Modern Languages Commons^™

Introduction: Theories Of The Ghost In A Transhispanic Context, Alberto Ribas-Casasayas, Amanda L. Petersen

Modern Languages & Literature

Nuestros muertos quieren ser parte de nuestra conversaci6n, no nos permiten olvidar, nos dicen que las comunidades que formamos en vida son parte tambien de las comunidades ausentes. -Cristina Rivera Garza, in Monica Maristain 1

[Our dead want to be part of our conversation, they do not allow us to forget, they tell us that the communities that are no longer present are also part of the communities we create in life.]

The commonplace phrase, "the ghosts of the past," evokes remoteness, something intangible that nevertheless is ever present, a sort of historical sublime. 2 As the Mexican novelist Cristina …

Mil Y Una Muertes De Sergio Ramírez Y Los Fantasmas De La Construcción Nacional Nicaragüense, Alberto Ribas-Casasayas

Modern Languages & Literature

Este artículo analiza la novela Mil y una muertes del nicaragüense Sergio Ramírez con un énfasis en los temas de lo fantasmal, fotografía e identidad nacional. Partiendo de un cuestionamiento de la “internacionalización”de la temática novelística de Ramírez, este artículo describe cómo el personaje principal de la novela, el fotógrafo Castellón, evoca fracasos personales y estéticos que por otra parte alumbran condiciones de i n f aciudadanía de cuerpos sujetos a la merced del estado y situados al borde de la catástrofe. A l mismo tiempo, la frustración vital de Castellón es eco de una frustración simbólica más amplia, la …

La Posthibdridez Fronteriza En La Narrativa De Heriberto Yépez, Alberto Ribas-Casasayas

Modern Languages & Literature

No abstract provided.

Transatlantic Fuentes: Between ‘The Two Shores’ Of Pluriculturality And Glossocentrism, Alberto Ribas-Casasayas

Modern Languages & Literature

The cultural program that Jerónimo de Aguilar pronounces at the end of Carlos Fuentes's short story “The Two Shores” appears to be inconsistent with the fundamentals of democratic liberalism and multiculturalism upon which they are ostensibly based. Furthermore, cultural visions like those in “The Two Shores” lend signifying imagery and empower cultural institutions, the media, and political authorities to exert symbolic violence upon minorities, thereby negating the multiculturalism that such visions claim to be promoting. El programa cultural que Jerónimo de Aguilar pronuncia al final del cuento “Las dos orillas” de Carlos Fuentes parece inconsistente con los fundamentos del liberalismo …

Carlos Fuente's "The Two Shores": Between Counterfactualism And Cultural Allegory, Alberto Ribas-Casasayas

Modern Languages & Literature

A literary criticism of the short story "The Two Shores," which appeared in the 1992 book "The Orange Tree," by Carlos Fuentes. The plot and characters of the story are described, particularly the narrator, Jerónimo de Aguilar, a dead man who was held captive by the Mayans. The story is a contribution to the reconsideration of the Spanish conquest of the Americas, particularly Mexico. The idea that the story may present a counterfactual historiography, an idea created by critic Niall Ferguson, is considered.