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Full-Text Articles in Museum Studies

“A New And Seductive Temptation”: The Introduction Of Museum Catalogue Stalls And The Emerging Focus On Public Education, Jamie Larkin Sep 2022

“A New And Seductive Temptation”: The Introduction Of Museum Catalogue Stalls And The Emerging Focus On Public Education, Jamie Larkin

CCI Articles and Research

This paper examines the introduction of catalogue stalls among London-based national museums and galleries in the 1910s, using the British Museum as an extended case study. It seeks to frame this initiative as an important moment in the history of museums as they shifted from predominately scholastic institutions, largely unresponsive to the needs of their visitors, to ones with a growing awareness of their role in public education. By being prominently positioned in museum lobbies, the catalogue stall provided a focal point for visitors to extend their cultural experience through educational or souvenir materials, and can be seen as part …


Museums As Realms Of (Dis)Enchantment, Amy Buono Jan 2020

Museums As Realms Of (Dis)Enchantment, Amy Buono

Art Faculty Articles and Research

"On the night of September 2, 2018, a blaze swept through Brazil's national museum, Museu Nacional, in Rio de Janeiro, destroying not only the colonial building, portions of which dated to the sixteenth century, but roughly 92 percent of the 20 million objects in its holdings. This was Brazil's greatest encyclopedic museum, incorporating (among many others) collections of natural history, anthropology, archaeology, and art, thus forming the most comprehensive museum collection in the nation. Along with its many unique and irreplaceable collections, the Museu Nacional was also home to the country's oldest Indigenous Brazilian and Afro-Brazilian materials (fig. 1)."


Tolerance As A Way To Remember, Natalie Figueroa Jun 2018

Tolerance As A Way To Remember, Natalie Figueroa

Voces Novae

This project examines the topic of Holocaust memorialization with a specific focus on the Simon Wiesenthal Center and their Los Angeles Museum of Tolerance. It posits that the mission and design of the museum were shaped by two major factors, first, the values of Nazi hunter Simon Wiesenthal for whom the Center was named, and second, racial and ethnic tensions within the City of Los Angeles during the late 1980s and early 1990s, which culminated in the Los Angeles riots in 1992 following the acquittal of four white police officers in the 1991 beating of Rodney King. The museum opened …


Freed From Fascism: Berlin's Gallery Culture In The Aftermath Of World War Ii, Brooke Fessler May 2017

Freed From Fascism: Berlin's Gallery Culture In The Aftermath Of World War Ii, Brooke Fessler

Student Scholar Symposium Abstracts and Posters

In post-World War II Germany, the city of Berlin was left in ruin after six years of war. A nation ripped apart both physically and at its governmental core was finally freed from Nazi fascism in 1945, and the German people were finally able to reconstruct their culture. Born out of years of strict regulation of the German art world, a new type of art was put on display. Focusing specifically on gallery culture in Berlin in the post-war years, one can see how twelve years of classically influenced Nazi art gave way to a push towards the avant-garde. The …


French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat Dec 2016

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …


A Museum In A Book: Analyzing Culture Through Decolonizing Arts-Based Methodologies, Sharon Verner Chappell, Drew Chappell Feb 2011

A Museum In A Book: Analyzing Culture Through Decolonizing Arts-Based Methodologies, Sharon Verner Chappell, Drew Chappell

Theatre Faculty Articles and Research

This paper explores the positivist, museum-based, and touristic constructions of indigenous cultures in the Americas, as represented in the DK Eyewitness series, and then overturns these constructions using an artist book created by the authors. In our analysis of the nonfiction series, we identified three trajectories: cataloguing, consignment to the past, and pleasurable display. Using techniques borrowed from "new historiography" and the decolonizing methodologies of Linda Tuhiwai Smith (1999), we suggest ways in which adults and young people might "speak back" to these positivist paradigms.