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Inverting The Discourse Of Civilization And Barbarism In Mundo Del Fin Del Mundo And Un Viejo Que Leía Novelas De Amor By Luis Sepúlveda, Adrian Taylor Kane

World Languages Faculty Publications and Presentations

American critic Raymond Leslie Williams has convincingly argued that a desire to be modern is a central characteristic of the 20th century Latin American novel. Williams's argument also coincides with Octavio Paz's assertion that modernity has been a topic of interest to Latin American intellectuals since the 19th century. A glimpse of the terminology used by authors and critics to name various Latin American movements over the past 125 years—modernismo, posmodernismo, avant-garde, modern novel, and postmodern fiction—gives us a sense of the persistent desire of Latin American authors to engage in a dialogue on …