Political History Commons^™

Becoming Belafonte: Black Artist, Public Radical, Judith Smith

Judith E. Smith

A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II—from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael—Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power.

In Becoming Belafonte, Judith E. Smith presents the first full-length interpretive …

A Law Unto Themselves: Historical Consequences And Cultural Realities From The Neglect Of Africana Studies In Policymaking Processes, Seneca Vaught

Seneca Vaught

No abstract provided.

Why The Rwandan Genocide Seemed Like A Drive-By Shooting: The Crisis Of Race, Culture, And Policy In The African Diaspora, Seneca Vaught

Seneca Vaught

From the American perspective, the Rwandan genocide developed amidst a cultural and racial crisis of the 1990s. The American attitude towards the crisis in Kigali provides a complex historical case study on how race and culture have profound and often-ignored policy implications. Specifically, the lack of American intervention in Rwanda reveals the complexity race and policy in American history and the shared fates of Africans throughout the world. Taken as a whole, the domestic cultural background of the early 1990s, including the rise of gangsta rap, rioting, and the dilemma of "black-on-black crime," collectively influenced American policy towards Africa at …

Kurds At The Nexus Of Global Politics, Jesse Benjamin

Jesse Benjamin

No abstract provided.