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Full-Text Articles in United States History

Going Back To The Old Mainstream: No Depression, Robbie Fulks, And Alt. Country's Muddied Waters, Barbara Ching Jan 2004

Going Back To The Old Mainstream: No Depression, Robbie Fulks, And Alt. Country's Muddied Waters, Barbara Ching

Barbara Ching

In 1972, when Doctor Hook and the Medicine Show sang "The Cover of the Rolling Stone," they cast rock critics as arbiters of stardom. By the time Cameron Crowe used th is song in his 2000 film Almost Famous, it held little irony. Sex and drugs were good but they just couldn't compare to joining the magazine's anointed. Currently, some alternative country aspirant could sing the same tune about No Depression. The magazine, now in its eighth year, invariably uses its cover to showcase an alt.country artist. It has sponsored alt.country package tours (in which the editors indulge the fan's …


Wrong’S What I Do Best: Hard Country Music And Contemporary Culture: Introduction And Table Of Contents, Barbara Ching Jan 2001

Wrong’S What I Do Best: Hard Country Music And Contemporary Culture: Introduction And Table Of Contents, Barbara Ching

Barbara Ching

This book is about hard country music for two reasons. First, it's impossible to really understand country music, now one of the most popular forms of music in the United States, without recognizing that its "country" is a disputed territory where a mainstream-oriented pop production style reigns over a feisty and less fashionable form-"hard country." Second, hearing hard country music offers an important perspective on the bewildering cultural situation, often called postmodernism, in which we find ourselves. Conversely, once we recognize the postmodern rhetoric of cultural distinction embedded in contemporary hard country, we can hear the music as something more …