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Full-Text Articles in Medieval Studies
Deforming The Knight: Gawain's Descent Into Monstrosity In Sir Gawain And The Green Knight, Hannah Held
Deforming The Knight: Gawain's Descent Into Monstrosity In Sir Gawain And The Green Knight, Hannah Held
Electronic Theses and Dissertations
Sir Gawain has always been marked as a victim in the well-known poem Sir Gawain and the Green Knight, but he is much more than that. Standing with the knights of the Round Table, he seems to be the perfect example of what chivalry should look like, especially with an adherence to the common religious beliefs. However, when put into the context of the manuscript in which it was found, Gawain seems to stand as an allegorical figure of the do-not’s of feudal and religious chivalry. Using the lens of Monster Theory via Jeffrey Jerome Cohen and David Williams, I …
“All The Foundation Of The Earth Becomes Desolate” Tracing Icelandic And Anglo-Saxon Connections Through A Shared Literary Frontier, Adam E. Timbs
“All The Foundation Of The Earth Becomes Desolate” Tracing Icelandic And Anglo-Saxon Connections Through A Shared Literary Frontier, Adam E. Timbs
Electronic Theses and Dissertations
The mythology of migration is deeply integral to the medieval Germanic societies peopling Northern Europe and the island nations of the North Sea. Anglo-Saxon and Icelandic society construct their identities through a memory of migration that takes places within a frontier that is mythic and historical in scope. By surveying eco-critical components of Anglo-Saxon poems such as “The Wife’s Lament” and “The Husband’s Message” alongside the Icelandic sagas Egil’s saga and The Vinland sagas, a shared tradition of the frontier ideal is revealed.
Serializing The Middle Ages: Television And The (Re)Production Of Pop Culture Medievalisms, Sara Mcclendon Knight
Serializing The Middle Ages: Television And The (Re)Production Of Pop Culture Medievalisms, Sara Mcclendon Knight
Electronic Theses and Dissertations
In his now canonical "Dreaming the Middle Ages," Umberto Eco famously quips that "it seems that people like the Middle Ages" (61). Eco's apt sentiment still strikes a resonant chord some twenty years after its publication; there is indeed something about the Middle Ages that continues to fascinate our postmodern society. One of the most tangible ways this interest manifests itself is through our media. This project explores some of the ways that representations of the medieval past function within present-day reimaginings in the media. More specifically, television's obvious visual textuality, widespread popularity, and virtually untapped scholarly potential offer an …