Modern Languages Commons^™

Don Quixote In Russia In The 1920s-1930s: The Problem Of Perception And Interpretation, Slav N. Gratchev

Modern Languages Faculty Research

This study logically continues my previous examination of the perception of Don Quixote in Russia throughout the early twentieth century and how this perception changed over time. In this new article, which will be the third in a sequence of five, I will again use a number of materials inaccessible to English-speaking scholars to demonstrate how the perception of Don Quixote by Russian intelligentsia shifted from being skeptical to complete admiration and even glorification of the hero. Don Quixote was increasingly compared with Prometheus, the most powerful and most romanticized personage of Greek methodology. Indeed, “. . . начав юмористический …

Mario Rufino Méndez Y La Caricatura Política En Nuestra Raza: Estudio Testimonial De Una Rica Producción Cultural De Los Afro-Uruguayos (1933-1948), María Cristina Burgueño

Modern Languages Faculty Research

This work is a one volume published by the National Library of Uruguay with a prologue by Dr. George Reid Andrews. It provides an in depth analysis of the corpus of caricatures made by Mario R. Mendez, an afro-Uruguayan artist, for the magazine “Our Race” during its second period 1933-1948. These editorial caricatures made a strong statement against the Fascism in Europe and the League of Nations’ attitude towards the invasion of Ethiopia ordered by Benito Mussolini. They also satirized the political and social reality in Uruguay. Both, the caricatures and the magazine provide a testimony of an extensive cultural …

Virginia Brindis De Salas: La Voz De Un 'Yo' Afro, María Cristina Burgueño

Modern Languages Faculty Research

Virginia Brindis de Salas, poeta afro-uruguaya nacida en 1916 y muerta . en 1958, fue la autora de dos libros de poemas: Preg6n de Marimorena {1946, reeditado en 1952) y Cien carceles de amor {1949). Su vida, de la que no se conocen muchos datos concretos, esta rodeada de controversias, especialmente en torno a la autorfa de su obra, que segU.n sugiere Alberto Britos Serrat en su Antologia de poetas negros uruguayos {1990), fue producto del plagio, posturaque rechaza Marvin Lewis.

Algunos incidentes de su vida crean una atmosfera de dudas y misterio en torno a la escritora, . por …