Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- ARCHIVE (1)
- Avant-Garde Festival (1)
- Bergson (1)
- Biography (1)
- Bisexual Archives (1)
-
- Black Archives (1)
- Black Queer Archives (1)
- Curatorial (1)
- DANCE HISTORY (1)
- DESIGN (1)
- Feminist (1)
- Fluxus (1)
- LGBT Archives (1)
- Lesbian Archives (1)
- Lorraine Hansberry (1)
- MONTEVIDEO (1)
- New York City (1)
- Orpheus (1)
- Performance (1)
- Playwright (1)
- Schomburg Center for Research in Black Culture (1)
- Stettheimer (1)
- Theater (1)
- Theatre (1)
- VISUAL CULTURE (1)
- Video art (1)
- Publication
- Publication Type
Articles 1 - 5 of 5
Full-Text Articles in Museum Studies
'Once Famous In An Odd Way': Curiosity And Queerness In Late 19th-Century American Male Impersonation, S.C. Lucier
'Once Famous In An Odd Way': Curiosity And Queerness In Late 19th-Century American Male Impersonation, S.C. Lucier
Dissertations, Theses, and Capstone Projects
This thesis depicts the emergence of one particular iteration of the popular female actor within 19th century performance, the male impersonator, and identifies the ways in which this theatrical expression was related to and affected by similar amusements of the period. Public amusements of this period include a diversity of experiential entertainment that was primarily geared toward working and lower-middle class males. Included in these types of illegitimate theater is the variety hall. Male impersonators were the height of theatrical fashion not only in New York City, which is the focused landscape of this paper, but this type of …
Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo
Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo
Dissertations, Theses, and Capstone Projects
This thesis explores the life-work chronology of the dancers and choreographers Clotilde von Derp (whose surname then was Sakharoff) and Alexander Sakharoff, who were exiled in Montevideo, Uruguay, and Buenos Aires, Argentina, between 1941 and 1948. During their stay in the Rio de la Plata region, the Sakharoffs stirred up the art scene by performing extremely detailed dances with great attention to costume design. This thesis begins with a review of the reception of the dancers’ performances by the artistic and cultural circles in Montevideo, arguing that the Sakharoffs’ “queer” trajectory resonated with the Uruguayan artistic community, influencing the creation …
Cellist, Catalyst, Collaborator: The Work Of Charlotte Moorman, Saisha Grayson
Cellist, Catalyst, Collaborator: The Work Of Charlotte Moorman, Saisha Grayson
Dissertations, Theses, and Capstone Projects
When classically trained cellist Charlotte Moorman (1933-1991) moved to New York City in 1957, she swiftly positioned herself at the intersection of experimental music, performance, video, and the visual arts. She interpreted works by composers like John Cage, collaborated with artists such as Nam June Paik, and founded and organized the New York Avant Garde Festival from 1963 to 1980. This dissertation argues that Moorman’s career sheds new light on what it meant to be an artist in this post-medium-specific moment and proposes that Moorman’s deterritorialization of authorship exerts pressure on traditional art histories. The generative dynamics of her collaborations …
Bergson’S Élan Vital As Reflected In Florine Stettheimer’S Orphée Of The Quat-Z-Arts, Michael Neumeister
Bergson’S Élan Vital As Reflected In Florine Stettheimer’S Orphée Of The Quat-Z-Arts, Michael Neumeister
Dissertations and Theses
No abstract provided.
Opening Remarks To Outing Lorraine At The Schomburg Center, Shawn(Ta) Smith-Cruz
Opening Remarks To Outing Lorraine At The Schomburg Center, Shawn(Ta) Smith-Cruz
Publications and Research
This article is an edit of the opening remarks for the event held on May 22nd, 2014 at the Schomburg Center for Research in Black Culture as part of the In The Life Series supplying Black LGBT programming coordinated by Steven Fullwood. Outing Lorraine included panelists: Alexis DeVeaux, Joi Gresham, and Steven Fullwood and was moderated by Shawn(ta) Smith-Cruz. Opening remarks provide a biographical description of Lorraine Hansberry's life, prepare the audience for a conversation on the implications for "outing" a black iconic figure, details the purpose for use of primary and secondary sources when, and provides a bibliography for …