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Remembering Violent Pasts In Argentina And Chile: An Exploration Of Diverging Memorial Landscapes, Zara Ferro Jan 2018

Remembering Violent Pasts In Argentina And Chile: An Exploration Of Diverging Memorial Landscapes, Zara Ferro

Senior Projects Spring 2018

What can explain Argentina and Chile’s post-dictatorial divergence in modes of memorializing violent pasts, considering they underwent similar brutal dictatorships and essentially simultaneous transitions to democracy? While in Argentina, public memorials convey a sense of retribution toward the old regime; in Chile, these memorials emphasize reconciliation and a desire to move on from past violence. Looking beyond differences in their democratic transitions and the state of their economies pre- and post-dictatorship, this project identifies activism of human rights organizations as the primary variable for understanding different textures in the politics of memorializing in Argentina and Chile. In Argentina, the politics …


Does That Look Gay? Framing Queer Identity In Extended Sensibilities: Homosexual Presence In Contemporary Art, Sarah Peskin Jan 2018

Does That Look Gay? Framing Queer Identity In Extended Sensibilities: Homosexual Presence In Contemporary Art, Sarah Peskin

Senior Projects Spring 2018

This Senior Project questions the usefulness of identity, specifically queer identity, as an organizing principle for an art exhibition. I explore this topic in relation to the curatorial method for the exhibition at the New Museum in New York in 1982, entitled Extended Sensibilities: Homosexual Presence in Contemporary Art. I argue that identity was a useful category for Extended Sensibilities by analyzing the art as Camp. By doing so, I hope to prove that the curator, Dan Cameron, chose a collection of art that opposed an essentialist perspective of queer identity. Furthermore, I compare Extended Sensibilities to a more …