Intellectual History Commons^™

Assur Is King Of Persia: Illustrations Of The Book Of Esther In Some Nineteenth-Century Sources, Steven W. Holloway

Steven W Holloway

The marriage of archaeological referencing and picture Bibles in the nineteenth century resulted in an astonishing variety of guises worn by the court of Ahasuerus in Esther. Following the exhibition of Neo-Assyrian sculpture in the British Museum and the wide circulation of such images in various John Murray publications, British illustrators like Henry Anelay defaulted to Assyrian models for kings and rulers in the Old Testament, including the principal actors in Esther, even though authentic Achaemenid Persian art had been available for illustrative pastiche for decades. This curious adoptive choice echoed British national pride in its splendid British Museum collection …

Aos 2017: Edward Elbridge Salisbury And The Aos, Roberta L Dougherty

Roberta L. Dougherty

Philosophy, Science, And Belles-Lettres In Syriac And Christian Arabic Literature: A Gentle Introduction And Survey, Adam C. Mccollum

Adam C McCollum

It might be assumed that the genres of Syriac and Christian Arabic literature are made up exclusively (or almost so) of sacred topics (Bible, commentary, liturgy, asceticism, hagiography, theology, etc.), the writers, scribes, and readers in these communities often being monks, presbyters, deacons, and bishops. A broad look at the surviving evidence of this literature, however, shows an immense interest in subjects not directly connected to the church, monastery, or Christian life at all, among them philosophy, science, and belles-lettres. This paper offers a basic overview of these subjects as Syriac and Christian Arabic authors dealt with them, especially from …

Issues In Identifying Innovation, The Early Ramesside Era As A Case Study, Kerry Muhlestein

Kerry Muhlestein

No abstract provided.

The First Translations Of The Qur'an In Modern Turkey (1924-1938), Brett Wilson

Brett Wilson

No abstract provided.