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Full-Text Articles in Modern Languages
Diversity, Dignity, Equity, And Inclusion In The Age Of Division, Discord, And Disunion: Stereotyping, Sexist, Hegemony In Education, Abha Gupta
Teaching & Learning Faculty Publications
The article addresses diversity issues related to language, gender, and culture. Topics include fundamental areas of research essential to the discussion on language diversity in the context of education with respect to equity, poverty, stereotype threat, Pygmalion Effect, non-sexist language, and Matthews Effect. The discussion on diversity and equity creates a space to think about issues of access, opportunity, voice, and equal participation within society and educational settings. Diversity among humans requires thoughtful considerations, accommodations, and differentiations in educational treatment, yet providing equal opportunities for growth and learning for all.
The Cornelian Ethics Of Flight And The Case Of Horace, Nina Ekstein
The Cornelian Ethics Of Flight And The Case Of Horace, Nina Ekstein
Modern Languages and Literatures Faculty Research
Flight is a simple dramatic action, one that lends itself to any number of different plots. its implied movement can be represented on stage or merely recounted. So common is it that the words fuite and fuir appear in every one of Corneille’s 32 plays, from as infrequently as twice to as many as 32 times.1 The two terms belong to a broad semantic network including retraite, éviter, dérober, échapper, partir, quitter, abandoner, but differ in their suggestion of abrupt, precipitous movement as well as the element of fear implied. furetière begins …
Espacios Femeninos En Posesas De La Habana: Un Caso De Llaves Desaparecidas, Olympia Gonzalez
Espacios Femeninos En Posesas De La Habana: Un Caso De Llaves Desaparecidas, Olympia Gonzalez
Modern Languages and Literatures: Faculty Publications and Other Works
No abstract provided.
Performativity And Sexual Identity In Calderón’S Las Manos Blancas No Ofenden (White Hands Don't Offend), Matthew D. Stroud
Performativity And Sexual Identity In Calderón’S Las Manos Blancas No Ofenden (White Hands Don't Offend), Matthew D. Stroud
Modern Languages and Literatures Faculty Research
Spanish comedia brims with examples of fluid gender identification. Not only do women frequently dress as men, but other characters almost always accept them as men or women depending solely on the clothes they wear. Is gender so superficial in these plays that it is merely a function of one's choosing the signifiers one wants to wear? Or is there an essentialism to gender that forces each character to assume the gender that corresponds to his or her sex in order to have a happy ending? Or is it something else, perhaps more reflective of Judith Butler's investigations into the …
Homo/Hetero/Social/Sexual: Gila In Vélez’S La Serrana De La Vera, Matthew D. Stroud
Homo/Hetero/Social/Sexual: Gila In Vélez’S La Serrana De La Vera, Matthew D. Stroud
Modern Languages and Literatures Faculty Research
There is an ever growing body of criticism noting the homosocial underpinnings of comedia society in which women serve primarily to cement the relationships among men. Barbara Simerka, Harry Vélez de Quiñones, and others have convincingly begun to establish the homosocial nature of the stage society in which women, often as objects given signification only when they acquire exchange value, frequently have little say in their marriages or in other important aspects of their lives. The dama, to borrow a definition from Eve Kosofsky Sedgwick, is a character who takes her "shape and meaning from a sexuality of which …
Appropriation And Gender: The Case Of Catherine Bernard And Bernard De Fontenelle, Nina Ekstein
Appropriation And Gender: The Case Of Catherine Bernard And Bernard De Fontenelle, Nina Ekstein
Modern Languages and Literatures Faculty Research
In 1757, Bernard de Bavier de Fontenelle, the well-known popularizer of scientific thinking, homme de lettres, and secretary of the Académie des Sciences, died just months shy of his hundredth birthday. In 1758, Volume 10 of Fontenelle's Oeuvres appeared, edited by Fontenelle's chosen literary executor, the abbé Trublet. Along with a number of other works, Volume 10 contains a tragedy dating from 1690 entitled Brutus. This play has had a complex and curious history. The year 1758 marks the first time that Brutus appears under Fontenelle's name, but hardly the last. In 1690, when the play was first …
