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Articles 1 - 3 of 3
Full-Text Articles in Museum Studies
Un/Dead Animal Art: Ethical Encounters Through Rogue Taxidermy Sculpture, Miranda Niittynen
Un/Dead Animal Art: Ethical Encounters Through Rogue Taxidermy Sculpture, Miranda Niittynen
Electronic Thesis and Dissertation Repository
Beginning in 2004, the Minnesota Association of Rogue Taxidermists began an art movement of taxidermied animal sculptures that challenged conventional forms of taxidermied objects massively produced and displayed on an international scale. In contrast to taxidermied ‘specimens’ found in museums, taxidermied ‘exotic’ wildlife decapitated and mounted on hunters' walls, or synthetic taxidermied heads bought in department stores, rogue taxidermy artists create unconventional sculptures that are arguably antithetical to the ideologies shaped by previous generations: realism, colonialism, masculinity. As a pop-surrealist art movement chiefly practiced among women artists, rogue taxidermy artists follow an ethical mandate to never kill animals for the …
Lumumba’S Iconography As Interstice Between Art And History, Matthias De Groof
Lumumba’S Iconography As Interstice Between Art And History, Matthias De Groof
Artl@s Bulletin
How does Congolese art and artistic representations of Lumumba “mediate past, present and future”? How do they relate to historical narratives and to the dialogues within the Global South? This contribution proposes Lumumba’s iconography as a case in point of the interstice between art and history. It positions the image of Lumumba as mediating between past, present and future for both the Congo and the Global South more broadly.
Sitios De Memoria: Una Comparación Analítica Entre Los Espacios De Memoria Y Derechos Humanos En Buenos Aires Y En Santiago / Sites Of Memory: An Analytical Comparison Between Memory And Human Rights Spaces In Buenos Aires And Santiago, Henry Shuldiner
Independent Study Project (ISP) Collection
Los museos y monumentos conmemorativos son vehículos centrales a través de los cuales la sociedad puede conmemorar y compartir los hechos del pasado en la actualidad. Tienen la capacidad de contar la historia a través de objetos, medios, artefactos; objetos tangibles, no palabras solamente.
Ésta es una investigación comparativa en que parto observando los lugares de memoria en Santiago y Buenos Aires que rememoran a las víctimas de la dictadura en cada país. Me centraré en cómo funcionan los espacios de memoria para enseñar esta historia, la forma en lo que cada espacio conmemora a las víctimas y cómo estos …