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Full-Text Articles in Political History

It’S Like Déjà Vu All Over Again: Seismic Changes In The American Experiment, David King Jan 2018

It’S Like Déjà Vu All Over Again: Seismic Changes In The American Experiment, David King

Bridge/Work

“I’ve never seen anything like this.” “Is this the end of the country?”

In 2016, it seemed that both of those statements, or something similar, was on the tongues of nearly every American. No matter who you supported, there seemed to be something entirely new about the election cycle that the nation found itself in. There is no doubt that for this generation, the 2016 election is a watershed moment for the United States. For the U.S., however, watershed moments in democracy are not the exception but the rule. To fully understand how our democracy transitions, one must return to …


Le Théâtre Amateur Marocain. Trajectoire D’Un Théâtre Alternatif, Omar Fertat Dec 2009

Le Théâtre Amateur Marocain. Trajectoire D’Un Théâtre Alternatif, Omar Fertat

Présence Francophone: Revue internationale de langue et de littérature

Modern Moroccan theatre was born with non-professional artists and has remained intimately linked to this milieu. Unlike professional playwrights, non-professional artists have never bowed to the demands of political authorities, whether it be the French administration or the local Makhzen. They used this artistic medium as a forum for debate and resistance against the oppressor. This freedom of expression operated not just at the political level but also at the aesthetic level. Since non-professionals were not constrained by the need to please an audience fond of social comedies and melodramas, they could explore more risky avant-garde paths. In spite of …


Le Goût Des Jeunes Filles De Dany Laferrière : Du Chaos À La Reconstruction Du Sens, Nathalie Courcy Dec 2004

Le Goût Des Jeunes Filles De Dany Laferrière : Du Chaos À La Reconstruction Du Sens, Nathalie Courcy

Présence Francophone: Revue internationale de langue et de littérature

This paper analyses the way politics, society and the representation of speech is structured in Le goût des jeunes filles, Dany Laferrière’s fourth novel. How do the events told and the disorganised narration itself symbolise the unspeakable? Moreover, how does the characters’ speech rebuild the meaning of existence, and how does Laferrière see the future? Chaos, madness, all that overtakes or destroys the norm, anchors fiction in an attempt to reorganize reality and the imaginary.