Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- Typography (3)
- Collaboration (2)
- Cultural studies (2)
- Design (2)
- History (2)
-
- Jewish (2)
- Jewish studies (2)
- Maimonides (2)
- Medieval (2)
- Religion (2)
- Religious law (2)
- Anti-Jewish iconography (1)
- Anti-Judaism (1)
- Anti-Semitic Propoganda (1)
- Anti-Semitism (1)
- Art (1)
- Card game (1)
- College of Arts Humanities and Social Sciences (1)
- Competition (1)
- Cooperation (1)
- Degenerate Art; Nazi Germany; Modern Art (1)
- Design History (1)
- Design case (1)
- Design history (1)
- DesignYaakov Stark (1)
- Dynamic content (1)
- Game design (1)
- Game for learning (1)
- Games and learning (1)
- Games for learning (1)
- Publication
- Publication Type
Articles 1 - 30 of 45
Full-Text Articles in Jewish Studies
Finding Lost & Found: Designer’S Notes From The Process Of Creating A Jewish Game For Learning, Owen Gottlieb
Finding Lost & Found: Designer’S Notes From The Process Of Creating A Jewish Game For Learning, Owen Gottlieb
Articles
This article provides context for and examines aspects of the design process of a game for learning. Lost & Found (2017a, 2017b) is a tabletop-to-mobile game series designed to teach medieval religious legal systems, beginning with Moses Maimonides’ Mishneh Torah (1180), a cornerstone work of Jewish legal rabbinic literature. Through design narratives, the article demonstrates the complex design decisions faced by the team as they balance the needs of player engagement with learning goals. In the process the designers confront challenges in developing winstates and in working with complex resource management. The article provides insight into the pathways the team …
Entartete Kunst: The War Against Modern Art In The Third Reich, Zeynep Kazmaz
Entartete Kunst: The War Against Modern Art In The Third Reich, Zeynep Kazmaz
Honors Projects in History and Social Sciences
In July 1937, the Nazi Party exhibited a collection of modern artwork confiscated from museums throughout Germany. This display, entitled the “Degenerate Art Exhibition,” was organized to ridicule the artwork being presented. The events that led to such a breaking point had started forming around the early 20th century. In Germany, after the First World War, the blossoming of modern art had coincided with the forming of a racist ideology. Meanwhile, Hitler was also discovering his own racist views and dislike of modern art. An artist who delved into politics, Hitler integrated his artistic views into his political ideologies. Eventually, …
Card Tricks: A Workflow For Scalability And Dynamic Content Creation Using Paper2d And Unreal Engine 4, Owen Gottlieb, Dakota Herold, Edward Amidon
Card Tricks: A Workflow For Scalability And Dynamic Content Creation Using Paper2d And Unreal Engine 4, Owen Gottlieb, Dakota Herold, Edward Amidon
Presentations and other scholarship
In this paper, we describe the design and technological methods of
our dynamic sprite system in Lost & Found, a table-top-to-mobile
card game designed to improve literacy regarding prosocial
aspects of religious legal systems, specifically, collaboration and
cooperation. Harnessing the capabilities of Unreal Engine’s
Paper2D system, we created a dynamic content creation pipeline
that empowered our game designers so that they could rapidly
iterate on the game’s systems and balance externally from the
engine. Utilizing the Unreal Blueprint component system we were
also able to modularize each actor during runtime as data may be
changed. The technological approach behind Lost …
Typography And The Evolution Of Hebrew Alphabetic Script: Writing Method Of The Sofer, Shayna Tova Blum
Typography And The Evolution Of Hebrew Alphabetic Script: Writing Method Of The Sofer, Shayna Tova Blum
Faculty and Staff Publications
