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Full-Text Articles in Political History
Le Théâtre Amateur Marocain. Trajectoire D’Un Théâtre Alternatif, Omar Fertat
Le Théâtre Amateur Marocain. Trajectoire D’Un Théâtre Alternatif, Omar Fertat
Présence Francophone: Revue internationale de langue et de littérature
Modern Moroccan theatre was born with non-professional artists and has remained intimately linked to this milieu. Unlike professional playwrights, non-professional artists have never bowed to the demands of political authorities, whether it be the French administration or the local Makhzen. They used this artistic medium as a forum for debate and resistance against the oppressor. This freedom of expression operated not just at the political level but also at the aesthetic level. Since non-professionals were not constrained by the need to please an audience fond of social comedies and melodramas, they could explore more risky avant-garde paths. In spite of …
De L’Écriture De L’Urgence À L’Écriture Du Renouveau, Armelle Crouzières-Ingenthron
De L’Écriture De L’Urgence À L’Écriture Du Renouveau, Armelle Crouzières-Ingenthron
Présence Francophone: Revue internationale de langue et de littérature
This critical analysis focuses on Rachid Boudjedra’s trilogy that deals with Algerian fundamentalism. Even though Boudjedra’s famous labyrinthine and vertiginous technique was at first based on the literary, on a pleasure of writing that would in turn trigger political thought – at least until the publication of the political pamphlet FIS de la haine –, his more recent technique reflects an urgency and a writing focused on political thought, both of which give birth to a literary process. Despite the author’s well-known reticence regarding conventional happy endings, he annihilates once and for all terrorism and fundamentalism, and embraces an optimistically …
Mango Beti Et Les Mythologies Postcoloniales : Héritier Et Inspirateur, Nathalie Etoke
Mango Beti Et Les Mythologies Postcoloniales : Héritier Et Inspirateur, Nathalie Etoke
Présence Francophone: Revue internationale de langue et de littérature
Mango Beti belongs to a nationalist tradition embodied by Ruben Um Nyobe, the Cameroonian revolutionary. This paper analyzes how the writer manages to rebuild the aborted Rubenist ideal through fictional devices. Charismatic leaders such as Martin Luther King and Nelson Mandela, who have been able to bring about social change and improve the living conditions of their people, also nurture Beti's political commitment. What is the link between the writer and these inspiring men? Is Mongo Beti himself a similar inspiration for other African writers?