Museum Studies Commons^™

Creating Exhibits For Small History Museums On A Limited Budget, Annveig Bugge

Master's Projects and Capstones

In this capstone project, I study the process of developing an exhibition for small history museums. Working with the Treasure Island Museum, a small history museum in San Francisco, I explore the different options for developing exhibitions for small history museums, with small budgets, in contrast to the more well funded practice that larger museums have the opportunity to produce. For museums, exhibits are the media used to communicate with visitors, and it is important to install new ones regularly. Being limited by budget and staff constraints this can be a challenge, but I argue that the benefits from the …

1916 And The Challenges Of Commemorative Exhibitions In Ireland, Siobhan Doyle

Conference papers

Like many countries, Ireland has a chaotic and tumultuous past which results in challenges for national cultural institutions in presenting history to satisfy the education and expectation of both national and transnational audiences. The Easter Rising of 1916- a failed rebellion against British rule- is the pivotal event in the creation of the modern Irish state and is synonymous as a moment in the past which represents Irish history, characterizes Irish culture and amplifies national identity.

With 2016 marking 100years since the Easter Rising, my paper will explore how the recent centenary commemorations of this historic event have been a …

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Vicky Vogue Photo Album 1, The Madeline Davis Lgbtq Archive Of Western New York

Photo Albums and Scrapbooks

The first in a series of photo albums of "Buffalo's Drag Mamma" Vicky Vogue (Danny Winter).

Vicky Vogue Photo Album 2, The Madeline Davis Lgbtq Archive Of Western New York

Photo Albums and Scrapbooks

The second in a series of photo albums of "Buffalo's Drag Mamma" Vicky Vogue (Danny Winter).

Vicky Vogue Photo Album 3, The Madeline Davis Lgbtq Archive Of Western New York

Photo Albums and Scrapbooks

The third in a series of photo albums of "Buffalo's Drag Mamma" Vicky Vogue (Danny Winter).

Tangarra Photo Album, The Madeline Davis Lgbtq Archive Of Western New York

Photo Albums and Scrapbooks

Tangarra (John Minzer) was Buffalo's first female impersonator. Tangarra began performing as a teenager in the late 1920's. This album contains photos of Tengarra from the 1930s to the early 2000s.

An oral history interview with Tangarra can be found here: https://digitalcommons.buffalostate.edu/lgbtq_interviews/4/

Deaccessioning In Small Museums: A Historical View And Lessons From The Past, Kristin Lapos

Seton Hall University Dissertations and Theses (ETDs)

Deaccessioning is a frequent topic of conversation in even small and mid-sized museums in the twenty-first century. With collections costs soaring, budgets dwindling, and space ever more limited, museums must deaccession to survive and prosper. However, deaccessioning and disposal have become hugely controversial, both among museum professionals and with the general public in the past few decades. Scholars like Stephen Weil and Marie Malaro argue that deaccessioning and disposal were non-issues prior to the 1970s. Is this true? If so, how did museum professionals handle deaccessioning and disposal of objects from their collections before this time?

This thesis explores the …

Northwest Coast Native American Art: The Relationship Between Museums, Native Americans And Artists, Karrie E. Myers

Museum Studies Theses

Museums today have many responsibilities, including protecting and understanding objects in their care. Many also have relationships with groups of people whose items or artworks are housed within their institutions. This paper explores the relationship between museums and Northwest Coast Native Americans and their artists. Participating museums include those in and out of the Northwest Coast region, such as the Museum of Anthropology at the University of British Columbia, the Burke Museum, the Royal British Columbia Museum, the American Museum of Natural History and the Smithsonian Museum. Museum professionals who conducted research for some of these museums included Franz Boas, …

Past Disquiet: From Research To Exhibition, Kristine Khouri, Rasha Salti

Artl@s Bulletin

An exhibition of an exceptional scale and scope took place in Beirut in the middle of the civil war and today, its archival and documentary traces have been almost entirely lost. The International Art Exhibition for Palestine opened in the Spring of 1978, comprising some 200 works donated by artists hailing from nearly 30 countries, to be a seed collection for a museum in exile. This is a transcript of a presentation of the transformation of research into an exhibition format and a virtual walkthrough of the show Past Disquiet: Narratives and Ghosts from the International Art Exhibition for Palestine, …

