Open Access. Powered by Scholars. Published by Universities.®

Medieval History Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 2 of 2

Full-Text Articles in Medieval History

Synchrony: An Aspect Of The Abilities Of Steppe Horse Archers In Eurasian Warfare (525 Bce – 1350 Ce), Chris Hanson Jan 2020

Synchrony: An Aspect Of The Abilities Of Steppe Horse Archers In Eurasian Warfare (525 Bce – 1350 Ce), Chris Hanson

Graduate Student Theses, Dissertations, & Professional Papers

Animals moving in unison as a group are quite intriguing to observe. Horses can run across terrain and change directions without jostling each other. They appear to move as if they know how to avoid crashing into others and run fluidly through their environment. This ability to maneuver without hindering herd is called synchrony and also extends to other animals including fish in schools and birds in flocks. Humans, on the other hand, need to create orderly formations in battle to move without interfering with adjacent warriors. For example, the Romans, Greeks, Persians, Chinese, and Byzantines trained their infantry and …


The Ethics Of Mourning: The Role Of Material Culture And Public Politics In The 'Book Of The Duchess' And The 'Pearl' Poem, Tarren Andrews Jan 2015

The Ethics Of Mourning: The Role Of Material Culture And Public Politics In The 'Book Of The Duchess' And The 'Pearl' Poem, Tarren Andrews

Graduate Student Theses, Dissertations, & Professional Papers

This project is a socio-historic analysis of two late 14th century dream visions: Chaucer’s Book of the Duchess and the Pearl poem. Utilizing Robert Pogue Harrison’s concept of objectifying grief through ritualized communal mourning, this thesis examines the ways in which mourning literature functioned as consolatory device, and a form of public performance for the powerful patrons who commissioned the pieces. By engaging with pre-existing communities of grief, material culture, and courtly discourse these poems perform the work of mourning while simultaneously enacting modes of public performativity that stress the ethics of grieving, and suggest that, for royal patrons, …