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Full-Text Articles in Intellectual History
Stop Making Sense: Hegel’S Critique Of Common Understanding, Daniel A. Burnfin
Stop Making Sense: Hegel’S Critique Of Common Understanding, Daniel A. Burnfin
Masters Theses
This thesis presents Hegel’s account of abstract ‘understanding’ (Verstand) and asserts that his thought is to be read as primarily presenting a critique of abstract understanding. Verstand involves the methodological supposition of a self-subsistent fundament of what it speaks of, and hence the critique of understanding is the critique of the supposition of self-subsistent fundaments. Grasping his account and reading him in its critical light yields a very different image of Hegel than the caricature of ‘totalizing systems’. The dimension of the Verstandeskritik has been relatively neglected in Hegel-reception and misunderstandings result from trying to ‘understand’ Hegel, by …
A Study Of The Social And Political Implication Of Friedrich Schlegel’S ‘Comedy Of Freude’, Manjit Singh Bhatti
A Study Of The Social And Political Implication Of Friedrich Schlegel’S ‘Comedy Of Freude’, Manjit Singh Bhatti
Masters Theses
Generally speaking, scholarship in the field of Germanistik has taken an interest in Friedrich Schlegel’s early publication, “Vom aesthetischen Werte der griechischen Komoedie” (1794), either because of its perceived influence on German Romantic Comedy [(Catholy 1982), (Kluge 1980), (Holl 1923), (Japp 1999)], or else because of its relevance as an example of Schlegel's still inchoate aesthetic philosophy [(Dierkes 1980), (Behrens 1984), (Schanze 1966), (Michel 1982), (Dannenberg 1993), (Mennemeier 1971)]. As a theory of comedy in its own right, Schlegel’s essay has garnered little attention, in part because of its supposed inapplicability to comedic praxis and at times utopian implications, in …
James Tyrrell, John Locke, And Robert Filmer: Ideas On Property In Late Seventeenth Century England, Christopher Chatlos Strangeman
James Tyrrell, John Locke, And Robert Filmer: Ideas On Property In Late Seventeenth Century England, Christopher Chatlos Strangeman
Masters Theses
In this thesis, I examine the political theories of Sir Robert Filmer, John Locke, and James Tyrrell and, in turn, compare their respective conceptions of property which are at the foundation of their political theories. This political debate about property must be set amongst the political circumstances of the exclusion crisis. Arising from the Whig-Tory division, which arose in part from the Popish Plot, Filmer, Locke, and Tyrrell reveal the ideas of the parties they represented. Locke and Tyrrell, as Whig representatives, refuted the patriarchal theory of Filmer's Patriarcha, representative of the Tory party. In refuting Filmer, Locke and …