Typography is the study of language letterforms, phonographic alphabetic characters that, when combined with additional characters, form words and/or sentences to express an idea and communicate a message to an audience. The history of typographic design dates back to early civilization and the invention of alphabetic writing systems, formulated and processed through the literary skills of the Hebrew Scribe Ezra whose knowledge and practice offered a significant contribution within a predominantly oral society. By examining the history of Hebrew typography through the discourse of biblical writing systems and alphabetic design, the article addresses the development of Hebrew scripts evolving from …
Hebrew Typography: A Modern Progression Of Language Forms, Shayna Tova Blum
Hebrew Typography: A Modern Progression Of Language Forms, Shayna Tova Blum
Faculty and Staff Publications
Influenced by studies in traditional Ashkenazi and Sephardi scripts. The typeface had been designed for the printing of the Koren Tanakh, a first edition printed Jewish Bible processed through an all-Jewish collaboration for the first time in centuries. Koren’s project was inspired by the revival of Hebrew initiated by Haskalah writers in the 18th century. Haskalah writers utilized the language and scripts of written and printed literary texts. Influenced by philosophical and political ideologies of the European Enlightenment, the Haskalah explored Jewish identity through language by defining the secular context through traditional Jewish symbolism and narratives. The Zionist movement of …
Visual Communication & Typography: Study In The History Of Hebrew Letterforms And The Work Of Israeli Designer, Yaakov Stark, Shayna Tova Blum
Visual Communication & Typography: Study In The History Of Hebrew Letterforms And The Work Of Israeli Designer, Yaakov Stark, Shayna Tova Blum
Faculty and Staff Publications
The article reviews the history of letterforms and typographic design by discussing inventions in scripts, tools, and technology which impact the evolution of visual language and writing systems. Principles and elements of typography are analyzed using the Hebrew alphabet as an example in letterform design by exploring the work of Israeli designer, Yaakov Stark, who as an Israeli immigrant from Eastern Europe projects centered on Hebrew typography and the hybridization of Ashkenazi and Mizrahi scripts. Through an archive of work produced while a student at the Bezalel Academy of Art, Jerusalem in 1906, Stark has influenced generations of Israeli designers, …
Armenian Textile Terminology, Birgit Anette Olsen
Armenian Textile Terminology, Birgit Anette Olsen
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
The part of the Armenian vocabulary that is inherited from the Indo-European protolanguage is notoriously limited, variously estimated to include between 450 and 700 stems. Otherwise, the lexicon is dominated by etymologically obscure elements and an impressive amount of Middle Iranian loanwords, reflecting the centuries of Iranian political dominance. In particular the Parthian loans, introduced during the Arsacid dynasty (247 BC-224 AD), have left their mark on the Classical Armenian language, attested from the early 5th century, to a similar extent as Old French on English or Low German on Danish, so that linguists until the late 19th century still …
List Of Contributors
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
The 42 contributors include Salvatore Gaspa, Cécile Michel, Marie-Louise Nosch, Elena Soriga, Louise Quillien, Luigi Malatacca, Nahum Ben-Yehuda, Christina Katsikadeli, Orit Shamir, Agnes Korn, Georg Warning, Birgit Anette Olsen, Stella Spantidaki, Peder Flemestad, Peter Herz, Ines Bogensperger, Herbert Graßl, Mary Harlow, Berit Hildebrandt, Magdalena Öhrman, Roland Schuhmann, Kerstin Droß-Krüpe, John Peter Wild, Maria Mossakowska-Gaubert, Julia Galliker, Anne Regourd, Fiona J. L. Handley, Götz König, Miguel Ángel Andrés-Toledo, Stefan Niederreiter, Oswald Panagl, Giovanni Fanfani, Le Wang, Feng Zhao, Mari Omura, Naoko Kizawa, Maciej Szymaszek, Francesco Meo, Felicitas Maeder, Kalliope Sarri, Susanne Lervad, and Tove Engelhardt Mathiassen.
