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Articles 1 - 10 of 10
Full-Text Articles in United States History
For One Am Ready To Do My Part: The Initial Motivations That Inspired Men From Northern Illinois To Enlist In The U.S. Army, 1861-1862, Wayne Duerkes
For One Am Ready To Do My Part: The Initial Motivations That Inspired Men From Northern Illinois To Enlist In The U.S. Army, 1861-1862, Wayne Duerkes
Wayne Duerkes
In April 1861, in response to the firing on Fort Sumter, President Abraham Lincoln called for seventy-five-thousand volunteers to fill the ranks of the U.S. army. The response was immediate and overwhelming. Men residing in the northern states enlisted in such numbers that thousands had to be turned away, many then joining units from other states. During the first two years of the war, Illinois mustered over eightythousand men into Federal service. Of these men, seventeenthousand or 21 percent came from the fourteen northern most counties of the state, excluding Cook County. During the first two years of the war, …
Filthy Cellars And Healthy Pets: Relationships Between Public Health, Pets And Veterinarians In Cincinnati Prior To World War I, Kelly Wenig
Kelly Wenig
In 1868, Board of Health officials in the city of Cincinnati declared that all animals had to be removed from the basements of city residences. In his report on the state of the city, health officer William C. Clendenin commented that “[t]he extent to which cellars are used throughout the city as depositories for rubbish and filth is truly surprising; --many respectable people [keep] geese, chickens, dogs, and even calves in their cellars…Filthy cellars, especially when they are very damp, are a very certain cause of sickness.”1 For most of the nineteenth century, cows, chickens, sheep, dogs and cats were …
The "Dallas Way": Protest, Response, And The Civil Rights Experience In Big D And Beyond, Brian D. Behnken
The "Dallas Way": Protest, Response, And The Civil Rights Experience In Big D And Beyond, Brian D. Behnken
Brian D. Behnken
A MERICANS NOW ALMOST UNIVERSALLY THINK OF THE CIVIL RIGHTS ii. movement as a war waged between peaceful, supplicating black activists and violent, reactionary white racists. Turn on any news retrospective about the middle ofJanuary, or during Black History Month, and you will likely see scenes from Martin Luther KingJr. 's "I have a dream" speech or the March on Washington juxtaposed against images of whites attacking nonviolent African Americans with fire hoses, billy clubs, and German shepherds. While the factuality of these events cannot be disputed, the binary images ofviolence and nonviolence have come to represent the civil rights …
Pham Van Dong, Brian D. Behnken
Pham Van Dong, Brian D. Behnken
Brian D. Behnken
Vietnamese nationalist revolutionary, founder of the Viet Minh, premier of the Democratic Republic of Vietnam (DRV, North Vietnam) during 1950-1975, and prime minister of the Socialist Republic of Vietnam (SRV) during 1975-1987. Born in Quang Ngai Province on 1 March 1906, Pham Van Dong became active in nationalist and communist politics as a teenager. Like many other Vietnamese revolutionaries, he spent eight years in prison for his anti-French stance. In 1930 he helped found the Indochinese Communist Party.
