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Full-Text Articles in Other Languages, Societies, and Cultures

Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao May 2023

Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao

Theses and Dissertations

Jordany's paper congregates their archival research into an art practice that examines the decolonial impulse to excavate the self and produce autonomy. Using ceramics to reference and re-animate Taino ritual objects found in museums, resulting in alternative museology, their work seeks to honor Caribbean ancestors by subverting colonial history.


“I’M A Nurse, Not A Woman”: The Historical Significance Of The Uwm Nurse Romance Novel Collection, Katie Elisabeth Stollenwerk Aug 2020

“I’M A Nurse, Not A Woman”: The Historical Significance Of The Uwm Nurse Romance Novel Collection, Katie Elisabeth Stollenwerk

Theses and Dissertations

This thesis seeks to promote future collection and preservation of popular culture resources at academic libraries by demonstrating the research potential and instructional value of a particular collection—the Nurse Romance Novel collection, held by the UWM Special Collections department. The study examines the history of American nursing and the history of romance fiction, raising questions about the role mass media and popular culture played in the professionalization of nursing and in the construction of dominant ideologies about gender roles in twentieth century America. This study treats romance novels as both consumer goods and as narratives, analyzing not only their literary …


Creating Herstory: Female Rebellion In Arundhati Roy’S "The God Of Small Things" And "The Ministry Of Utmost Happiness", Priyanka Tewari Aug 2018

Creating Herstory: Female Rebellion In Arundhati Roy’S "The God Of Small Things" And "The Ministry Of Utmost Happiness", Priyanka Tewari

Theses and Dissertations

In The God of Small Things and The Ministry of Utmost Happiness novels, the author Arundhati Roy is not only attempting to give feminist weight to the multiplicity of locations in which gender is articulated by recasting her female characters in their quest for selfhood, she is also focusing on women and women-identified characters as agents of history, thereby contributing to an ongoing project of feminist historiography.