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Full-Text Articles in Modern Languages
La Pratique Ironique De L’Appel À L’Autorité Dans Les Péritextes Du Théâtre De Corneille, Nina Ekstein
La Pratique Ironique De L’Appel À L’Autorité Dans Les Péritextes Du Théâtre De Corneille, Nina Ekstein
Nina C Ekstein
Corneille a lié un grand nombre de péritextes à son œuvre théâtrale, dont les Préfaces, les avis « Au lecteur », les Arguments, les Épîtres, les Examens de 1660 et les Trois Discours sur le poème dramatique de la même année. Ce sont tous des textes polémiques du fait qu’ils représentent des prises de position dans les débats théâtraux de l’époque. Ce sont aussi des défenses souvent très spécifiques de ses œuvres. Les péritextes constituent un terrain particulièrement riche car c’est là qu’un auteur fait connaître ses intentions au lecteur.
The Theatrical Lieu De Culture Within Molière’S Theater, Nina Ekstein
The Theatrical Lieu De Culture Within Molière’S Theater, Nina Ekstein
Nina C Ekstein
Molière’s theater is itself, by definition, a lieu de culture. The performance of one of his plays transforms the space in which it occurs into a lieu de culture by virtue of the presence of two crucial features. First, the performance belongs to a cultural domain, in this case specifically the theater. By ‘culture’ I mean simply that which is tied to the arts, letters, manners, and scholarly pursuits. Second there must be an audience present for that performance. The same basic situation obviously holds true for any playwright whose plays are performed. What makes Molière interesting is the degree …
Sex In Rotrou’S Theater: Performance And Disorder, Nina Ekstein
Sex In Rotrou’S Theater: Performance And Disorder, Nina Ekstein
Nina C Ekstein
Sexual desire is ubiquitous in all theater. It follows that virtually all theatrical traditions struggle with the issue of the representation of that desire onstage. The French stage of the 1630s and Jean Rotrou's theater of that period in particular constitute an unusual moment of relative freedom before the imposition of the bienséances banished sexual activity from the stage. What I propose is a theatrical reading of sex in Rotrou's plays, a tripartite examination of dramatic strategy: how Rotrou foregrounds the scandalous by direct depiction of sexuality onstage; how at other moments he moves to attenuate its prurient force by …
Irony In Emmanuel Carrère’S La Moustache, Nina Ekstein
Irony In Emmanuel Carrère’S La Moustache, Nina Ekstein
Nina C Ekstein
The term "irony" is often applied to film, but in varied and often imprecise ways. Sometimes this slippery term is used to denote an inter-textual (or more precisely interfilmic) reference with the potential for parody; at other times it may mark a discordance between different channels (for example, between the film music and what is shown onscreen).1 I will focus on a particular type of irony, tied to undecidability, in which two alternatives are held in suspension, both present, both undeniable, and yet perfectly incompatible. A concrete example is the drawing that from one perspective seems to be of a …
Performing Violence In Rotrou’S Theater, Nina Ekstein
Performing Violence In Rotrou’S Theater, Nina Ekstein
Nina C Ekstein
Violence has a significant and varied role in the theater of Jean Rotrou. Discord and strife are natural to the stage and violence is one of the ways such conflict may be expressed. The inherently spectacular nature of violence makes it particularly theatrical. At the same time, violence pleasingly tantalizes audiences. In this examination of Rotrou’s entire theatrical corpus, I first consider the use of “real” violence, both on stage and off. More interesting and even more common is potential violence, which includes threats of all sorts, as well as fortuitous interruptions. Potential violence avoids the serious difficulties that staging …
Rotrou’S Bélisaire: Hierarchy And Meaning, Nina Ekstein
Rotrou’S Bélisaire: Hierarchy And Meaning, Nina Ekstein
Nina C Ekstein
No abstract provided.