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Full-Text Articles in Intellectual History

Scientism, Satire, And Sacrificial Ceremony In Dostoevsky's "Notes From Underground" And C.S. Lewis's "That Hideous Strength", Jonathan Smalt May 2014

Scientism, Satire, And Sacrificial Ceremony In Dostoevsky's "Notes From Underground" And C.S. Lewis's "That Hideous Strength", Jonathan Smalt

Masters Theses

Though the nineteenth-century Victorian belief that science alone could provide utopia for man weakened in the epistemological uncertainty of the postmodern era, this belief still continues today. In order to understand our current scientific milieu--and the dangers of propagating scientism--we must first trace the rise of scientism in the nineteenth-century. Though removed, Fyodor Dostoevsky, in Notes From Underground (1864), and C.S. Lewis, in That Hideous Strength (1965), are united in their critiques of scientism as a conceptual framework for human residency. For Dostoevsky, the Crystal Palace of London's Great Exhibition (1862) embodied the nineteenth-century goal to found utopia through the …


Old Gods In New Clothes: The French Revolutionary Cults And The "Rebirth Of The Golden Age", Jennifer Boyet May 2014

Old Gods In New Clothes: The French Revolutionary Cults And The "Rebirth Of The Golden Age", Jennifer Boyet

Masters Theses

The French Revolution's state cults were possible because of French intellectuals' preference for pre-Christian Greco-Roman civilization, as well as France's history of heterodoxy. The philosophes endorsed ancient Greco-Roman civilization as embodying mankind's ideal and more "natural" state; French revolutionary leaders avidly read these ideas of the Enlightenment philosophers. This Enlightenment Classicalism influenced the designers of the French state religions to mirror Greco-Roman paganism in the new regime's festivals and iconography. The French people's fascination with the Occult further created the cultural and intellectual climate for the creation and acceptance of these new religions of the dechristianized republic. Under this worldview, …


A Study Of The Social And Political Implication Of Friedrich Schlegel’S ‘Comedy Of Freude’, Manjit Singh Bhatti Dec 2009

A Study Of The Social And Political Implication Of Friedrich Schlegel’S ‘Comedy Of Freude’, Manjit Singh Bhatti

Masters Theses

Generally speaking, scholarship in the field of Germanistik has taken an interest in Friedrich Schlegel’s early publication, “Vom aesthetischen Werte der griechischen Komoedie” (1794), either because of its perceived influence on German Romantic Comedy [(Catholy 1982), (Kluge 1980), (Holl 1923), (Japp 1999)], or else because of its relevance as an example of Schlegel's still inchoate aesthetic philosophy [(Dierkes 1980), (Behrens 1984), (Schanze 1966), (Michel 1982), (Dannenberg 1993), (Mennemeier 1971)]. As a theory of comedy in its own right, Schlegel’s essay has garnered little attention, in part because of its supposed inapplicability to comedic praxis and at times utopian implications, in …


James Tyrrell, John Locke, And Robert Filmer: Ideas On Property In Late Seventeenth Century England, Christopher Chatlos Strangeman Jan 1997

James Tyrrell, John Locke, And Robert Filmer: Ideas On Property In Late Seventeenth Century England, Christopher Chatlos Strangeman

Masters Theses

In this thesis, I examine the political theories of Sir Robert Filmer, John Locke, and James Tyrrell and, in turn, compare their respective conceptions of property which are at the foundation of their political theories. This political debate about property must be set amongst the political circumstances of the exclusion crisis. Arising from the Whig-Tory division, which arose in part from the Popish Plot, Filmer, Locke, and Tyrrell reveal the ideas of the parties they represented. Locke and Tyrrell, as Whig representatives, refuted the patriarchal theory of Filmer's Patriarcha, representative of the Tory party. In refuting Filmer, Locke and …


British Intellectuals And The Great War: A Survey Of Intellectual Opinion, Vincent Paul Schmidt Jan 1973

British Intellectuals And The Great War: A Survey Of Intellectual Opinion, Vincent Paul Schmidt

Masters Theses

No abstract provided.