Listening For Licia: A Reconsideration Of Latin Licia As Heddle-Leashes, Magdalena Öhrman
Listening For Licia: A Reconsideration Of Latin Licia As Heddle-Leashes, Magdalena Öhrman
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
The semantic field of Latin licium and its plural form licia is undoubtedly wide, with the term applied to thread both generally and in specific legal, medical and magical usage as well as in relation to weaving, and this paper does not aim to survey Latin usage of this term comprehensively. Rather, it focuses on one of the uses of licia in Latin literary sources, namely those where licia appears to denote heddle-leashes. Two much-discussed passages occur in Augustan poetry where licia may be used in this sense: Vergil’s Georgics 1.285 and Tibullus elegy 1.6.79. Both passages have been subject …
Tunics Worn In Egypt In Roman And Byzantine Times: The Greek Vocabulary, Maria Mossakowska-Gaubert
Tunics Worn In Egypt In Roman And Byzantine Times: The Greek Vocabulary, Maria Mossakowska-Gaubert
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
The principal element of the fashion in clothing introduced in Egypt with the arrival of the Romans was a tunic made of two rectangular pieces of fabric sewn together. Such a tunic either would leave the arms naked, or cover the arms to the elbow (fig. 1). This fashion changed with the turn of the 2nd and 3rd century AD. At this time, in addition to the tunics without sleeves, the inhabitants of Egypt started to wear tunics with ‘true’ sleeves – long or short, wide or tight – inspired by the Eastern fashion: the manner of making the tunics …
“Der Faden Soll Nicht Reißen, Während Ich Meine Dichtung Webe…”: Zum Metaphorischen Gebrauch Von Textilterminologie Im Rigveda, Stefan Niederreiter,
“Der Faden Soll Nicht Reißen, Während Ich Meine Dichtung Webe…”: Zum Metaphorischen Gebrauch Von Textilterminologie Im Rigveda, Stefan Niederreiter,
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
Wenn man sich als historisch-vergleichender Sprachwissenschaftler mit einem speziellen realienkundlichen Thema einer ausgewählten Epoche einer altindogermanischen Sprache beschäftigt, so ist man aus Erfahrung darauf gefasst, dass Informationen zumeist lückenhaft vorhanden sind und die Erschließung der Texte mit den unterschiedlichsten philologischen und linguistischen Schwierigkeiten verbunden sein kann. Trägt man das Erkenntnisinteresse textilterminologischer Fragestellungen an den ältesten indischen Text, den Rigveda (RV), heran, liegt es schon an der Textsorte der für rituelle Zwecke bestimmten sacerdotalen Dichtung, dass Informationen zur handwerklichen Praxis des Webens allenfalls verstreut, beiläufig und dann vor allem in poetischen Metaphern den vedischen Hymnen zu entnehmen sind. Aber gerade der …
Der Text Als Gewebe: Lexikalische Studien Im Sinnbezirk Von Webstuhl Und Kleid, Oswald Panagl
Der Text Als Gewebe: Lexikalische Studien Im Sinnbezirk Von Webstuhl Und Kleid, Oswald Panagl
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
Die Thematik des folgenden Beitrags ist gleichsam doppelt gepolt. Sie ist zunächst im terminologischen Feld der Prozesse, Instrumente und Produkte der Sachbereiche von Weben und Flechten verankert. Zugleich ist sie auch in den metaphorischen Verwendungsweisen der zugehörigen Sinnbezirke bzw. Wortfelder, also im weitgespannten Horizont der Herstellung von Stoffen, Tüchern und Gewändern verortet. „Vom Textil zum Text“ ließe sich die Intention des Artikels bündig zusammenfassen: Dabei verläuft also die Richtung der Bedeutungsentwicklung des Produkts in ihrer Tendenz gegen den Vorgang der zugehörigen morphologischen Ableitung. Ich möchte mich meinem Vorhaben zunächst mit einem Blick auf die bekannten beiden konversen Zugänge zur Semantik …
Weaving A Song. Convergences In Greek Poetic Imagery Between Textile And Musical Terminology. An Overview On Archaic And Classical Literature, Giovanni Fanfani
Weaving A Song. Convergences In Greek Poetic Imagery Between Textile And Musical Terminology. An Overview On Archaic And Classical Literature, Giovanni Fanfani
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
In an analysis of the household-management (οἰκο- νομία) in the first book of the Politics, Aristotle discusses the nature and use of tools (ὄργανα), both inanimate (τὰ ἄψυχα) and animate (τὰ ἔμψυχα). While such a distinction is functional, in Aristotle’s argument, to illustrate the priority of the latter group (represented by the assistant, ὁ ὑπηρετής, and the slave, ὁ δοῦλος) over the first, what interests us here lies mainly within the realm of inanimate tools. As commentators to the passage have not failed to notice, a first literary frame of reference for Aristotle’s exemplum fictum is to be found …
Central Sacrifice And The Sacrificial Other: A Thematic Comparison Of Anti-Judaic And Anti-Semitic Artwork Emerging In Germany, Madison Elizabeth Tarleton
