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Articles 1 - 3 of 3
Full-Text Articles in Modern Languages
Defining Black Masculinities: Intersectional Analyses Of Gender, Race And Sexuality In Caribbean And Latin American Literature, 1955 To Present, Jerry Eugene Scruggs Jr.
Defining Black Masculinities: Intersectional Analyses Of Gender, Race And Sexuality In Caribbean And Latin American Literature, 1955 To Present, Jerry Eugene Scruggs Jr.
Doctoral Dissertations
The objective of my dissertation is to define and construct parameters for analyzing the Afro-descendant male experience in four specific texts: Mi compadre el General Sol [General Sun, My Brother] (1955), Adire y el tiempo roto [Adire and Broken Time] (1967), Sortilégio II: mistério negro de Zumbi redivivo [Sorcery 2: Black Mystery of Resurrected Zumbí] (1979), and Negro: Este color que me queda bonito [Black: This Color Looks Good on Me] (2013). Black masculinities are distinct and this study sets five parameters: 1) Sexual Prowess, 2) Contentious relationship with the White woman, 3) Violence and Toxic Masculinity, 4) Emotive Numbness, …
Infrastructures Of Trust And Care In Latin American Migrant Communities, Lily Hardwig
Infrastructures Of Trust And Care In Latin American Migrant Communities, Lily Hardwig
Chancellor’s Honors Program Projects
No abstract provided.
Mephistopheles' Atopy, Allotry, Lottery. On Textual Proliferations In Goethe's Faust I And Ii, Pasqual Solass
Mephistopheles' Atopy, Allotry, Lottery. On Textual Proliferations In Goethe's Faust I And Ii, Pasqual Solass
Vernacular: New Connections in Language, Literature, & Culture
Combining a careful reading of selected passages from Goethe’s Faust I and II and of marginal but nevertheless revealing lines on maybe the actual protagonist of the “Tragödie”, Mephistopheles, this paper aims to present aspects of what one could call Goethe’s vision of a modern devil. Taking departure from etymological considerations on the root of “diabolus”, i.e. diabállein, meaning to cast apart, to scatter, but also to accuse, as well as from different beliefs of German “Aberglaube” (superstition), it will become clear that one if not the major feature of Goethe’s Mephistopheles-figure is movement, not just …