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Full-Text Articles in Medieval Studies
"The Double Sorwe Of Troilus": Experimentation Of The Chivalric And Tragic Genres In Chaucer And Shakespeare, Rena Patel
"The Double Sorwe Of Troilus": Experimentation Of The Chivalric And Tragic Genres In Chaucer And Shakespeare, Rena Patel
Scripps Senior Theses
The tumulus tale of Troilus and his lover Cressida has left readers intrigued in renditions written by both Geoffrey Chaucer and William Shakespeare due to their subversive nature of the authors’ chosen generic forms. Chaucer’s Troilus and Criseyde challenges the expectations and limitations of the narrative of the chivalric romance. Shakespeare took the story and turned Troilus and Cressida into one of his famous “problem plays” by challenging his audience’s expectations of the tragic genre. I endeavor to draw attention to the ways in which both Chaucer and Shakespeare use the conventions of the chivalric romance and tragedy to play …
Caving Into The Will Of The Masses?: Relics In Augustine's City Of God, Jessica Gadis
Caving Into The Will Of The Masses?: Relics In Augustine's City Of God, Jessica Gadis
Scripps Senior Theses
This thesis examines Augustine of Hippo's support of the cult of relics through the lens of Peter Brown's revision of the two-tiered model which was proposed in his 1981 book The Cult of Saints. More specifically, this thesis attempts to explain the introduction of saint's relics in the final book, book 22, of Augustine's magnum opus The City of God (De Civitate Dei). After providing proof of the theologian's opposition to the cult of relics in his youth, historical, biographical, and textual evidence is used to trace his later change of heart. This change in position is crystallized in …
Making History: How Art Museums In The French Revolution Crafted A National Identity, 1789-1799, Anna E. Sido
Making History: How Art Museums In The French Revolution Crafted A National Identity, 1789-1799, Anna E. Sido
Scripps Senior Theses
This paper compares two art museums, both created during the French Revolution, that fostered national unity by promoting a cultural identity. By analyzing the use of preexisting architecture from the ancien régime, innovative displays of art and redefinitions of the museum visitor as an Enlightened citizen, this thesis explores the application of eighteenth-century philosophy to the formation of two museums. The first is the Musée Central des Arts in the Louvre and the second is the Musée des Monuments Français, both housed in buildings taken over by the Revolutionary government and present the seized property of the royal family and …