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Full-Text Articles in Intellectual History
In Response To Totalitarianism: The Hawkish Cold War Foreign Diplomacy Of The Europeans Kissinger And Brzezinski During American Détente, D'Otta M. Sniezak
In Response To Totalitarianism: The Hawkish Cold War Foreign Diplomacy Of The Europeans Kissinger And Brzezinski During American Détente, D'Otta M. Sniezak
University of New Orleans Theses and Dissertations
Despite historians describing the 1970s as a time of détente, both National Security Advisors that dominated America’s foreign policy pursued harsh stances against the Soviet Union. Henry Kissinger and Zbigniew Brzezinski sabotaged peace talks in order help the United States keep its edge against the other world superpower. Most historians point to the similarities between these two men, but what is most often left out of the narrative is that both men witnessed persecution at the hands of totalitarian governments: Kissinger by the Nazis and Brzezinski by both the Nazis and the Soviets. This influence is strong in their first …
Rationality, Parapsychology, And Artificial Intelligence In Military And Intelligence Research By The United States Government In The Cold War, Guy M. Lomeo
Theses and Dissertations
A study analyzing the roles of rationality, parapsychology, and artificial intelligence in military and intelligence research by the United States Government in the Cold War. An examination of the methodology behind the decisions to pursue research in two fields that were initially considered irrational.
Export / Import: The Promotion Of Contemporary Italian Art In The United States, 1935–1969, Raffaele Bedarida
Export / Import: The Promotion Of Contemporary Italian Art In The United States, 1935–1969, Raffaele Bedarida
Dissertations, Theses, and Capstone Projects
Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process. I do not concentrate on the Italian art scene per se, or on the American reception of Italian shows. Through a transnational perspective, instead, I examine the role of art exhibitions, publications, and critical discourse aimed at American audiences. Inaugurated by the Fascist regime as a form of political propaganda, this form of cultural outreach to the United States continued after WWII as Italian museums, dealers, and critics aimed to vaunt the …