Central Sacrifice And The Sacrificial Other: A Thematic Comparison Of Anti-Judaic And Anti-Semitic Artwork Emerging In Germany, Madison Elizabeth Tarleton
Electronic Theses and Dissertations
This study finds solace in image(s) more so than in written text(s) and the religious understanding of anti-Judaic and anti-Semitic distinction, rather than a historian's perspective. By utilizing both a religious and artistic lens, the images become the text from which the scholar(s) will study. Focusing exclusively on German image(s) and artwork, this study will span up to eight centuries, twelfth to nineteenth. A contemporary look at Medieval and later images will not explain the thoughts of those who originally saw them, but the images will raise their own set of emotions, understanding, and historical lineage, giving credence and validity …
Remarks On The Interpretation Of Some Ambiguous Greek Textile Terms, Stella Spantidaki
Remarks On The Interpretation Of Some Ambiguous Greek Textile Terms, Stella Spantidaki
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
The study of written sources of the Classical period (5th and 4th centuries BC) reveals the existence of a very rich vocabulary related to textile production. There are terms referring to materials, tools, manufacture and decoration techniques, colours, people and places related to textile manufacture. Many terms are quite clearly defined, while others present major difficulties in their interpretation. Usually these concern terms for tools, such as κερκίς (pin beater or shuttle) and ἡλακάτη (distaff or spindle) or terms describing fabrics with some kind of decoration. Among the decorative terms, some refer to specific decorative techniques, such as κατάστικτος (embroidered) …
Sasanian Exegesis Of Avestan Textile Terms, Miguel Ángel Andrés-Toledo
Sasanian Exegesis Of Avestan Textile Terms, Miguel Ángel Andrés-Toledo
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
The Zoroastrian religion, taking its name from the prophet Zoroaster, Greek version of the Avestan name Zaraϑuštra, developed in South and Central Asia out of the Indo-Iranian religious practices going back to the 2nd millennium BC, and is one of the few ancient Indo-European religions that still survive, concretely in some communities in Iran, India and the diaspora. The most ancient Zoroastrian sacred texts, commonly designated as the Avesta, were orally composed and transmitted during the 2nd and 1st millennia BC in the most archaic Iranian language preserved, known as Avestan, until they were eventually put down to writing in …
Beschaffung Und Handel Mit Farbstoffen, Peter Herz
Beschaffung Und Handel Mit Farbstoffen, Peter Herz
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
Farbstoffe sind alles andere als ein leicht zu behandelndes Thema, denn von wenigen Ausnahmen abgesehen, die die mineralischen Farben betreffen, geht die archäologische Nachweisbarkeit in der Regel fast gegen Null, was gerade für die Textilfarben sehr bedauerlich ist. Die frühesten Nachweise auf einen internationalen Handel mit Farbstoffen stammen aus dem Ägypten der 4. Dynastie. In vielen Gräbern dieser Epoche finden wir Wandgemälde aus einem ganz speziellen Blau, dem sogenannten Ägyptischen Blau. Einer der Grundstoffe war Lapislazuli oder Blaustein, ein Mineral, das noch heute in den östlichen Teilen von Afghanistan abgebaut wird. Von dort aus wurde das Rohprodukt mit Eselskarawanen bis …
Ordinary People’S Garments In Neo- And Late-Babylonian Sources, Luigi Malatacca
Ordinary People’S Garments In Neo- And Late-Babylonian Sources, Luigi Malatacca
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
The investigation of textiles and clothes in ancient Mesopotamia has been anything but neglected in Assyriological studies. For the Neo- and Late Babylonian periods, in particular, two fundamental monographs have shed light on the clothes worn by the deities worshiped in lower Mesopotamia. 2 Scholars, however, have focused almost exclusively on clothing in the cultic context. This is due to a prevalence of textual sources – mostly economic or administrative documents – recording clothing items worn by divine images during festivals and rituals. Sources on the clothes worn by common people, instead, are close to non-existent. Still, we cannot overlook …
Zur Textilterminologie Auf Römischen Bleitäfelchen: Probleme Der Lesung Und Interpretation, Herbert Graßl
Zur Textilterminologie Auf Römischen Bleitäfelchen: Probleme Der Lesung Und Interpretation, Herbert Graßl
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
Die Vorlage und das Studium römischer Bleitesserae, das in den letzten Jahren einen beachtlichen Aufschwung erlebt hat,1 lieferte gerade für die kaiserzeitliche römische Textilwirtschaft viele neue Einsichten. Dazu zählen neben dem in diesem Wirtschaftszweig tätigen Personenkreis vor allem die Herstellung, Verarbeitung und Vermarktung von Textilien, ihre Bezeichnungen und auch Preise in verschiedenen Provinzen des Imperiums. Trotz aller neuer Erkenntnisse bleibt auf diesem Feld aber noch viel zu tun: die Lesung der Texte ist häufig nicht gesichert, die inhaltliche Deutung auch wegen der häufigen Verwendung von Abkürzungen schwierig, dazu kommt noch die verstreute und oft nur schwer erreichbare Publikationsform. Dass sich …