The One Exhibition The Roots Of The Lgbt Equality Movement One Magazine & The First Gay Supreme Court Case In U.S. History 1943-1958, Joshua R. Edmundson

Electronic Theses, Projects, and Dissertations

The ONE Exhibition explores an era in American history marked by intense government sponsored anti-gay persecution and the genesis of the LGBT equality movement. The study begins during World War II, continues through the McCarthy era and the founding of the nation’s first gay magazine, and ends in 1958 with the first gay Supreme Court case in U.S. history.

Central to the story is ONE The Homosexual Magazine, and its founders, as they embarked on a quest for LGBT equality by establishing the first ongoing nationwide forum for gay people in the U.S., and challenged the government’s right to engage …

Special Collections Roadshow — Episode Ten: Union Uniform, Meg A. Sutter, Megan E. Mcnish

The Gettysburg Compiler: On the Front Lines of History

Special Collections Roadshow was created by the Civil War Institute at Gettysburg College in the Spring of 2014. It normally showcases various artifacts from Special Collections at Gettysburg College. For our tenth episode, we went on the road to the Gettysburg National Military Park. Thank you so much to the park staff, specifically Andrew Newman for letting us film an episode on an enlisted man’s uniform in their facility! [excerpt]

Special Collections Roadshow – Episode 9: Medical Kit, Meg A. Sutter, Megan E. Mcnish

The Gettysburg Compiler: On the Front Lines of History

For our ninth episode we welcome our guest Dr. Ian Isherwood ’00 to talk about a Civil War medical kit and how to do research relating to Civil War medicine, as seen in the PBS series, Mercy Street. [excerpt]

Special Collections Roadshow — Episode Eight: Emory Upton’S Tactical Blocks, Meg A. Sutter, Megan E. Mcnish

The Gettysburg Compiler: On the Front Lines of History

Special Collections Roadshow was created by the Civil War Institute at Gettysburg College in the Spring of 2014. Although the series usually showcases various artifacts from Special Collections at Gettysburg College, for our eighth episode we went on the road to the US Army Heritage and Education Center in Carlisle, PA.

Special Collections Roadshow — Episode Seven: Housewife, Meg A. Sutter, Megan E. Mcnish

The Gettysburg Compiler: On the Front Lines of History

Special Collections Roadshow was created by the Civil War Institute at Gettysburg College in the Spring of 2014. It showcases various artifacts from Special Collections at Gettysburg College. The seventh episode features Megan McNish ’16 comparing the housewife from Lewis Tway’s collection to another housewife we just received from Rev. Theodore Schlach’s new collection in Special Collections.

Funerary Traditions And Commemorative Practices In Glasnevin Cemetery And Museum, Siobhan Doyle

Other

Everyday Farm Life In The Moxee Valley 1915-1950: Historical Ethnography, Terri Towner

All Master's Theses

This study collected oral histories of those who lived or worked in the Moxee Valley, within the greater Yakima Valley of Washington State from 1915-1950. It documents and records the historical and cultural processes of farm life and its evolution for people living in this foremost hop-growing region of the United States. The larger goal is to characterize the community and social processes for use as primary source documentation to create historically accurate programs at the Gendron Hop Ranch-Living History Farm near Moxee. Nineteen participants were interviewed. Topics addressed in the study include farming in the Valley, the household, roles …

Antithetical Commentaries On X, Y And The Disruption Of Being, Eva Rocha

Theses and Dissertations

Through discursive essays and poetic narrative, Antithetical Commentaries on X, Y and the Disruption of Being explores the tenuous relationship between modes of measurement and the struggle for human relevance in the post-contemporary digital age. In the introductory essay, “Not the Feather, but the Bird”, I give an overview of the inherent problems of object-oriented ontology, and how it relates to aesthetics and social issues of our times. In the Developmental Overview, I detail how I developed my installation approach and techniques, particularly with regard to the three-way dynamic of the artist:work:viewer relationship and how it can encourage …