Le Duc Tho, Brian D. Behnken
Le Duc Tho, Brian D. Behnken
Brian D. Behnken
Vietnamese revolutionary, member of the Vietnamese Communist Party's Political Bureau, and chief negotiator at the Paris Peace Talks. Le Due Tho was born Phan Dinh Khai in Nam Ha Province on 14 October 1911. He became active in communist political circles at a young age and in 1930 helped found the Indochinese Communist Party (ICP). During the 1930s he spent nearly a decade in prison for his anti-French political activities. In 1945 he helped form the nationalist Viet Minh organization with Ho Chi Minh and from the late 1950s largely directed the war in the Republic of Vietnam (RVN, South …
Artful Identifications: Crafting Survival In Japanese American Concentration Camps, Jane E. Dusselier
Artful Identifications: Crafting Survival In Japanese American Concentration Camps, Jane E. Dusselier
Jane E. Dusselier
"Artful Identifications" offers three meanings of internment art. First, internees remade locations of imprisonment into livable places of survival. Inside places were remade as internees responded to degraded living conditions by creating furniture with discarded apple crates, cardboard, tree branches and stumps, scrap pieces of wood left behind by government carpenters, and wood lifted from guarded lumber piles. Having addressed the material conditions of their living units, internees turned their attention to aesthetic matters by creating needle crafts, wood carvings, ikebana, paintings, shell art, and kobu. Dramatic changes to outside spaces of "assembly centers" and concentration camps were also critical …
Review Of Only One Place Of Redress: African Americans, Labor Regulations, And The Courts From Reconstruction To The New Deal, Brian D. Behnken
Review Of Only One Place Of Redress: African Americans, Labor Regulations, And The Courts From Reconstruction To The New Deal, Brian D. Behnken
Brian D. Behnken
In Only One Place of Redress, David Bernstein contends that between 1890 and 1937 American courts aided black workers in labor disputes. The court did this by upholding the freedom of contract doctrine enshrined in Lochner v. New York, the 1905 case that invalidated legislation limiting the hours a baker could work. "Lochnerism" or "Lochnerian jurisprudence," as Bernstein calls it, benefited blacks by voiding discriminatory labor laws, and he illuminates how these labor regulations harmed African Americans. "The Supreme Court," he writes, "was relatively sympathetic to plaintiffs who challenged government regulations, especially occupational regulations, as violations of the implicit constitutional …
Review Of A Stone Of Hope: Prophetic Religion And The Death Of Jim Crow By David L. Chappell, Brian D. Behnken
Review Of A Stone Of Hope: Prophetic Religion And The Death Of Jim Crow By David L. Chappell, Brian D. Behnken
Brian D. Behnken
In this provocative new book, David Chappell examines the role of religion and religious thought in the Civil Rights movement. By focusing on the intellectual and religious underpinnings of both the activists and their segregationist rivals, he makes a persuasive argument that the struggle should best be understood as a prophetic religious movement, rather than as a social movement or as the triumph of a liberal consensus. Scrutinizing religion allows Chappell to shift the historiographical debate away from protests and violence to the role of ideas, principles, and faith.
Going Back To The Old Mainstream: No Depression, Robbie Fulks, And Alt. Country's Muddied Waters, Barbara Ching
Going Back To The Old Mainstream: No Depression, Robbie Fulks, And Alt. Country's Muddied Waters, Barbara Ching
Barbara Ching
In 1972, when Doctor Hook and the Medicine Show sang "The Cover of the Rolling Stone," they cast rock critics as arbiters of stardom. By the time Cameron Crowe used th is song in his 2000 film Almost Famous, it held little irony. Sex and drugs were good but they just couldn't compare to joining the magazine's anointed. Currently, some alternative country aspirant could sing the same tune about No Depression. The magazine, now in its eighth year, invariably uses its cover to showcase an alt.country artist. It has sponsored alt.country package tours (in which the editors indulge the fan's …
Wrong’S What I Do Best: Hard Country Music And Contemporary Culture: Introduction And Table Of Contents, Barbara Ching
Wrong’S What I Do Best: Hard Country Music And Contemporary Culture: Introduction And Table Of Contents, Barbara Ching
Barbara Ching
This book is about hard country music for two reasons. First, it's impossible to really understand country music, now one of the most popular forms of music in the United States, without recognizing that its "country" is a disputed territory where a mainstream-oriented pop production style reigns over a feisty and less fashionable form-"hard country." Second, hearing hard country music offers an important perspective on the bewildering cultural situation, often called postmodernism, in which we find ourselves. Conversely, once we recognize the postmodern rhetoric of cultural distinction embedded in contemporary hard country, we can hear the music as something more …