Tools And Crafts, The Terminology Of Textile Manufacturing In 1st-Millennium Bc Babylonia, Louise Quillien
Tools And Crafts, The Terminology Of Textile Manufacturing In 1st-Millennium Bc Babylonia, Louise Quillien
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
What did sheep shears in the 1st millennium BC Babylonia look like? We are not sure. Many cuneiform texts were written about textile work in Babylonia, but it was largely about administration or accounting. There were hardly any descriptions of the actual tools and processes. In this article we go back over the words, the iconography, and the archaeology in an attempt to find these missing descriptions. This study is limited to Babylonia during the 1st millennium BC, and this period correspond to a state of the Akkadian language, called Neo-Babylonian. At these times, major evolution took place. Mesopotamia entered …
Zur Bekleidung Der Krieger Im Avesta: Rüstung Und Magischer Schmuck, Götz König
Zur Bekleidung Der Krieger Im Avesta: Rüstung Und Magischer Schmuck, Götz König
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
Während die in Altavestisch komponierten Lieder des Avesta (die Gāϑās und das Yasna Haptaŋhāiti) einen rituellen Dichtungsstil pflegen, der sich in eigentümlicher Weise gegen die Dinge der Welt weitgehend verschließt, d.h. Wörter, die auf Materiales – auf in Raum und Zeit Identifizierbares – sich beziehen, vermeidet, stellen die in Jungavestisch abgefaßten metrischen wie prosaischen Texte des Avesta eine weitaus ergiebigere Quelle zur Rekonstruktion der materiellen avestischen Kultur dar. Richten dabei diejenigen Texte, welche die tägliche bzw. zu bestimmten Anlässen zu feiernde, um die altavestischen Texte herum komponierte Priesterzeremonie bilden (Yasna bzw. Yasna mit Vīsparad), ihre Aufmerksamkeit auf …
Sha’Atnez – The Biblical Prohibition Against Wearing Mixed Wool And Linen Together And The Observance And Enforcement Of The Command In The Orthodox Jewish Communities Today, Orit Shamir
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
Jewish law forbids Sha’atnez – wearing mixed wool and linen together was forbidden for the Jewish population. The article will first explain the meaning and acronym of sha’atnez, and then review the sha’atnez textiles which were found in the Land of Israel. The possible reasons for the prohibition of sha’atnez will be presented and remarks on observance and enforcement of the law in Orthodox Jewish communities today will be made according to ethnographic investigation.2
The concept of sha’atnez: Jewish law forbids sha’atnez – wearing garments of mixed wool and linen. This is mentioned twice in the Hebrew Bible: …
A Name Of A Private Factory (Or Workshop) On A Piece Of Textile: The Case Of The Document A.L.18 (Vienna), Anne Regourd, Fiona J. L. Handley
A Name Of A Private Factory (Or Workshop) On A Piece Of Textile: The Case Of The Document A.L.18 (Vienna), Anne Regourd, Fiona J. L. Handley
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
The Arabic Leinwand (A.L.) collection is held by the Department of Papyrus (Papyrussammlung) in the Austrian National Library of Vienna.1 The collection was acquired in Egypt in the late 19th century by an antiquity trader in Cairo commissioned by Joseph von Karabacek, the famous papyrologist, and contains 68 items.2 Almost all of these have an association with writing, hence the reason why they were collected for the Library, and only eight objects have no association at all. The language for the most part is Arabic with a few texts in Greek, or with Greek with Arabic. The collection of pieces …
The Textile Term Gammadia, Maciej Szymaszek
The Textile Term Gammadia, Maciej Szymaszek
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
This paper aims to investigate the origin of the term gammadia by determining the oldest examples of its use both in source texts and secondary literature.1 For nearly four centuries this term was commonly applied to the various motifs on mantles of figures represented in art of the 1st millennium AD.2 These right-angled and letter-like signs attracted the attention of several authors who were seeking to explain their possible symbolic meaning, but they did not pay attention to the correctness of the term adapted to name such motifs.3 This approach contributed to the terminological confusion and difficulties in understanding the …
A Diachronic View On Fulling Technology In The Mediterranean And The Ancient Near East: Tools, Raw Materials And Natural Resources For The Finishing Of Textiles, Elena Soriga
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