The Second Woman In The Theater Of Villedieu, Nina Ekstein
The Second Woman In The Theater Of Villedieu, Nina Ekstein
Modern Languages and Literatures Faculty Research
Best known for her prose fiction, Marie-Catherine Desjardins de Villedieu was also a successful playwright. Her three tragi-comedies (Manlius, Nitétis, and Le Favori), while significantly dissimilar in many respects, share an unusual feature. All three plays foreground the figure of the second woman, second because her role is clearly less central to the play's action than that of another woman character. In each case, the relationships between this second woman and the other characters of the play defy the traditional categories of the seventeenth-century stage. Furthermore, the second woman is not an object of desire. The …
A Woman's Tragedy: Catherine Bernard's 'Brutus', Nina Ekstein
A Woman's Tragedy: Catherine Bernard's 'Brutus', Nina Ekstein
Modern Languages and Literatures Faculty Research
The theater has traditionally been a male domain. The ranks of authors, directors, and even actors have long been overwhelmingly dominated by men. In Western drama, no women playwrights have gained admittance to the literary canon. While never absolute, the relative exclusion of women from dramatic authorship is even greater when the type of theater in question is tragedy. Carol Gelderman asks bluntly: "Why is it that no woman has ever written a great tragedy?". A number of explanations have been put forward that suggest deep-seated links between men and tragedy: Susan Gilbert and Susan Gubar find that "the structure …
Language, Power, And Gender In Tristan’S La Marianne And La Mort De Sénèque, Nina Ekstein
Language, Power, And Gender In Tristan’S La Marianne And La Mort De Sénèque, Nina Ekstein
Modern Languages and Literatures Faculty Research
Power is a central issue in both Tristan L'Hermite's Marianne (1636) and La Mort de Sénèque (1644). I propose to examine the articulations of power in Tristan's theater and the power struggles at the heart of both plays. On the most basic level, Tristan illustrates the power of tyranny. Furetière defines a tyrant as an "usurpateur d'un Etat, oppresseur de la liberté publique, qui s'est emparé par violence ou par adresse de la souveraine puissance"; tyran "se dit aussi d'un Prince qui abuse de son pouvoir, qui ne gouverne pas selon les lois, qui use de violence et de cruauté …
Women's Images Effaced: The Literary Portrait In Seventeenth-Century France, Nina Ekstein
Women's Images Effaced: The Literary Portrait In Seventeenth-Century France, Nina Ekstein
Modern Languages and Literatures Faculty Research
The literary portrait was extremely popular in France for a number of years during the mid-seventeenth century. With roots in salon society, the portrait became a genre in its own right during this period and was eventually incorporated in numerous other genres such as novels, memoirs, theater, and sermons. In this study, I will consider the close association between the initial vogue of portraiture and women, and examine the advantages and problems posed by the genre for women authors. I will trace the evolution of the literary portrait during the seventeenth century, in particular, the manner in which women were …
"¿Y Sois Hombre O Sois Mujer?": Sex And Gender In Tirso’S Don Gil De Las Calzas Verdes, Matthew D. Stroud
"¿Y Sois Hombre O Sois Mujer?": Sex And Gender In Tirso’S Don Gil De Las Calzas Verdes, Matthew D. Stroud
Modern Languages and Literatures Faculty Research
When Henry Sullivan opened the question of the insight that the writings of Jacques Lacan could bring to the comedia, he came somewhat early on to Tirso's magisterial comedia de enredo [comedy of intrigue and deception], Don Gil de las calzas verdes. As with most things Lacanian, his paper, "The Sexual Ambiguities of Tirso de Molina's Don Gil de las calzas verdes," is not easily accessible, having been published in the Proceedings of the Third Annual Golden Age Drama Symposium in El Paso, Texas. It is an important contribution to Tirsian studies, however, and he identifies three …