay reads Zarathustra teaching of the eternal return of the same as the teaching of going to ground, that is: death and rebirth, arguing that death is present at the start and already at work in the section entitled The Adder's Bite. Indeed it is the explicit subtext of the overman.

Like Empedocles, Nietzsche's Zarathustra tells us that the human being is something that should be overcome. and thus it makes a difference that we hear Zarathustra proclaim this teaching …

Le Zarathoustra De Nietzsche Et Le Style Parodique. A Propos De L’Hyperanthropos De Lucien Et Du Surhomme De Nietzsche, Babette Babich

Articles and Chapters in Academic Book Collections

Abstract

Nietzsche’s Übermensch is derived from Lucian of Samosata’s term hyperanthropos. I argue that Zarathustra’s teaching of the overman acquires new resonances in the context of that terminological origination in Lucian’s Kataplous — literally: sailing into port — referring to the journey of the soul into the afterlife, as escorted by Hermes and ferried by Charon along with myriads of others facing the same fate. The Kataplous he tyrannos, a title usually rendered as the Downward Journey (or The Tyrant), is a Menippean satire telling the tale of the “overman” supposed superior to others of “lesser” station in …

Zu Nietzsches Statuen: Skulptur Und Das Erhabene, Babette Babich

Articles and Chapters in Academic Book Collections

Metaphern aus dem Feld der Bildhauerein kommen überraschend oft bei Nietzsche vor: von der Statue als einem Ideal von Unweglichkeit ebenso wie von der Skulptur als einer Metapher der Selbst-Darstellung, bis hin zu Nietzsches ikonoklastischer Klärung: wie mit dem Hammer zu philosophieren sei.

In Bezug auf die griechische Platik sowie Nietzsche’s Texte argumentiert die Autorin mit Nietzsche gegen eine damals und noch heute weit verbreitete Auffassung, wonach wir solche Statuen fast unvermeidlich aus einem jüdisch-christlichen Gesichtspunkt betrachten. Außerdem geht sie besonders ein auf Nietzsches Beschwörung der Skulptur in dem Zarathustra-Abschnitt Von den Erhabenen.

Nietzsche And Lou, Eros And Art : On Lou’S Triangles And The « Exquisite Dream » Of Sacro Monte, Babette Babich

Research Resources

No abstract provided.

Adorno On Science And Nihilism, Animals, And Jews, Babette Babich

Articles and Chapters in Academic Book Collections

No less than Heidegger or Nietzsche, Adorno had his own critical notions of truth/untruth. But Adorno’s readers are unsettled by the barest hint of anything that might be taken to be anti-science. Thus it is argued that Adorno opposes not science but scientism. But, and here not unlike Arendt, Adorno argued that so-called “scientistic” tendencies are the very conditions of society and of scientific thought.” I ask how we are to read Adorno by exploring his thought on animals and nihilism.

Technik Und Machenschaft Bei Martin Heidegger Und Günther Anders. Mit Einigen Bemerkungen Zu Ray Kurzweils Urknall, Babette Babich

Working Papers

No abstract provided.

"Thus Spoke Zarathustra" Or Nietzsche And Hermeneutics In Gadamer, Lyotard, And Vattimo, Babette Babich

Articles and Chapters in Academic Book Collections

Apart from reading Nietzsche's words on his characterization as an educator in suspicion with some suspicion, what does Nietzsche offer hermeneutics? This essay takes up this question by talking about the politics of interpretation, hermeneutics, and genealogy. In the process, we can address Lyotard's enthusiastic fealty to technology and offer yet once more requiem for the postmodern, understood here through (and hence contra) Lyotard as the simulacrum of communication that is the internet.

Ex Aliquo Nihil: Nietzsche On Science And Modern Nihilism. Acpq, 84-2 (Spring 2010): 231-256., Babette Babich

Articles and Chapters in Academic Book Collections

This essay explores the nihilistic coincidence of the ascetic ideal and Nietzsche’s localization of science in the conceptual world of anarchic socialism as Nietzsche indicts the uncritical convictions of modern science by way of a critique of the causa sui, questioning both religion and the enlightenment as well as both free and unfree will and condemning the “poor philology” enshrined in the language of the “laws” of nature. Reviewing the history of philosophical nihilism in the context of Nietzsche’s “tragic knowledge” along with political readings of nihilism, willing nothing rather than not willing at all, today’s this-worldly and very planetary …

The Biopolitical Unconscious: Not-All Persons Are Political, Ross G. Shields

Media and Cultural Studies Honors Projects

It is a tenet of post-structuralist theory that discursive series fail in their attempts to constitute themselves as totalities. A system can fail in two distinct ways—from Kant’s dynamic and mathematic failures of reason, to Jacques Lacan’s equation of the two failures of language with the two failures (male and female) of sex. Biopolitical theory offers the most recent account of failure and collapse, now on the geopolitical scale. Given that the biopolitical subject too is sexed, this thesis asks the question: How does biopolitics fail? Franz Kafka’s aborted novels offer a premonition to a possible answer.