Among the operations required in the overall cycle of the ancient production of textiles, Greek and Roman sources refer to the fulling of woollen fabrics as the most complex and expensive technical process performed both in the 1st millennium BC and the 1st millennium AD. Indeed, the finishing of woollen clothes needed a large amount of time, energy and labour, as well as involving the use of specialized skills and costly raw materials. Fulling fulfilled two functions that were necessary for the proper finishing of cloth, namely the scouring and consolidation of the fibres in the fabric. Woven cloth straight …
Sabellic Textile Terminology, Peder Flemestad, Birgit Anette Olsen
Sabellic Textile Terminology, Peder Flemestad, Birgit Anette Olsen
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
Despite numerous recent studies of Italic textiles and textile production etc., no systematic study has so far been attempted regarding the textile terminology of Italic languages besides Latin. The present study seeks to remedy this, making a first step into the textile terminology of Sabellic languages, predominantly Oscan and Umbrian. There are two types of sources for Sabellic textile terminology: inscriptions and glosses in Greek and Latin literature. Both are, however, fraught with uncertainties. The glosses, as for example seen in the case of Etruscan, may have been misunderstood or misinterpreted and should be treated with due caution, and there …
Flax And Linen Terminology In Talmudic Literature, Nahum Ben-Yehuda
Flax And Linen Terminology In Talmudic Literature, Nahum Ben-Yehuda
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
Material culture data is mentioned in Talmudic (or ‘rabbinical’) literature when a relevant legal (‘halakhic’) or homiletic (‘midrashic’) context arises. Therefore, certain details may be lacking or ambiguously stated. This however is not presented in a systematic and detailed manner, such as in ‘Pliny’s Natural History’.2 Additional classical authors mention flax and linen. First and foremost: Diocletian3 in his edict of maximum prices. And in less scope and detail: Xenophon,4 Virgil,5 Strabo,6 Columella,7 Pausanias,8 and Theodosius II9 – in his codex. In some instances, these sources may be useful for comparison, contrast and clarification – to Talmudic sources. It is …
Armenian Karmir, Sogdian Karmīr ‘Red’, Hebrew Karmīl And The Armenian Scale Insect Dye In Antiquity, Agnes Korn, Georg Warning
Armenian Karmir, Sogdian Karmīr ‘Red’, Hebrew Karmīl And The Armenian Scale Insect Dye In Antiquity, Agnes Korn, Georg Warning
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
This paper looks at three terms denoting the colour ‘red’, viz. Armenian karmir, the obviously corresponding Sogdian word karmīr, and karmīl ‘scarlet’ found in the Hebrew Bible. It will first briefly discuss the etymology of these words (summarising an argument made elsewhere) and argue that the words in question represent a technical term for a red dye from Armenia produced by scale insects. We will then attempt to show that historical data and chemical analysis of extant historical textiles confirm the Armenian red as the relevant dye.
Late Biblical Hebrew karmīl occurs only three times. All three attestations are …
Ars Polymita, Ars Plumaria: The Weaving Terminology Of Taqueté And Tapestry, John Peter Wild, Kerstin Droß-Krüpe
Ars Polymita, Ars Plumaria: The Weaving Terminology Of Taqueté And Tapestry, John Peter Wild, Kerstin Droß-Krüpe
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
In Roman Egypt papyrologists and archaeologists sometimes seem to inhabit two different, if parallel, worlds, each apparently unaware of the treasures to be found in the other. This paper, however, is a co-operative venture between an ancient historian with papyrological interests – Kerstin Droß-Krüpe – and an archaeologist – John Peter Wild. In the research field of textiles we overlap, and we want to offer you insights from each of our worlds. At some point in the later 2nd century AD an unnamed magnate in the territory of the Lingones in central Gaul dictated a will in which he stipulated …
Terminology Associated With Silk In The Middle Byzantine Period (Ad 843-1204), Julia Galliker
Terminology Associated With Silk In The Middle Byzantine Period (Ad 843-1204), Julia Galliker
Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD
During the 1st millennium AD, silk became the most desirable fibre in the Mediterranean region. While the expansion of silk production and consumption is widely acknowledged, specific features of the industry’s development are more difficult to discern. Chroniclers had little reason to document silk manufacturing processes, and producers were not inclined to record or publicise their trade secrets. Historical knowledge of silk comes mainly from accounts of its consumption in a variety of forms and contexts.
For the middle Byzantine period (AD 843-1204), the two most elaborated sources associated with silk date from the 10th century. The Book of the …