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The Repudiation Of The Marvelous: Jonson’S The Alchemist And The Limits Of Satire, Ian Mcadam

Quidditas

Our present conception of alchemy is, at best, shadowy and confused. As Charles Nicholl states in The Chemical Theatre, "The modern image...tends in two directions: one scientific, the other magical. The first defines alchemy simply and chronologically as early chemistry...out of which modern chemistry began to emerge during the seventeenth century.” On the other hand, “alchemy is popularly defined as one of the ‘occult arts’.... To us, the alchemist’s avowed quest for miraculous substances—the Philosopher’s Stone which converts all to gold, the Elixir Vitae which confers immortality—belongs to the realm of magic rather than science.” Nevertheless, to consider Renaissance …