Scraping Down The Past: Memory And Amnesia In W. G. Sebald's Anti-Narrative, Kathy Behrendt

Philosophy Faculty Publications

Vanguard anti-narrativist Galen Strawson declares personal memory unimportant for self-constitution. But what if lapses of personal memory are sustained by a morally reprehensible amnesia about historical events, as happens in the work of German author W. G. Sebald? The importance of memory cannot be downplayed in such cases. Nevertheless, contrary to expectations, a concern for memory needn’t ally one with the narrativist view of the self. Recovery of historical and personal memory results in self-dissolution and not self-unity or understanding in Sebald’s characters. In the end, Sebald shows how memory can be significant, even imperative, within a deeply anti-narrativist outlook …

Le Sort Du Nachlass : Le Problème De L’Œuvre Posthume, Babette Babich

Articles and Chapters in Academic Book Collections

Discussion of Heidegger's Nachlass as composed in the wake of his editorial experience working on the edition of Nietzsche's works. Issues explored include the role of the editor (or editors) in the work of an author (reception, legitimation, etc.) Features a discussion of the distinctive aspects of the different language versions of Nietzsche's Will to Power first in German, then in French, then in English. Text is in French.

Please use this citation:

Babette Babich, «Le sort du Nachlass : le problème de l’œuvre posthume», in : Pascale Catherine Hummel, ed., Mélivres / Misbooks. Études sur l’envers et les travers …

Greek Bronze: Holding A Mirror To Life, Expanded Reprint From The Irish Philosophical Yearbook 2006: In Memoriam John J. Cleary 1949-2009, Babette Babich

Articles and Chapters in Academic Book Collections

To explore the ethical and political role of life-sized bronzes in ancient Greece, as Pliny and others report between 3,000 and 73,000 such statues in a city like Rhodes, this article asks what these bronzes looked like. Using the resources of hermeneutic phenomenological reflection, as well as a review of the nature of bronze and casting techniques, it is argued that the ancient Greeks encountered such statues as images of themselves in agonistic tension in dynamic and political fashion. The Greek saw, and at the same time felt himself regarded by, the statue not as he believed the statue divine …

Zu Nietzsches Stil, Babette Babich

Articles and Chapters in Academic Book Collections

Das Thema von Nietzsches Stil ist hier sowohl von Bedeutung als Frage nach dem Wesen jenes Stils wie auch als Frage danach, was er in philosophischer, nicht einfach in asthetischer oder literarischer Hinsicht erreicht hat. Hier wird nachgelegt, dass die Kunst des Lesens, die technische Kunst des hörens als eine Art des Hörens in einer philosophischen Seinsweise zu verstehen sei. Damit setzt sie nicht allein eine diskursive Kunst musikalischen Gespürs seitens des schreibenden, sondern eigentlich auch seitens des Lesenden voraus. Untersucht wird vor allem, Nietzsches Aphorismos im Rahmen des Antisemitismus. Diese außerordentlich komplexe innere Ausrichtung von Nietzsches Stil ist die …

Nietzsche/Pentheus: The Last Disciple Of Dionysus And Queer Fear Of The Feminine, C. Heike Schotten

Political Science Faculty Publication Series

This article examines the scholarly preoccupation with the hypothesis that Nietzsche was gay by offering a reading of Nietzsche's texts as autobiographical that puts them in conversation with Euripides's drama The Bacchae. Drawing a number of parallels between Nietzsche, self-avowed disciple of Dionysus, and Pentheus, the main character of The Bacchae and demonstrated antidisciple of Dionysus, I argue that both men experience their sexual attraction to women as somehow intolerable, and they negotiate this discomfort—which is simultaneously an unjustified paranoia and fear of the feminine—through the appropriation of feminine capacities and qualities for themselves. This appropriation ultimately expresses these men's …

Ad Jacob Taubes, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.