Latin American History Commons^™

Araguaia: Maoist Uprising And Military Counterinsurgency In The Brazilian Amazon, 1967-1975, Thamyris F. T. Almeida

Masters Theses

This thesis argues that the Maoist guerrilla movement headed by members of the Communist Party of Brazil (PCdoB) chose Araguaia as the stage for its insurrection based on perceived ideological and physical advantages. It examines the founding of the PCdoB as it split from the Brazilian Communist Party (PCB) over the issue of armed resistance in 1962. While the PCB did not promote the use of violence against the military dictatorship, the PCdoB sought an environment in which they could foster revolutionary fervor. Though the war’s longevity demonstrates that the PCdoB accurately assessed some camponeses’ willingness to help the guerrilheiros …

Policing Slavery: Order And The Development Of Early Nineteenth-Century New Orleans And Salvador, Gregory K. Weimer

FIU Electronic Theses and Dissertations

My dissertation explores the development of policing and slavery in two early nineteenth-century Atlantic cities. This project engages regionally distinct histories through an examination of legislative and police records in New Orleans, Louisiana, and Salvador, Bahia. Through these sources, my dissertation holds that the development of the theories and practices that guided “public order” emerged in similar ways in these Atlantic slaveholding cities. Enslaved people and their actions played an integral role in the evolution of “good order” and its policing. Legislators created laws and institutions to police enslaved people and promote order. In these instances, local government policed slavery …

Review Of Native And National In Brazil (Comparative Studies In Society And History), Tracy Devine Guzmán

Tracy Devine Guzmán

No abstract provided.

Anarchist Strategy And Visual Rhetoric In Brazil, 1970: The Living Theatre As “The People In The Street”, Chelsea R. Roberts

All Master's Theses

The dominant narrative of the Living Theatre, an anarchist-pacifist, activist performance group, situates the company within a historical framework of the "New Left". Implications of this strategy are identified and critiqued. Both due to the simplification of historical time periods between the fields of theatre and politics, or "periodization" (Postlewait), and because of the ways in which the "New Left" is identified as overtly American in much theatre scholarship, historicizing the Living Theatre as "in-line" with the New Left has resulted in the erasure of the Living Theatre's founding philosophies of anarchism and pacifism. The visual implications of these findings …

Counterfoundational Histories From Native Brazil: On Violence And The Aesthetics Of Memory, Tracy Devine Guzmán

Tracy Devine Guzmán