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Full-Text Articles in Museum Studies
The Stylistic Development Of Jean Despujols (1886-1965), Kelly M. Ward
The Stylistic Development Of Jean Despujols (1886-1965), Kelly M. Ward
LSU Master's Theses
This thesis is the first comprehensive scholarly analysis of the life and most extant works by Jean Despujols. The French and later naturalized American painter, writer, poet, philosopher, deep-thinker, and mystic was best known for his Neoclassical and academic style. This thesis briefly discusses the artist’s beginnings as a young painter at the School of Fine Arts in Bordeaux and in Paris, his sketches in the trenches of the First World War, his time at the Villa Medicis after winning the distinguished Rome Prize, and his paintings and thoughts as a philosopher and political writer throughout his life. An outstanding …
Léon-Jean-Joseph Dubois, Antiquarian, Anna E. Dow
Léon-Jean-Joseph Dubois, Antiquarian, Anna E. Dow
LSU Master's Theses
This thesis examines the life of Léon-Jean-Joseph Dubois (1780-1846), a French engraver, antiquarian, conservator, and restorer of antiquities. Dubois lived in Paris during the late eighteenth and early nineteenth centuries, in an era when Ancient Egyptian art and history became very popular. His life was overshadowed by the career of his friend Jean-François Champollion, the “Father” of Egyptology, who laid the foundations for the deciphering of Egyptian hieroglyphics in 1822. This thesis is the first to study Dubois, and the focus of this study will be on his life, his publications, his art, his relationships with other antiquarians, his museum …
Parallel Tracks: Three Case Studies Of The Relationship Between Street Art And U.S. Museums In The Twenty-First Century, Erin Rolfs
LSU Master's Theses
An examination of three case studies involving U.S. museum exhibitions of street and graffiti art in the twenty-first century. This thesis covers the Brooklyn Museum of Art’s “Graffiti” show in 2006, Los Angeles’s Museum of Contemporary Art’s “Art in the Streets” in 2011, and the 2012-2015 activities of the Baton Rouge Museum of Public Art. These events offer a chronological and geographical range to provide a broad scope of investigation into the pitfalls and opportunities of museum’s exhibiting graffiti and street art. The heart of this research is not to prolong the debate about whether museums endanger their authority when …