Museum Studies Commons^™

No Canvas, No Rules, Francisca B. Ugalde

Proceedings from the Document Academy

This presentation activity is a creative exploration of the concept of DIS-EASE, as in the absence of ease, uneasiness, or discomfort.

Conceptually, I am exploring DIS-EASE in three ways:

1. As you can see, I am painting directly onto the gallery wall. As the keeper of these galleries, I can assure you that this is a big no-no. I mean how dare anyone disturb these pristine surfaces?! The rationale behind my discomfort is rooted in the idea that the gallery is a sacred space, and that these walls ought to be kept pristine so that the objects displayed against them …

Storage Organization And Analysis Of Artifacts, Rebecca Glatz

Williams Honors College, Honors Research Projects

I worked with the Institute for Human Science and Culture at the Drs. Nicholas & Dorothy Cummings Center for the History of Psychology and Department of Anthropology at the University of Akron to help create an inventory of the collections that are being stored in the storage of the Cummings Center. After I finished the general inventory, I selected a collection of interest to do further research on an item level. The collection was processed and photographed and this paper is a report of what I learned about the collection and a guide of how to process a collection for …

Documentary Provenance And Digitized Collections: Concepts And Problems, Mats Dahlström, Joacim Hansson

Proceedings from the Document Academy

Provenance research in digitized memory institution collections is mainly devoted to documenting and mapping the trajectories of the physical source documents across time, place and contexts, primarily by developing metadata standards and data models. The provenance of the digital reproduction and its relation to one or several physical source documents is however not being subjected to much inquiry. A possible explanation for this is the face-value approach with which we tend to regard digital reproductions. Looking more closely at such reproductions and their complex digitization process suggests a far from straightforward and linear provenance relation, and begs the question of …

The Wonders Of The Augsburg Cabinet: Three Ways Of Experiencing A Document, Kiersten F. Latham

Proceedings from the Document Academy

Since even before Frohmann (2009) proposed his document analysis on the meaning of cabinets of curiosity, I have been fascinated with them. Their emergence in the 15th century (MacGregor, 2007) is also the tantalizing beginnings of the birth of the modern museum. In museum studies, we often ask what the meaning of the museum is today (Latham & Simmons, 2014); I believe that part of the answer to this question is in these curious compartmentalized pieces of furniture that held the wonders of the world and helped users make meaning a very long time ago.

One can see examples of …

The Curious Case Of Floating Fixity (And Its Relationship To Authenticity), Kiersten F. Latham

Proceedings from the Document Academy

This paper is part reflection and part analysis. I use a personal document experience to illustrate the use of the holistic analysis framework of Document Phenomenology (Gorichanaz & Latham, 2016) to explore the notion of floating fixity and its relationship to authenticity.