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Articles 1 - 6 of 6
Full-Text Articles in Latin American History
Imagining Costumbrismo: Connecting Image And Text In Nineteenth-Century Colombian Cuadros De Costumbres, María Sol Echarren
Imagining Costumbrismo: Connecting Image And Text In Nineteenth-Century Colombian Cuadros De Costumbres, María Sol Echarren
FIU Electronic Theses and Dissertations
Influenced by nineteenth-century scientific trends, Costumbrismo was a literary and artistic genre combining aspects of Romanticism and Realism and presenting traditional customs of autochthonous daily life. Nineteenth-century cuadros de costumbres, or “sketches of manners,” often used local color to depict national scenes, regional types, and cultural traditions. The cuadros, comprised of short but illustrative writings published as periodical pamphlets, contained visually charged descriptive language infused with a didactic objective in order to shape readers’ perspectives about the nation and present specific sociopolitical philosophies.
This dissertation analyzes the connections between literature and art through the written cuadros de costumbres …
"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano, Raquel Sáenz-Llano
"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano, Raquel Sáenz-Llano
LSU Master's Theses
This thesis studies the evolution, ideology and use of the myth of La Llorona through time in the Hispanic World. Considering this myth as one of the most known traditional narratives of the American continent, I begin by providing visual, ethnohistorical and ethnographical insights of weeping in Mesoamerica and South America and the specific mention of a weeping woman in some Spanish chronicles to say how western values were stablished in “the new continent” through this legend. I suggest that during the postcolonialism the legend did not tell anymore about a mother that cries and search a place for their …
Ansiedades Épico-Criollas Y El Mecenazgo De Indias En El Arauco Domado De Pedro De Oña, Andrea L. Fernandez
Ansiedades Épico-Criollas Y El Mecenazgo De Indias En El Arauco Domado De Pedro De Oña, Andrea L. Fernandez
Dissertations, Theses, and Capstone Projects
Among the characteristics of epic poetry are the topic of war, love encounters, heroism of exemplary individuals, and the narration of events contemporary to the audience to reinforce a collective historical identity. Arauco domado by Pedro de Oña, born in Angol (modern Chile), reiterates these traditional expectations with its protagonist, characters, setting, and latter theatrical representations within the viceregal context. The poem was made possible by the sponsorship of García Hurtado de Mendoza y Manrique, IV Marquis of Cañete and Viceroy of Peru. If the title of “espíritu cesarino novelo” [Caesar’s new spirit] (V.76.3) corresponds to the patron, Pedro de …
Constructing Marianismo In Colonial Mexico, Kathryn A. Buchanan
Constructing Marianismo In Colonial Mexico, Kathryn A. Buchanan
Chancellor’s Honors Program Projects
No abstract provided.
Abraham Acosta. Thresholds Of Illiteracy: Theory, Latin America, And The Crisis Of Resistance. New York: Fordham Up, 2014. Xiv + 276 Pp., Miguel Gonzalez-Abellas
Abraham Acosta. Thresholds Of Illiteracy: Theory, Latin America, And The Crisis Of Resistance. New York: Fordham Up, 2014. Xiv + 276 Pp., Miguel Gonzalez-Abellas
Studies in 20th & 21st Century Literature
Review of Abraham Acosta. Thresholds of Illiteracy: Theory, Latin America, and the Crisis of Resistance. New York: Fordham UP, 2014. xiv + 276 pp.
Redefining Civilization: Historical Polarities And Mythologizing In Los Con Quistadores Of Pablo Neruda's Canto General, Mark J. Mascia
Redefining Civilization: Historical Polarities And Mythologizing In Los Con Quistadores Of Pablo Neruda's Canto General, Mark J. Mascia
Languages Faculty Publications
The article analyzes the book Canto General, by Pablo Neruda.
Pablo Neruda's poetic history of Latin America, Canto General (1950), is perhaps best known for its lyricized defense of oppressed and subjugated peoples throughout Latin America, as the author had perceived them. This collection, organized into fifteen sections (often, though not always, linear in its chronicling of Latin American history), treats this social theme from Pre-Columbian times through the mid-Twentieth Century. In addition, the collection is clearly infused with a profoundly Marxist ideology, as well as a call to arms against powers which Neruda had perceived as aggressors, namely …