Museum Studies Commons^™

Culturally And Socially Responsive Teacher Professional Learning At The American Museum Of Natural History, Jessica Correa

Dissertations, Theses, and Capstone Projects

This capstone project consists of a series of professional learning sessions to support teachers in their implementation of Culturally Responsive-Sustaining Education (CR-SE) using the American Museum of Natural History (AMNH) as a resource and case study. Through the lens of Historically Responsive Literacy, the series also seeks to reestablish social science as a critical element of natural history for teachers. This series can help teachers see the museum as not only a place to explore life and physical science, but also a place to explore identity, social/emotional development, cultural studies and American History. The project includes resources and directions for …

Postcolonial Museums And National Identity In Vietnam, Reese W. Hollister

The Gettysburg Historical Journal

Following the Vietnam Wars, the nation of Vietnam used museums to construct its identity for both national and international audiences. This paper first investigates the colonial origins of Vietnam's museum landscape, stemming from French ethnographic museums in colonial Indochina. Benedict Anderson's Imagined Communities: Reflections on the Origins and Spread of Nationalism then serves as the theoretical framework to understand Vietnamese nation's collective, historical memory of the French and American Wars. This paper concludes that the Vietnamese national identity is based on the shared trauma and socialist solidarity that arise from anti-colonial resistance. Museums both construct and preserve this national identity, …

Institutionalizing Identity: Examining The Louvre In Revolutionary And Napoleonic France, Emma Balda, Amy Woodson-Boulton

Honors Thesis

With the collapse of the French monarchy in 1789, France sought to solidify their sense of national identity in the wake of revolution. Since the late eighteenth century, museums have long been used to foster nationalism and belonging through the institutionalization of historical narratives-- the opening of the Louvre in 1793, and its transition from a royal palace to a palace of the people, served as a physical metaphor of the complete political transformation that occurred during the French Revolution. Existing literature examines the revolutionary nationalization of the Louvre as it relates to the concept of the modern museum and …

Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, And The Macho Presidential Style, Dustin Jones

Major Papers

In Cold War America, spanning roughly from 1945-1991, masculinity was in crisis. The rise of Communism and the Soviet Union had led to a fear of spies, infiltrators, and defectors known most commonly as the Red Scare. Americans were encouraged to be hyper vigilant in sussing out deviant behaviour. Alongside this scare came the Lavender Scare. It was suggested that homosexuals were deviant peoples and were therefore more susceptible to being turned Communist than their heterosexual counterparts. This led to a crisis of masculinity where even the smallest suggestion of femininity could lead to accusations of potential compromise, an effect …

Museological Cinema: An Ideal Approach To A Modern Art Form, Steven Groff

Museum Studies Theses

Abstract:

This paper is dedicated to finding a way to better incorporate cinema into museums. The answer as to how came through a number of ways that some museums currently operate that could be adopted by others, a few new ideas, as well as an expansion in the number of museum theatres. A key theme of this is to expand the limited selection of films typically found in museums and galleries to include more popular fare, which would better attract visitors with frequency. I also endorse the idea of constructing new theatres for museums that do not already possess one, …

Creating Exhibits For Small History Museums On A Limited Budget, Annveig Bugge

Master's Projects and Capstones

In this capstone project, I study the process of developing an exhibition for small history museums. Working with the Treasure Island Museum, a small history museum in San Francisco, I explore the different options for developing exhibitions for small history museums, with small budgets, in contrast to the more well funded practice that larger museums have the opportunity to produce. For museums, exhibits are the media used to communicate with visitors, and it is important to install new ones regularly. Being limited by budget and staff constraints this can be a challenge, but I argue that the benefits from the …