Modern Languages Commons^™

Postcolonial Trauma In The Mediterranean: The Italian-Libyan Transnational Community, Rosario Pollicino

Electronic Thesis and Dissertation Repository

This study aims to recuperate the Italian collective remembering originating from the colonial offense in Libya. Focusing on works of testimony in different genres of contemporary literature written by the Italian former settlers in Libya, I analyze how these former settlers who moved to Libya have been subjected to different kinds of traumas by the Fascist government. I focus on how these traumas, individual and collective, are documented through these works and discuss how they continue to be relevant today. Drawing on sociology, anthropology, history, literary and trauma studies I argue that these cultural representations prove the existence of a …

From Nizam To Nation: The Representation Of Partition In Literary Narratives About Hyderabad, Deccan, Nazia Akhtar

Electronic Thesis and Dissertation Repository

This dissertation examines literary representations of the Partition of India in 1947 as it affected the southern princely state of Hyderabad, Deccan. Through my focus on Hyderabad, I interrogate and reject the assumption generally made in scholarly analyses of Partition that this momentous, life-changing event did not significantly affect South India. In doing so, I also question the origins of the self-professed secular, egalitarian, and democratic Indian nation by shedding light on the invasion of Hyderabad and the subsequent erasure of this event from Indian historiography and mainstream culture.

Different literary texts respond differently to this fraught, suppressed history. Engaging …

Architectures Of The Veil: The Representation Of The Veil And Zenanas In Pakistani Feminists' Texts, Amber Fatima Riaz

Electronic Thesis and Dissertation Repository

My dissertation, which works at the intersections of feminist theory, architectural theory and postcolonial literary theory, examines the spatiality of the zenana and the burqa as represented in Pakistani literary and cultural texts. I propose that the burqa creates a portable closet, an interstitial, liminal, “third space” that allows Pakistani (secluded and veiled) women to not only traverse the borders between the private (female, domestic) and public (male) spaces, but to also signal chastity and religiosity while in the public, and semi-public spaces of the cities and villages of Pakistan. I argue that the dupatta, the chador and the hijab …